Sachchidananda Vatsyayan
Sachchidananda Hirananda Vatsyayan, popularly known by his nom de plume Agyeya, was an Indian writer, poet, novelist, literary critic, journalist, translator and revolutionary in Hindi language. He pioneered modern trends in Hindi poetry, as well as in fiction, criticism and journalism. He is regarded as the pioneer of the Prayogavaad movements in modern Hindi literature.
Son of a renowned archaeologist Hiranand Sastri, Agyeya was born in Kasia, a small town near Kushinagar in Uttar Pradesh. He took active part in the Indian freedom struggle and spent several years in prison for his revolutionary activities against British colonial rule.
He edited the Saptak series which gave rise a new trends in Hindi poetry, known as Nayi Kavita He edited several literary journals, and launched his own Hindi language weekly Dinaman, which set new standard and trends in Hindi journalism. Agyeya translated some of his own works, as well as works of some other Indian authors to English. He also translated some books of world literature into Hindi.
Agyeya was awarded the Sahitya Akademi Award, Jnanpith Award and the internationally reputed Golden Wreath Award for poetry.
Early life and education
Agyeya was born as Sachchidananda Vatsyayan in Punjabi Brahmin family on 7 March 1911 in an archaeological camp near Kasia, Kushinagar district of Uttar Pradesh, where his father, Hiranand Sastri, an archaeologist, was positioned for an excavation. His mother was Vyantidevi who was not much educated. Hiranand Sastri and Vyantidevi had 10 children, of whom Agyeya was the fourth. Agyeya spent his early childhood in Lucknow. Due to his father's professional appointment at various places, he had to shift to various places including Srinagar and Jammu, Patna, Nalanda and the Ootacamund and Kotagiri. Due to this peripatetic lifestyle, Agyeya came into contact with different Indian languages and cultures. His father, himself a scholar of Sanskrit, encouraged him to study Hindi and taught him some basic English. He was taught Sanskrit and Persian by Pandit and Maulavi in Jammu.After passing his matriculation in 1925 from the University of Punjab, Agyeya moved to Madras, joined the Madras Christian College, and did Intermediate in Science in 1927, studying mathematics, physics and chemistry. In the same year, he joined the Forman Christian College in Lahore, where he studied mathematics, physics, chemistry and English, and received a Bachelor of Science in 1929, standing first in a class. Thereafter he enrolled for an MA in English, but dropped out, and joined the Hindustan Socialist Republican Army, a revolutionary organisation, with a view to fight for Indian independence movement, and participated in rebellious activities against the British colonial government. In November 1930, he was arrested on account of his involvement in the attempt to help Bhagat Singh, a socialist revolutionary and leader of HSRA, to escape from jail in 1929. He was then sentenced on charge of sedition against British rule in India. He spent the next four years in jail in Lahore, Delhi and Amritsar. During these prison days, he started writing short stories, poems and the first draft of his novel .
He was associated with the Progressive Writers Association and, in 1942, he organised the All India Anti-Fascist Convention. During World War II in 1942, he joined the Indian army and was sent to the Kohima Front as a combatant officer. He left the army in 1946. He stayed at Meerut for sometime and remained active in local literary groups. During this period, he published several translations into English of other writers, and a collection of his own poems, Prison Days and Other Poems.
Agyeya married Santosh Malik in 1940, and divorced her in 1945. He married Kapila Vatsyayan on 7 July 1956. They separated in 1969. He died on 4 April 1987, aged 76, in New Delhi. He was cremated at Nigambodh Ghat.
Career
After his release from jail in 1934, Agyeya worked as a journalist in Culcutta, and from 1939 for All India Radio.Agyeya edited Sainik from Agra, Vishal Bharat from Calcutta, Prateek and Naya Prateek respectively from Allahabad and New Delhi. In English. he edited Vak. He served as an editor of Jayprakash Narayan's Everyman's Weekly and editor-in-chief of Hindi daily Navbharat Times of the Times of India Group.
He travelled to Japan in 1957-58, where he learned about Zen Buddhism which influenced him and his writing style. In 1961, he joined the University of California, Berkeley as a visiting lecturer in Indian Literature and Civilization, and remained there until June 1964.
In 1965, he returned to India and became Founder Editor of the newsweekly Dinaman of the Times of India Group. When the members of the Hungry generation or Bhookhi Peerhi movement were arrested and prosecuted for their anti-establishment writings, Agyeya through Dinmaan relentlessly supported the young literary group of Culcutta till they were exonerated. His dispatches on Bihar's famous famine are considered milestones in pro-people reporting.
He remained in India till 1968, before embarking on a trip to Europe. In 1969 he returned to Berkeley as Regents Professor, and continued there till June 1970. In 1976, he had an 8-month stint at Heidelberg University, as a Visiting Professor. Later he joined University of Jodhpur, Rajasthan as Professor and Head of the Department of Comparative Literature.
Literary works
During the four years in prison, Agyeya started writing short stories and published them in Hans, edited by Premchand. He also started writing the first draft of his autobiographical novel Shekhar: Ek Jivani, followed by its second and third draft. His first collection of poems, Bhagnadutta, appeared in 1933. After his release from the jail, he published his first short story collection, Vipathga, in 1937, and in 1941, he published the first volume of Shekhar: Ek Jivani, followed by the second volume in 1944. Its third volume, though announced, was never published.In 1943, he edited and published Tar Saptak, a collection of poems by seven young writers, whose poems were not published before. Considered the first anthology of modern Hindi poetry and a milestone in the history of Hindi literature, Tar Saptak gave rise to the Prayogvad in Hindi poetry, and established a new trends Hindi poetry, known as Nayi Kavita.
;Poetry collections:
- Bhagndoot
- Chinta
- Ityalam
- Hari ghaas par kshan-bhar
- Baawra aheri
- Indradhanu raunde hue ye
- Ari o karuna prabhamaya
- Angan Ke Par Dwar
- Poorva
- Sunahale Shaivaal
- Kitni naavon mein kitni baar
- Kyonki main usei jaanta hoon
- Saagar-mudra
- Pahle main sannata bunta hoon
- Mahavriksha ke neeche
- Nadi ki baank par chhaya
- Sadanira-1
- Sadanira-2
- Aisa koi ghar aapne dekha hai
- Maruthal
- Sarjana ke kshan
- Thaur thikaane
- Karaawas ke din
- Kavishri
- Aaj ke lokpriy kavi
- Kaavya-stabak
- Sannate ka chhand
- Ajneya: Sanklit kavitayen
- Shekhar: Ek Jeevani I
- Shekhar: Ek Jeevani II
- Shekhar: Ek Jeevni III
- Nadi ke dweep
- Apne-apne ajnabi
- Barahkhambha
- Chhaya mekhal
- Beenu bhagat
- Vipathga
- Parmpara
- Kothri ki baat
- Sharnaarthi
- Jaydol
- Amarvallari tatha anya kahaniyan
- Kadiayan tatha anya kahaniyan
- Acchute phool tatha anya kahaniyan
- Ye tere pratiroop
- Jigyasa tatha anya kahaniyan
- Meri priy kahaniyan
- Chhorra hua rasta
- Lautti pagdandiyan
- Sampoorn Kahaniyan
- Adam Ki diary
- Uttar Priyadarshi
- Are Yayavar Rahega Yaad
- Kirnon ki khoj mein
- Ek Boond Sahsa Uchhli
- Trishanku
- Hindi sahitya: Ek adhunik paridrishya
- Atmanepad
- Aatmparak
- Aalwaal
- Likhi kagad kore
- Jog likhi
- Adyatan
- Samvatsar
- Smriti ke paridrishya
- Srot aur setu
- Vyakti aur vyavastha
- Yug-sandhiyon par
- Dhaar aur kinaare
- Bhartiya kala drishti
- Smritichhanda
- Kendra aur paridhi
- Srijan: kyon air kaise
- Kavi-Nikash
- Kavi-drishti
- Tadbhav
- Lekhak ka Dayittva
- Khule Mein Khada Ped
- Sab rang
- Sab rang aur kuchh raag
- Kahan hai dwaraka
- Chhaya ka jangal
- Bhavanti
- Antara
- Shaswati
- Shesha
- Kaviman
- Smriti-lekha
- Smriti ke galiyaron se
- Main kyun likhta hoon
- Tar Saptak
- Doosra Saptak
- Teesra Saptak
- Chautha Saptak
- Pushkarini
- Naye ekanki
- Nehru abhinandan granth
- Roopambara
- Homvati smarak granth
- Sarjan aur sampreshan
- Sahitya ka parivesh
- Sahity aur samaj parivartan
- Samajik yatharth aur katha-bhasha
- Samkaleen kavita mein chhand
- Bhavishya aur sahitya
- Indian Poetic Tradition
- Naye Sahitya Srishta-1 Raghuveer Sahay: Seedihiyon par dhoop mein
- Naye Sahitya Srishta-2 Sarveshawar Dayal Saxena: Kaath ki ghantiyan
- Naye Sahitya Srishta-3 Ajit Kumar: Ankit hone do
- Naye Sahitya Srishta-4 Shanti Mehrotra
- Aparoksh, Ramesh Chandra Shah & others
- Rachna: Kyon aur kinke beech, Sharad Kumar, Geeti Sen & Others
- Agyeya Apne bare mein, Raghuveer Sahay & Gopal Das
- Kavi Nayak Ajneya, Ila Dalmia & Neelima Mathur
- Prison days and other poems
- A sense of time
Sanchayita
Translations:
- Shrikant
- Gora
- Raja
- Vivekanand
- The resignation
- The seventh horse of the sun
- The Silent waters
- Vazir ka Feela
- Mahayatra
- Islands in the stream
- To each his stranger
- The unmastered lute and other poems
- The revolving rock and other poems
- First Person, Second Person
- Signs and silences
- Nilambari
- Truculent clay
- Preparing the ground
- German: Sekh Ktoratien
- : Stand-orte
- Swedish : Den arket
- Servo-Croatian: Catoetien
- : prvo liche drugo liche
- :Vsak ima svoyega tuicha
- Sarswat Van Ka Bavra Aheri, Producer Durgavati Singh, Doordarshan, New Delhi
- Sannate ka Chhand, Dir. Pramod & Neelima Mathur, Vatsal Nidhi, New Delhi
- Deep Akela, Dir. Pramod Mathur, MGAHVV, Wardha
- Kavi Bharti, Bharat Bhawan, Bhopal
Reception
Agyeya is considered to be one of the most influential Hindi writers of the 20th-century and is seen as the founder of ādhuniktā in Hindi literature. He is considered 'the most westernized' among the Hindi writers between the 1940s and the 1960s. He was often criticized for his excessive use of intellectualism and individualism in his writings.
The scholar Sushil Kumar Phull calls Agyeya an 'intellectual giant' and 'pundit of language', and compares him with English poet Robert Browning for his obscure and condense language which he used in his poetry.