Ricardian (Richard III)
Ricardians are people interested in altering the posthumous reputation of King Richard III of England. Richard III has long been portrayed unfavourably, most notably in William Shakespeare's play Richard III, in which Richard is portrayed as having murdered his 12-year-old nephew Edward V in order to secure the English throne for himself. Ricardians have worked in an effort to turn this around and to paint this portrayal, and the many other related assertions that followed, as most probably false politically-motivated accusations.
Ricardians accept as facts: that first the young king Edward V was placed under the protection of his uncle Richard III; that Richard III himself was then crowned as the new king instead of young Edward V; and finally that the young king disappeared at some point over the coming year, never to be seen again. However, they dispute the initial common assumption by many, that Richard III was personally responsible for the apparent murder of Edward V.
Richard III's reign lasted for only 2 years, and his short reign came to a violent end on 22 August 1485 at the Battle of Bosworth – the last battle of the War of the Roses. In the aftermath of the battle, Richard III's body was not given a proper state funeral, and the location of his remains was soon forgotten – there was even a belief, now proved false, that they had been thrown into the River Soar in Leicester following the Dissolution of the Monasteries. Ricardians assert that many of the original assumptions about Richard III's motives and likely responsibility relating to these events were not supported by the actual facts of the day, that these assumptions were most probably instead the result of the political claims of his successors, and that they were most probably in fact mistaken assumptions.
The two most notable societies of Ricardians are the Richard III Society, and the Richard III Foundation, Inc. A third much smaller Ricardian organisation, composed of "collateral descendants" of Richard III, is the Plantagenet Alliance. In 2012 the Richard III Society was instrumental in leading an archaeological effort to positively locate and identify the long-lost remains of Richard III, which resulted in the discovery and retrieval of the remains from beneath a Leicester car park. Subsequently, much popular historical interest was generated in this historical period. Such historical interest resulted in the review and publication of many articles and documents regarding Richard's reign, which have contributed to the scholarship of latter 15th-century England. After their discovery, Richard III's remains were first scientifically evaluated, then formally re-interred within the interior of Leicester Cathedral on 26 March 2015. Their re-interment occurred amidst days of solemn ceremonies and pageantry.
History
Ricardian historiography includes works by Horace Walpole and by Sir George Buck, who was the king's first defender, after the Tudor period.Ricardian fiction includes Josephine Tey's The Daughter of Time and Sharon Kay Penman's The Sunne in Splendour. Elizabeth George writes of the fictional discovery of an exonerating document in her short story "I Richard". Science Fiction writer Andre Norton, in the 1965 novel Quest Crosstime, depicted an alternate history in which Richard III won at Bosworth and turned out to be one of England's greatest kings, "achieving the brilliance of the Elizabethan era two generations earlier".
Richard III Society
The Richard III Society was founded in 1924 by Liverpool surgeon S. Saxon Barton as The Fellowship of the White Boar, Richard's badge and a symbol of the Yorkist army in the Wars of the Roses. Its membership was originally a small group of interested amateur historians whose aim was to bring about a re-assessment of the reputation of Richard III.The society became moribund during the Second World War. In 1951 Josephine Tey published her detective novel The Daughter of Time, in which Richard's guilt is examined and doubted. In 1955, Laurence Olivier released his film of Shakespeare's Richard III, which at the beginning admitted that the play was based on legend, and a sympathetic, detailed biography of Richard was published by Paul Murray Kendall, all of which went some way towards re-invigorating the society.
The Fellowship of the White Boar was renamed The Richard III Society in 1959.
In 1980, Prince Richard, Duke of Gloucester, became the society's Patron..
In 1986 the society established the Richard III and Yorkist History Trust, a registered charity, to advance research and publication related to the history of late medieval England.
The society publishes a scholarly journal, The Ricardian.
Rediscovery of Richard III
In 2012 the society, working in partnership with the University of Leicester and Leicester City Council, exhumed a skeleton at the site of the former Greyfriars Church that was later confirmed to be that of the King.Philippa Langley, the secretary of the Scottish Branch of the Richard III Society, inaugurated the quest for King Richard's lost grave as part of her ongoing research into the controversial monarch. Her project marked the first-ever search for the grave of an anointed King of England, and in 2013 was made into an acclaimed TV documentary Richard III: King In A Car Park by Darlow Smithson Productions for Channel 4.
Philippa Langley and Dr John Ashdown-Hill were awarded the MBE in recognition of their services to "the Exhumation and Identification of Richard III" in the 2015 Queen's Birthday Honours.
The Richard III Foundation, Inc.
The Foundation is a non-for-profit §501 educational organization. The aims of the Foundation are to study, share and stimulate interest in the life and times of King Richard III and the Wars of the Roses.The Richard III Foundation, Inc. is the only Ricardian organization which directly asserts that its aim is to vindicate Richard. Its website states, "The Foundation seeks to challenge the popular view of King Richard III by demonstrating through rigorous scholarship that the facts of Richard’s life and reign are in stark contrast to the Shakespearian caricature."
The Foundation provides a focal point for people who share a fascination with this dynamic period in history. Through continuous research, their work is to identify and translate documents and texts that shed new insight into this important period of history.