Following his initial success, Barnes wrote a series of plays offering apocalyptic visions of various periods in history:
Leonardo's Last Supper portrayed Leonardo da Vinci as prematurely declared dead, with his subsequent "resurrection" in a filthy charnel-house.
The Bewitched, which he produced with the Royal Shakespeare Company, showed the Spanish state attempting to produce an heir for Carlos II, whom Barnes portrayed as being an impotent imbecile.
Laughter! was his most controversial work, a double-bill that jumped from the reign of Ivan the Terrible to a satire based on the tedious bureaucracy required to sustain Auschwitz concentration camp.
Red Noses depicts a sprightly priest, originally played by Antony Sher, who travelled around the plague-affected villages of 14th century France with a band of fools, known as God's Zanies, offering holy assistance. It was for this play that Barnes won his Olivier award.
Later life
In his later years Barnes turned his attention more in the direction of films, radio, and television. His screenplay for Elizabeth von Arnim's The Enchanted April earned him a nomination for the best adapted screenplay Oscar in 1992. He also wrote several hugely successful mini-series for U.S. television, including Arabian Nights, Merlin and Noah's Ark. For BBC Radio 3 he wrote a series of monologues entitled Barnes's People, for which he attracted a large number of well known actors: Laurence Olivier, John Gielgud, Alec Guinness, Peggy Ashcroft, Judi Dench, and Ian McKellen. His television miniseries for ABC and NBC were the most popular of the day with record audiences. Barnes continued writing historical comedies throughout the 1990s. These include Sunsets and Glories, Dreaming which transferred to London's West End, and Jubilee. He was the Royal Shakespeare Company's most produced living playwright at the time. The last play that Barnes completed was Babies, which is based on his experiences as an elderly father. His second wife gave birth to a daughter when he was 69, followed by triplets a year later. John Irvin directed his Moon and the Stars with Alfred Molina about the film business in 1930s' Rome. A revival of his Noonday Demons was produced by renowned theatre designer John Napier. Barnes television miniseries are shown yearly as holiday favourites.
Works
Theatre plays
The Time of the Barracudas, Curran Theatre, San Francisco, 1963
Sclerosis, Aldwych Theatre, 1965
The Ruling Class, Nottingham/Piccadilly Theatre, 1968
Scenes from a Marriage, produced at Barbican Theatre, London, 1986
The Old Law, 1986
Woman of Paris, 1986
Don Juan and Faust, 1987
The Magnetic Lady, 1987
Tango at the End of Winter, produced in London, 1991
Hard Times, BBC, 1994
Enchanted April, Miramax, 1992
Voices, 1995
Noah's Ark Hallmark, 1999
A Christmas Carol Hallmark, 1999
Alice in Wonderland Hallmark, 1999
Arabian Nights'' Hallmark, 2000
Selected filmography
Violent Moment
Personal life
Barnes, who had two sons and two daughters, married twice – in 1958 to Charlotte Beck and in 1995 to Christie Horn. His second wife, Christie, gave birth to his first daughter Leela in 2000 when he was 69. Barnes, who received much American mainstream media attention for his movies and US television miniseries in later life, quickly became a tabloid obsession in 2002 when he became a father again at the age of 71. His wife gave birth this time to triplets Abigail, Nathaniel and Zachary. Barnes died of a stroke on 1 July 2004.