Rafael Llopis Paret, Spanishpsychiatrist, essayist and translator, specializing in fantasy and horror fiction. He studied medicine at the Universidad Complutense of Madrid. As a psychiatrist, worked in various health centers in the Comunidad de Madrid until his retirement, in 1998. Since his high school years he was interested in fantasy, that in the absence of publications in Castilian read fluently in French. With the English of the high school and a dictionary began to read Sheridan Le Fanu, one of the authors of his choice, and other writers of fantastic literature not available in French. He is considered, along with the translator Francisco Torres Oliver, one of the best introducers of the genre of mystery and macabre in Spanish. Llopis is an authority in H. P. Lovecraft, an author barely known in Spain until his publication of the famous anthology Los mitos de Cthulhu , collecting for the first time many stories of authors called of the Lovecraft Circle, as Robert E. Howard, Frank Belknap Long, Clark Ashton Smith, etc., as well as his direct literary heirs: Robert Bloch, Ramsey Campbell and August Derleth, among others. Llopis was also responsible for Cuentos de terror, the extensive study Esbozo de una historia natural de los cuentos de miedo and the three-volume edition of the Antología de cuentos de terror. He is also the author of the collection El novísimo Algazife o Libro de las Postrimerías, "unclassifiable book that proposes a new reading of the myth of Cthulhu and of the Egyptians, who matches between vampires, aliens and haunted Moors, in a dance macabre as those of the last millennium". In the 1985 Siruela book Literatura fantástica, he published one of his essays: El cuento de terror y el instinto de la muerte, along with other texts of Jorge Luis Borges, Italo Calvino, Carlos García Gual, etc. In this essay, Llopis defined the weird tale as that genre «whose primary purpose is to produce, such as Walter Scott said, "a nice shiver of supernatural terror". I refer toa type of story whose raw material is not so much death itself as what it has or may have after death: the supernatural, the living from the beyond». In 2013 he published a corrected reprint of his Historia natural de los cuentos de miedo . Critic and writer José Luis Fernández Arellano collaborated with him in this work updating its contents.
