Runaway Train (film)


Runaway Train is a 1985 American independent action thriller film directed by Andrei Konchalovsky and starring Jon Voight, Eric Roberts, Rebecca De Mornay and John P. Ryan. The screenplay by Djordje Milicevic, Paul Zindel and Edward Bunker was based on an original screenplay by Akira Kurosawa, with uncredited contributions by frequent Kurosawa collaborators Hideo Oguni and Ryūzō Kikushima. The film was also the feature debuts of Danny Trejo and Tommy "Tiny" Lister, who both proceeded to successful careers as "tough guy" character actors.
The story concerns two escaped convicts and a female railroad worker who are stuck on a runaway train as it barrels through snowy desolate Alaska. Voight and Roberts were both nominated for Academy Awards for their respective roles.
Akira Kurosawa wrote the original screenplay, intending it to be his first color film following Red Beard, but difficulties with the American financial backers led to its being shelved.

Plot

Oscar "Manny" Manheim is a ruthless bank robber and hero to the convicts of Alaska's Stonehaven Maximum Security Prison. After two previous escape attempts, Manny is put in solitary confinement for three years. A court order compels sadistic Associate Warden Ranken to release him from solitary. Planning a third break out, Manny is forced to advance his plan to mid-winter after he is stabbed. Manny recruits young prisoner Buck McGeehy to help in the complicated plan. After an arduous cross-country hike, including a swim across a freezing river, the two hop on board a train.
After the men stow away, the elderly railroad engineer has a heart attack. As the driverless train accelerates, dispatchers Dave Prince and Frank Barstow are alerted to the situation. They try to keep the tracks clear, but the runaway smashes the caboose of another train. The collision damages the cab of the lead locomotive and jams the front door of the second engine, an old EMD F-unit. The convicts are now aware something is wrong. Barstow's superior Eddie McDonald orders him to derail the train.
At this point the train's horn blows, alerting the authorities that someone is on the train. Barstow cancels the derailment. Ranken concludes that his two escaped convicts are fleeing by rail. Meanwhile, the two fugitives are discovered by Sara, a locomotive hostler, who explains that she sounded the horn and that the train is out of control. She convinces them that jumping off the train would be suicidal and explains that the only way to stop the train would be to climb into the lead engine and press its kill switch, a near-impossible feat. As they do this, they manage to shut down the third and fourth locomotives and they nearly derail on a bridge. Someone also sees the three people and alerts the dispatch.
The dispatchers divert the runaway onto a branch after determining it is only five minutes away from a head-on collision. Further ahead the train has a tight curve near a chemical plant. Barstow agrees that they must crash it, thus condemning the three people, rather than risk a chemical explosion. Warden Ranken forces Barstow to help him reach the train by helicopter.
Manny tries to force Buck into a suicidal scramble around the outside of the second engine's frozen nose. Sara's intervention on Buck's behalf forces an armed face-off. Emotionally broken, all three slump into depression. Suddenly Ranken's accomplice is lowered from a helicopter to the lead engine but falls through the windshield of the second engine, and then under the train.
Spurred on by the appearance of his arch-enemy and resolved not to return to prison, Manny makes a perilous leap to the lead engine. He barely makes it, crushing his hand. Ranken boards the locomotive from the helicopter, but Manny ambushes and handcuffs him. Ranken orders Manny to stop the train before it crashes, but Manny has chosen to die rather than be recaptured. Ranken says that he knows how to die too. When reminded of Buck and Sara in the second engine, Manny uncouples his out-of-control lead engine. He waves goodbye, ignoring Buck's screaming pleas to shut down the lead engine, and climbs onto the roof of the lone engine in the freezing snow, his arms stretched out, ready to meet his end. Buck and Manny's fellow inmates mourn in their cells as the lone engine disappears into the storm. The film closes with an on-screen quote from William Shakespeare's Richard III:

Cast

read an article in a 1963 Life magazine by Warren Young about a runaway train. He thought it would make a good film and contacted Joseph E. Levine about doing an international co-production. In June 1966 Kurosawa announced he would make Runaway Train for Joseph E. Levine's Embassy Pictures. The budget was to be $5.6 million. The script was written by Kurosawa, Oguni Hideo and Kikushima Ryuzo, about two escaped convicts who hide onboard a stationary train, only for it to roll away, gradually picking up tremendous speed. Sidney Carroll was hired to adapt Kurosawa's script into English. The film would be shot along tracks between Syracuse and Rochester in New York over 16 weeks in October 1966. Tetus Aoyagi would produce and the film would be shot in 70 mm.
Plans to shoot were cancelled at the last minute, only to be scheduled and cancelled yet again. In April 1967 the project had been "indefinitely postponed" and Kurosawa signed to make Tora! Tora! Tora!.

Production

Development

In 1982 the Nippon Herald company, which owned Kurosawa's script, asked Francis Ford Coppola to recommend a director. Coppola and his producer, Tom Luddy, suggested Andrei Konchalovsky. The director succeeded in raising finance from Cannon Films.
"The design is still Kurosawa's," said Andrei Konchalovsky. "The concentration of energy and passion, the existential point of view, and the image of the train as something - perhaps civilization - out of control.... Manny, the character played by Voight, feels, 'Win or lose, what's the difference?' That's not very familiar to the Western mind. We tend to love winners, and we don't like losers."
Konchalovsky knew Jon Voight, who had helped get the director his visa to work in the US in 1979
Karen Allen was announced for the female lead. The part ended up being played by Rebecca De Mornay, who said "It's my first real action-oriented picture. There are scenes where I'm walking across the top of a train - things like that. I really wanted to do something that called for a lot of physical acting, where I'm acting not as much with words as with my body."
The Alaska Railroad decided that their name and logo would not be shown. Several scenes referred to the railroad as "A&E Northern." The filming took place near Portage Glacier, Whittier, and Grandview.

Shooting

Principal photography began on March 13, 1985, at the Butte, Anaconda, & Pacific Roundhouse in Anaconda, Montana. During filming, the crew realized they didn't have any real snow, due to warm temperatures in the area. They used Christmas tree flock for fake snow, and they had to keep it from melting on the tracks at the west yard. Cannon Films had to cut short its stay in Anaconda, and they moved onto Deer Lodge, Montana, to film the prison scenes at the Old Montana State Prison. Approximately 200 extras were hired to play prisoners in the scenes. They spent a week filming several scenes at the prison. Finally the second unit team went to Whittier, Alaska, to film on the Alaska Railroad tracks. The Bridge sequence was filmed on the Seneca Bridge on Placer Creek, about 5 miles from Whittier. The scene where Jordan makes the switch on the tracks was filmed at Portage, Alaska. The cast and crew went to the Pan-Pacific Auditorium in Los Angeles, California, to film the interior of the train scenes and the prisoners' escape scene. Filming was finally completed in late April 1985.
The runaway train's lineup in the movie consisted of four Alaska Railroad locomotives, all built by EMD: GP40-2 #3010, F7 #1500, and #1801 and #1810, both GP7s. The latter two locomotives had previously been rebuilt by ARR with low short hoods as opposed to a GP7's original high short hood, but were fitted with mock-up high hoods made of plywood for the film, branded with fictional numbers 531 and 812, respectively. Because #1801's cab had been reconstructed prior to filming, the '531' prosthetic hood stood slightly higher than the normal hood height of a GP7 in order to fit over the locomotive's number-board.
The locomotives used in the film have gone their separate ways:
Richard Holley was killed prior to start of principal photography when the helicopter he was piloting hit power lines while scouting for shoot locations in Alaska. The film is dedicated to him during the closing credits.

Music

USSR Academic Russian Chorus is credited for Antonio Vivaldi's "Gloria".

Release

Box office

Runaway Train had its premiere in New York City on November 15, 1985, followed by its limited release in 965 theatres on December 6, 1985. It made $2,601,480 on that weekend. It was released nationwide on January 17, 1986 and was well received by critics, but failed to find an audience. It opened in 8th place its premiere weekend, and failed to make back its production cost. The film also had a premiere in Anaconda, Montana at the Washoe Theatre on March 20, 1986. Invitations for the premiere were sent to people from the department of Commerce, Rarus Railroad and Cannon Films personnel, as well as Jon Voight, Eric Roberts and Rebecca De Mornay. However, none of the actors could attend. The film made $7,936,012 worldwide.

Critical reception

Runaway Train received generally positive reviews, and has an 85% approval rating on Rotten Tomatoes based on 33 reviews. Janet Maslin, writing for The New York Times, felt that much of the film was absurd but that Jon Voight's performance was excellent, and she credits the film for "crude energy and bravado". In 2010, movie critic Michael Phillips said on his show At the Movies that it was the most under-rated movie of the 1980s. Roger Ebert awarded the film four out of four stars.
In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films. Runaway Train was listed at 64th place on this list.

Accolades

The film was entered into the 1986 Cannes Film Festival.