Eighteen-year-old Do Wan-deuk lives with his hunchback father Jeong-bok and stuttering uncle Min-gu, former cabaret clowns now having to work in open-air markets after the closure of the nightclub they used for many years. Wan-deuk never knew his mother, who walked out 17 years ago, and has become a young brawler. His unconventional high school teacher, Lee Dong-ju, who treats all his students with equal harshness, lives on the rooftop next door and is always on Wan-deuk's back. Both are perpetually insulted by a grouchy neighbor, who lives with his younger sister Lee Ho-jeong, a writer of "existential martial arts novels" under the pen-name Moonbow. When Jeong-bok and Min-ju start going on the road looking for work, Jeong-bok asks Dong-ju to keep an eye on his son, and the two become closer. Dong-ju tells Wan-deuk his mother, Lee Suk-hee is actually a Filipina and working in a restaurant in Seongnam, a satellite city south of Seoul. Thanks to Dong-ju, mother and son finally meet for the first time. Meanwhile, Jeong Yun-ha, the brightest pupil in class, has taken a liking to Wan-deuk after splitting with her boyfriend Hyeok-ju. When Wan-deuk takes up kickboxing to funnel his aggression, Yun-ha helps him. But just when Wan-deuk has come to rely on Dong-ju's tutorship, the latter is arrested by the police for helping illegal immigrant workers.
Cast
Yoo Ah-in... Do Wan-deuk
*Sung Yu-bin... young Wan-deuk
Kim Yoon-seok... Lee Dong-ju
Park Soo-young.... Do Jeong-bok
Kim Young-jae... Nam Min-gu
Jasmine B. Lee... Lee Suk-hee
Kim Sang-ho... middle-aged man from the house in front
In a Q&A session after the world premiere at the Busan International Film Festival, director Lee Han stated that the female character Lee Ho-jeong, who was not in the original novel, was added as the love interest of high school teacher Lee Dong-ju to allow the audience to empathize with him more. The ethnicity of Wan-deuk's mother was changed from Vietnamese in the novel to Filipina in the film.
Reception
Punch brought to the forefront several of the less recognized features of a changing Korean cultural landscape: intercultural marriage and multicultural households, a growing population of migrant workers, an education system narrowly focused on preparation for university entrance examinations, and the economic vulnerability of the disabled. As such, no one expected the film to make a lot of money. But Punch sold 640,000 tickets on its opening week of release, then claimed the top spot at the box office for the second consecutive week by selling over two million tickets. The film's popularity grew through word of mouth, with an unprecedented number of schools, government offices, and private companies arranging for group viewings. Punch eventually sold 5.3 million tickets in South Korea during its box office run. The movie ranks #3 for Korean film ticket sales in 2011 and #4 for ticket sales for all films released in South Korea in 2011. It was also invited to the 2012 Berlin International Film Festival; it screened in Generation 14Plus, a competition section of Berlinale devoted to films for teens. Commenting on the positive reception, director Lee Han told Yonhap News that the seemingly eclectic ensemble of characters who appear in Punch, though they rarely receive the limelight, are present and active as members of Korean society. Lee spoke of how the warmth and honesty with which he tried to portray these characters and introduce their daily lives has resonated with viewers. Since the film's release, Filipina actress Jasmine B. Lee, a naturalized Korean, has become well known for playing the mother of the young protagonist. The recognition of her performance as an actress has also brought publicity to her social activities as the secretary general of Waterdrop, a charity she formed for migrant women, and as one of the first non-Korean civil servants at the Seoul Global Center. Her connection to the film has increased recognition of the variety of services available for foreigners living in Korea. She was later elected in 2012 as a proportional representative in South Korea’s National Assembly, the first Filipina and naturalized Korean to become a lawmaker.