Poigai Azhwar
Poigai Azhwar is one of the twelve azhwar saints of South India, who are known for their affiliation to Vaishnava tradition of Hinduism. The verses of azhwars are compiled as Nalayira Divya Prabandham and the 108 temples revered are classified as Divya desam. Poigai is one of the three principal azhwars, with the other two being Bhoothathazhwar and Peyazhwar, collectively called Muthalamazhwargal who are known to be born out of divinity. Poigai composed hundred verses that are classified as Muthal Tiruvandadhi and his composition is set in the Andhadhi style in which the ending syllable is the starting one for the next verse.
According to traditional account, the first three azhwars belong to Dwapara Yuga. As per Hindu legend, Poigai was found in a small pond near the Yadhotakaari temple at Tiruvekkaa. In Tamil, small pond is called poigai, and since he was found in a pond, he got the name Poigai.
As per legend, the three azhwars were once were confined in a small dark enclosure during a rain in Thirukovilur and they experienced a fourth individual among them. They found out that it was god Vishnu and Poigai wished to see his face continuously but could view only from the simmering light of the lightning. With a view to maintain the continuity of light, he instantly composed hundred songs wishing light to emerge. The other two continued composing hundred songs each on Vishnu.
The works of these earliest saints contributed to the philosophical and theological ideas of Vaishnavism. Along with the three Saiva nayanmars, they influenced the ruling Pallava kings of the South Indian region, resulting in changing the religious geography from Buddhism and Jainism to the two sects of Hinduism.
Azhwars
The word azhwar means the one who dives deep into the ocean of the countless attributes of god. Azhwars are considered the twelve supreme devotees of Vishnu, who were instrumental in popularising Vaishnavism during the 5th to 8th centuries AD. The religious works of these saints in Tamil, songs of love and devotion, are compiled as Nalayira Divya Prabandham containing 4000 verses and the 108 temples revered in their songs are classified as Divya desam. The saints had different origins and belonged to different castes. As per tradition, the first three azhwars, Poigai, Bhutha and Pei were born miraculously. Tirumizhisai was the son of a sage, Thondaradi, Mathurakavi, Peria and Andal were from brahmin community, Kulasekhara from Kshatria community, Namm was from a cultivator family, Tirupana from panar community and Tirumangai from kazhwar community. Divya Suri Saritra by Garuda-Vahana Pandita, Guruparamparaprabavam by Pinbaragiya Perumal Jiyar, Periya tiru mudi adaivu by Anbillai Kandadiappan, Yatindra Pranava Prabavam by Pillai Lokacharya, commentaries on Divya Prabandam, Guru Parampara texts, temple records and inscriptions give a detailed account of the azhwars and their works. According to these texts, the saints were considered incarnations of some form of Vishnu. Poigai is considered an incarnation of Panchajanya, Bhoothath of Kaumodakee, Pey of Nandaka, Thirumalisai of Sudarshanam, Namm of Vishvaksena, Madhurakavi of Vainatheya, Kulasekhara of Kaustubha, Periy of Garuda, Andal of Bhoodevi, Thondaradippodi of Vanamaalai, Thiruppaan of Srivatsa and Thirumangai of Saranga. The songs of Prabandam are regularly sung in all the Vishnu temples of South India daily and also during festivals.According to traditional account by Manavala Mamunigal, the first three azhwars namely Poigai, Bhoothath and Pey belong to Dwapara Yuga. It is widely accepted by tradition and historians that the trio are the earliest among the twelve azhwars. Along with the three Saiva nayanmars, they influenced the ruling Pallava kings, creating a Bhakti movement that resulted in changing the religious geography from Buddhism and Jainism to these two sects of Hinduism in the region. The azhwars were also instrumental in promoting the Bhagavatha cult and the two epics of India, namely, Ramayana and Mahabaratha. The azhwars were instrumental in spreading Vaishnavism throughout the region. The verses of the various azhwars were compiled by Nathamuni, a 10th-century Vaishnavite theologian, who called it the "Tamil Veda".
Early life
Poigai was found in a small pond near the Yadhotakaari temple at Tiruvekkaa. In Tamil, small pond is called poigai, and since he was found in a pond, he got the name Poigai. At Kanchipuram there is a temple inside the Deva-sarovara lake. This temple enshrines an idol of Saroyogi in a recumbent posture with eyes closed in meditation. From childhood, Poigai was deeply devoted to Vishnu. He mastered all the Vaishnava speeches and followed Vaishnavite tradition. He was variously known as Ayonigi, Saro-yogi, Kasara-yogi, Poigai-piraan, Saravora Munindra and Padma-muni.
Tamil
கைதை சேர் பூம்பொழில் சூழ் கச்சி நகர் வந்துதித்த
பொய்கைப் பிரான் கவிஞர் போரேறு - வையத்து
அடியவர்கள் வாழ அருந்தமிழ் நூற்றந்ததி
படிவிளங்கச் செய்தான் பரிந்து
Transliteration
kaidhai sEr pUmpozhil sUzh kachchi nagar vandhudhiththa
poygaip pirAn kavinjar pOrERu - vaiyaththu
adiyavargaL vAzha arunthamizh nURRandhAdhi
padiviLangkach seydhAn parindhu
Composition
As per Hindu legend, Vishnu appeared to the mudhal azhwars at Thirukkoilur. It was day time, but it darkened and started raining heavily. The wandering Poigai found out a small hide out, which has a space for one person to lie down. Boodath arrived there looking for a hiding place and Poigai accommodated him, with both sitting together. In the meanwhile, Pey also came to the same place as all the three preferred to stand because of lack of space. The darkness became dense and inside the small room, they were not able to see each other. In the meanwhile, they felt a fourth person also forced his way among them. The three azhwars realised from the light of the lightning that the fourth one had a charming face that was sublime and divine. The trio could immediately realize that it was Vishnu who was huddling among them. Poigai wished to see Vishnu's face continuously but could view only from the simmering light of the lightning. With a view to maintain the continuity of light, he instantly composed hundred songs wishing the earth to be a big pot full of ghee like an ocean where the Sun could be the burning wick.
Tamil
வையம் தகளியா வார்கடலே நெய்யாக
வெய்ய கதிரோன் விளக்காக - செய்ய
சுடர் ஆழியான் அடிக்கே சுட்டினேன் சொல் மாலை
இடராழி நீங்குகவே என்று
Transliteration
vaiyam thagaLiyA vArkadalE neyyAga
veyya kadhirOn viLakkAga - seyya
sudar AzhiyAn adikkE sUttinEn sol mAlai
idarAzhi nIngkugavE enRu
The song is also interpreted as the azhwar praying to god to remove the darkness and ask for his unlimited knowledge and power. Bhoothathazhwar also sang 100 songs imagining to light the lamp constantly through ardent love for Him. Peyazhwar sang another 100 songs where he described the enchanting charm of the divine face and the association of Narayana equipped with chakra and sankha, and his divine consort goddess Lakshmi.
Poigai composed hundred verses that are classified as Muthal Tiruvandadhi. Poigai’s composition was set in the Andhadhi style. The word Andha means end and Adi means beginning. Andhadhi style has ending word or the syllable of each verse as the beginning word of the succeeding verse and the last word of the hundredth verse becomes the beginning of the first verse, making the hundred verses a true garland of verses. The works of these earliest saints contributed to the philosophical and theological ideas of Vaishnavism. The verses of the trio speak of Narayana as the supreme deity and they refer frequently to Trivikrama and Krishna, the avatars of Vishnu.
In culture
There is a shrine dedicated to Poigai in the Yathothkari Perumal Temple tank called Deva Sarovaram where his image is depicted in reclining posture. Poigai has revered Sri Ranganathaswamy Temple in one, Thirupaarkadal in one, Tirumala Venkateswara Temple in ten, Thiruvikrama Perumal Temple in two, Vaikuntha in two and Tiruvekkaa in four verses. Azhwar Utsavam is a festival celebrated annually during the birth date of the saint based on Tamil calendar in the Yathothkariswami temple at Tiruvekka.Mangalasasanam">Mangalasasanam by Divyadesam">Mangalasasanam
There are 20 of his paasurams in the 4000 Divya Prabhandham. He has sung in praise of six temples.| S.No. | Name of the temple | Location | Photo | Number of Pasurams | Presiding deity | Notes/Beliefs |
| 1 | Srirangam. | Srirangam, Trichy district Tamil Nadu | 1 | Ranganayagi Ranganathar | Srirangam temple is often listed as the largest functioning Hindu temple in the world, the still larger Angkor Wat being the largest existing temple. The temple occupies an area of 156 acres with a perimeter of 4,116m making it the largest temple in India and one of the largest religious complexes in the world. The annual 21-day festival conducted during the Tamil month of Margazhi attracts 1 million visitors. | |
| 2 | Tiruvekkaa. | 4 | Komalavalli Yathothkari Perumal | Tiruvekkaa or Yathothkari Perumal temple is considered one of three oldest Vishnu temples in Kanchipuram. The temple is believed to have been built by the Pallavas of the late 8th century AD, with later contributions from Medieval Cholas and Vijayanagar kings. The temple has three inscriptions on its walls, two dating from the period of Kulothunga Chola I and one to that of Rajadhiraja Chola. The temple houses a rare image of Ranganatha recumbent on his left hand unlike other temples where he is recumbent on his right. Poigai Azhwar was born at this temple lotus tank. | ||
| 3 | Thirukovilur. | 2 | Poongothai Ulagalantha Perumal temple | Ulagalantha Perumal Temple is believed to have been built by the Medieval Cholas, with later contributions from Vijayanagar kings and Madurai Nayaks. The temple covers an area of and has a temple tower that is the third tallest in Tamil Nadu, measuring in height. As per Hindu legend, Vamana, a dwarf and an avatar of Vishnu, appeared here to quell the pride of Asura king Bali. The temple is believed to be the place where the first three Azhwars, the Vaishnava saints, namely, Poigai Alvar, Bhoothathalvar and Peyalvar attained salvation. The temple is one of the Panchakanna Kshetrams, the five holy temples associated with Krishna, an avatar of Vishnu. | ||
| 4 | Paramapadam | Heavenly | 2 | Lakshmi Vishnu | Vaikuntha is the celestial abode of Vishnu who is one of the principal deities of Hinduism and the supreme being in its Vaishnavism tradition. Vaikuntha is an abode exclusive to the him, his consort the goddess Lakshmi and other liberated souls that have gained moksha. They are blessed with pure bliss and happiness in the company of the supreme being for all eternity. | |
| 5 | Tirupathi | 10 | Alamelumanga Venkateswara | Venkateswara Temple is a landmark Vaishnavite temple situated in the hill town of Tirumala at Tirupati in Chittoor district of Andhra Pradesh, India. The Temple is dedicated to Lord Sri Venkateswara, an incarnation of Vishnu, who is believed to have appeared here to save mankind from trials and troubles of Kali Yuga. Hence the place has also got the name Kaliyuga Vaikuntham and Lord here is referred to as Kaliyuga Prathyaksha Daivam. The temple is also known by other names like Tirumala Temple, Tirupati Temple, Tirupati Balaji Temple. Lord Venkateswara is known by many other names: Balaji, Govinda, and Srinivasa. Tirumala Hills are part of Seshachalam Hills range. The hills are above sea level. The Temple is constructed in Dravidian architecture and is believed to be constructed over a period of time starting from 300 AD. The Garbagriha is called AnandaNilayam. It is the richest temple in the world in terms of donations received and wealth. The temple is visited by about 50,000 to 100,000 pilgrims daily, while on special occasions and festivals, like the annual Brahmotsavam, the number of pilgrims shoots up to 500,000, making it the most-visited holy place in the world. | ||
| 6 | Thiruparkadal | Heavenly | |130px | 1 | Lakshmi Vishnu | In Hindu cosmology, Thiruparkadal is the fifth from the center of the seven oceans. It surrounds the continent known as Krauncha. According to Hindu mythology, the devas and asuras worked together for a millennium to churn the ocean and release Amrita the nectar of immortal life. It is spoken of in the Samudra manthana chapter of the Puranas, a body of ancient Hindu legends. It is also the place where Vishnu reclines over Shesha Naga, along with his consort Lakshmi. |