Richard Hamilton Lane, was an Australian writer known particularly for his skillful adaptation of plays and films for radio. He is often called the father of Australian radio drama. His career spanned over 60 years, and he is recognised not only for his writing achievements but for his contribution to the Australian Writers' Guild. He also wrote for television, and was described after his death as "luminary of the Australian radio and television industries".
Life
Richard Lane was born in the Sydney beach suburb of Coogee and went to school in Sydney's northern suburbs at Knox Grammar School in Wahroonga, where "he excelled as an athlete and edited the school magazine". Lane married a few times, with his last wife being the Australian actor, Lynne Murphy.
Writing career
Lane's first short story was published while he was still at school, and more of his stories were published in magazines in the following year. However, it was in radio drama, still in its infancy when he started, that he found his vocation. His first radio play was No Escape. By the age of 21 Lane had had a number of plays produced by the Australian Broadcasting Corporation and he was being recognised as "an exciting new talent". He became senior playwright at Sydney's radio station2GB, Australia's largest producer of radio drama. He adapted plays into one-hour dramas, and novels into serial form. He wrote and produced the long-running radio serialDr Paul. Actors such as Peter Finch appeared in his early plays. By 1949, he was recognised as Australia's "foremost radio playwright". He decided at this time to go freelance, and directed as well as wrote radio drama. With the arrival of television in Australian in 1956, he began writing for that medium too. He wrote for the first Australian produced drama series, Autumn Affair. He adapted classic works, such as Ibsen's Hedda Gabler, into television plays, and Jon Cleary's You can't see 'round corners into a serial. Lane moved to Melbourne and continued to write for television - for such programs as Bellbird, Homicide, The Sullivans and Carson's Law - while also writing for radio. He won four Australian Writers Guild Awards for his work. In his later career he wrote two books on the history of radio drama in Australia, The Golden Age of Australian Radio Drama. These books have been described as "history through biography" and provide a comprehensive record of the actors, writers, producers and directors involved in radio drama at "the time when Australia produced more radio drama than any country in the world". Besides his writing, Lane is known for the work he did in forming the Australian Writers Guild. He was part of the group which formed it in 1962, and was its Vice-President from 1962–64 and then its third President from 1964-68. He was involved in "setting up state branches for the guild, lobbying for an Australian quota, introducing the AWGIE Awards for writers, and helping establish the Australian Film and Television School". Lane was also committed to developing a standard industry-wide contract for use between writers and the production companies or networks, using British agreements as a model. While there was initial support within the industry, problems occurred over the issue of residuals, particularly with the ABC. The ABC finally signed the Guild's standard contract in the early 1970s.
Legacy
In 1988, the Guild awarded him a special award for outstanding contribution to the guild. This special award, named Richard Lane Award, has become an annual award that is presented to an AWG member "in recognition of their outstanding service to the Guild".
Awards
1968: AWGIE Award: Major Award for the television adaptation of You Can’t See 'Round Corners
1975: AWGIE Award: for episode of Bellbird
1977: AWGIE Award: for episode of Bellbird
1985: AWGIE Award: for Best Radio Adaptation for Great Expectations
1988: AWGIE Award : for outstanding contribution to the Guild
1996: ASRA Award: for outstanding contributions to radio drama in Australia.