The pochette is a small stringed instrument of the bowed variety. It is essentially a very small violinlike wood instrument designed to fit in a pocket, hence its common name, the "pochette". Also known as a pocket fiddle it was developed to be used by dance masters in royal courts and other places of nobility, and by street musicians, from about the 15th century until around the 19th century, with it being especially popular in the 1800s. In the past the rebec was used in a similar way. A common misconception is that pochettes were intended for children. They were actually conceived for adults; their small size allowed them to be used where the larger violins were too cumbersome to carry, or too expensive to own. The instrument's body is very small, but its fingerboard is long relative to the instrument's overall size, to preserve as much of the instrument's melodic range as possible. Pochettes come in many shapes, with the narrow boat shaped ones called "sardinos" being one of the most common, along with the pear-shaped type. A pochette shaped like a violin is called a "kit violin".
Etymology
is said to have described the pochette's leather carrying case as a poche. Similarly, Mersenne wrote that it was common practice among pochette players to carry the instrument in a pocket. The word "kit" possibly arose from an abbreviation of the word "pocket" to "-cket" and subsequently "kit"; alternatively, it may be a corruption of "cittern". The word "Kit" is believed to have first been used in the first quarter of the 16th century England where it was mentioned in Interlude of the Four Elements, 1517. It is possible that the word "kit" originally referred to a small rebec, which was used in the same maner at the time in England, but came to belong to the violin shaped pochettes later on as it replaced the rebec.
The pochette tends to be tuned one octave above a violin. The three string variant specifically tends to be tuned the highest. Claudio Monteverdi used the "chirp" sound of the pochette to infer bird song in his aria "Ecco pur ch'a voi ritorno" from the 1607 opera L'Orfeo. In the opera they are called violini piccoli alla francese. The Fellowship of Makers and Restorers of Historical Instruments has expressed that a even with a soundpost a violin can not imitate the sound of a pochette enough for the two to be considered the same.
Notable players
Niel Gow is known to have played a pochette, and reportedly carried one in his pocket whenever he walked from his house in Inver to Blair Castle, where he worked.
Due to being an essential feature of court entertaintment and dance pochettes were often made of expensive materials such as exotic woods, tortis shells or ivory, as well as being decorated with elaborate carvings. A pochette shaped like a boat is called a sardino, while a violin-shaped one is called a kit. In general pochettes have a narrower body and longer neck in overall relation to its size compared to other bowed string instruments, they also often lack frets and either have four or three strings. They also often have a distinctly vaulted and arched back. A pochette is distinguishable from the rest of the violin family due to the fact that the neck is an prolongation of the body, instead of simply being attached to it. The Fellowship of Makers and Restorers of Historical Instruments has expressed that a pochette's strings ought not to be longer than ten inches.
Playing
Due to their small size, pochettes cannot be played resting on the chin or shoulder like a violin, and are instead pressed against the chest or along the upper arm, being played with a short bow.
