Roger A. Graham


Roger A. Graham was an American lyricist, composer, singer, and music publisher who flourished from 1906 to 1920 — a period that included World War I, the golden age of Tin Pan Alley, the dawn of the Jazz Age '', and the silent film era. Graham was a proponent of vaudeville and burlesque songs. But as a lyricist and publisher, Graham is most remembered for having been an exponent of blues songs.
From about 1914 to 1919, Graham's success and popularity as lyricist and publisher led to close friendships with stars of the stage and silent screen — George M. Cohan, Sophie Tucker, Al Jolson, Eddie Cantor, and many others.
But after failing to have a hit as a writer or publisher for three or four years, and a year after the start of Prohibition, Graham quit writing music and publishing in 1921 and took a job as a department manager at Mandell Brothers, a large department store.
In 1938, nine years after the Wall Street Crash and in the throes of the Great Depression, Graham died alone and penniless in the Cook County Hospital charity ward, reportedly unknown to those attending him and without any kin or friend mourning at his side. Graham's remains would have been interred in a pauper's grave were it not for an alert attendant at the Cook County Morgue, who, after recognizing his name on a list, contacted a sister, Elizabeth of Bronxville, New York, and his ex-wife of 8 years, May Olivette Hill of Los Angeles.
According to Hill, his lyrics from "I Ain't Got Nobody", and other melancholy songs that made him popular, seemed to foreshadow his decline and ensuing loneliness.

Federal court case

Graham's firm, Roger Graham Music Publisher, published the "Livery Stable Blues". It was recorded in 1917 by the Original Dixieland Jass Band on the Victor label and is widely acknowledged as the first commercially recorded jazz. It was the first recording to sell a million records and its success established jazz as a popular genre. During production, Victor executives re-titled the B-side of Victor 18255 as "Barnyard Blues" in an effort to avoid offending target audiences with a seemingly vulgar title. Due to a labeling error, however, the record itself retained the band's original title.
In June 1917, Roger Graham published "Livery Stable Blues", attributing the composition to Alcide Nunez and Ray Lopez, who were New Orleans jazz community colleagues. Months later, Leo Feist published virtually the same music under the title "Barnyard Blues", attributing the composition to Nick LaRocca, the director of the ODJB and cornetist on the ODJB recording.
Publishing it landed Graham in federal court with a charge of pirating the theme — Max Hart , manager for ODJB, et al. v. Roger Graham. Graham won acquittal after Judge George A. Carpenter asked Nunez to define the blues, whereupon he made his famous reply: "Judge, blues is blues — a little off key but harmony against the rules". The judge ruled that the blues could not be copyrighted, resulting in neither party having a copyright. The judge also expressed doubt that musicians unable to read or write music could be said to have composed'' anything.

Career highlights

Rhode Island
First marriage
Move from Providence to Chicago in 1910
Theodore Morse Music Company, Chicago
Ellis & Co., Chicago
Marriage to May Olivette Hill
Retirement from music
Divorce
Roger Graham, 143 Dearborn Street
Theory over the etymology of the word, "Jazz"

Addresses

At the height of his career, around 1918, his friends were stars of the stage and silent screen — George M. Cohan, Sophie Tucker, Al Jolson, Eddie Cantor, and many others. Two decades later, he died, only aged 53, but alone, almost forgotten, in a charity ward at the Cook County Hospital in Chicago. When his body had been taken to the Cook County Morgue, an attendant recognized the name on his files and the county notified his sister in New York and his ex-wife of 10 years and song writing collaborator, May Hill, whom he divorced in 1936. "It's strange that everyone should have forgotten Roger", Hill remarked. "The songs he wrote seem to fit the loneliness of his death". He was buried in Palos Hills Memorial Park in Cook County.

[Extant music]

Graham wrote lyrics to nearly 200 songs. His biggest hit, "I Ain't Got Nobody", is a blues that became a perennial standard. As of 2013, in jazz recordings alone, it has been recorded 311 times according to The Jazz Discography tune database; and it has been used in 23 films according to IMDb.
Craig & Co. of Chicago, of which Graham was manager and partner, copyrighted it in 1916, and attributed the music to Spencer Williams and Dave Peyton and the lyrics to Graham.
A 1915 manuscript copyright credits the music to Williams and Peyton, no mention of Graham.
Attribution, however, was clouded by two earlier works. David Young copyrighted it in 1914, attributing the music to Charles Warfield and the lyrics to himself.
Clarence E. Brandon, Sr. claimed that the more well-known Williams-Graham-Peyton song was written in response to his refusal to sell the publishing rights to his 1911 "I Ain't Got Nobody", which, according to him, was shelved and sold only under the counter. Brandon's version was apparently not widely disputed.
The two disputed versions were cleared in 1916 when Graham and Williams sold their rights to Frank K. Root & Co., a Chicago publisher '', and later that year, Warfield and Young sold their rights to Root. Root henceforth published the work both ways; but the prevailing attribution has gone to Graham and Williams.
R.A. Graham, Wickford, Rhode Island
Roger A. Graham, Providence, Rhode Island
M. Witmark & Sons, New York
Pearsall & Graham, Providence, Rhode Island
Ellis & Co.
Craig, Ellis & Company, Chicago
Craig & Company, Chicago
Roger Graham, Chicago
Frank K. Root & Co, Chicago, New York City
McKinley Music Co., Chicago
May Hill, Hollywood, California
Joe Slater, Sydney, Australia
Copyright renewals

May Hill, Evanston, Illinois
"I Ain't Got Nobody"
According to IMDb, "I Ain't Got Nobody" has 23 film credits. "Shim-Me-Sha-Wabble", a 1917 hit composed by Spencer Williams and published by Graham endures today as the impetus for the shimmy, a dance move. Graham sold the copyright fir "Shim-Me-Sha-Wabble" to the New York publishing firm of Joseph W. Stern. "Shim-Me-Sha-Wabble" was also used in the film Cinderella Man and was the name of a TV episode for Fox.