Rhea Anastas

Work

Books

• Anastas, Rhea. JRP-Ringier.

  Curatorial projects

• New Cuts, K8 Hardy, January 10-March 20, 2015, University Art Galleries, University of California, Irvine.
• Art in Embassies Exhibition, Curator, with Barbara Piwowarska, U.S. Embassy Residence, Warsaw, Poland, October 2010 through 2011. Artists exhibited: Jo Baer, Melvin Edwards, Louise Lawler, Zoe Leonard, Jadwiga Maziarska, Lorraine O’Grady, Włodzimierz Pawlak, R. H. Quaytman, Allan Sekula, Jack Whitten, Petra Wunderlich.
• Orchard, 2005-2008, Co-founder, organizer of various exhibitions and programs.

  Articles and essays

• Language is the social dress in Josephine Pryde, The Enjoyment of Photography. Zurich: JRP Ringier and Kunsthalle Bern, 2015.
• Models of the Feminist Everyday in Jennifer Bornstein. Berlin: Buchhandlung Walther König and Berliner Künstlerprogram der DAAD, 2015.
• The Artist Is a Currency Rhea Anastas, Gregg Bordowitz, Andrea Fraser, Jutta Koether, Glenn Ligon, in Reading/Feeling, eds. Tanja Baudoin, Frédérique Bergholtz and Vivian Ziherl. Amsterdam: If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, 2013. Reprint of 2006 roundtable for Grey Room no. 24 and Documenta 12.
• Individual and Unreal: Agnes Martin’s Writings in 1973 in Agnes Martin, eds. Lynne Cooke, Karen Kelly and Barbara Schröder. New Haven: Yale University Press and the Dia Art Foundation, New York, 2011, pp. 132–152.
• Minimal Difference: The John Daniels Gallery and the First Works of Dan Graham in Dan Graham: Beyond, eds. Bennett Simpson and Chrissie Iles. Los Angeles: Museum of Contemporary Art; Cambridge, Mass.: The MIT Press, 2009, pp. 110–126.
• ‘Not in eulogy not in praise but in fact': Ruth Vollmer and Others, 1966–70 in Nadja Rottner and Peter Weibel, eds. Ruth Vollmer 1961–1978 Thinking the Line. Ostfildern: Hatje Cantz, 2006, pp. 71–85.
• The Reconstruction Process: Barry Le Va, 1968–1975 in Ingrid Schaffner, ed. Barry Le Va: Accumulated Vision. Philadelphia: The Institute of Contemporary Art, 2005, pp. 36–53.