Heir to the tradition of the French Trumpet School bequeathed by his masters Roger Delmotte and Marcel Lagorce, his objective was to make this instrument known through original works from Renaissance music to the present day. Pedagogue, musicologist, passionate about art and instrumental making, he has been a privileged collaborator of the Selmer company for 20 years.
Organist
Vigneron was a pupil of Jacques Marichal. In 2005, after a work of more than four years, he published Bach's The Art of Fugue with a new instrumentation, for brass, woodwind and organ according to the order of Jacques Chailley. As an organist, he has recorded Bach's Well Tempered Clavier with Dimitri Vassilakis and Christine Auger. In 2008, he also recorded the Goldberg Variations on the Grand Organ of the Toul cathedral and a new setting of The Musical Offering BWV 1079.
Conductor
Vigneron is the conductor of the Orchestre de chambre du Marais. He has conducted Brahms' Ein deutsches Requiem, the great lyrical works of Mozart, Berlioz' Symphonie fantastique, Stravinsky's L'Histoire du soldat with Hae Sun Kang, Dimitri Vassilakis, André Isoir, Michel Chapuis, François Castang, Monique Zanetti, Jérôme Correas, Kun Woo Paik, Sergei Edelmann,Sylvie Hue as soloists... He has recorded Vivaldi's Four seasons with Frédéric Pelassy as solo violinist. He has to his credit more than 28 recordings: the complete work with trumpet by Jean Langlais, the complete chorals by Johann Ludwig Krebs, the trumpet concertos by Haydn, Hummel, Telemann, numerous baroque pieces including the Concertos for organ Op. 4 by Haendel with Michel Chapuis. New works are dedicated to him: pieces by Pierre Jansen, Antoine Tisné, Pierre-Yves Level, Pierre Lantier. He also recorded the Paraphrases sur Les Jours de l'Apocalypse after Armel Guerne's poems, with Marie-Christine Barrault. They also inaugurated together the Saint-Étienne cathedral of Toul on 20 September 2008 with more than 1200 people attending.
Johann Sebatian Bach, The well-tempered clavier, vol.I and II, Recording with the three required instruments tuned to the temperament Werckmeister III with Dimitri Vassilakis and Christine Auger, recording prefaced by Michel Chapuis and Gilles Cantagrel
Johann Sebastian Bach's The Goldberg Variations first critical recording with the three keyboard instruments - Pascal Vigneron, organ, Dimitri Vassilakis, piano and Christine Auger, harpsichord.
Johann Sebastian Bach's The Musical Offering, Pascal Vigneron, "Curt Schwenkedel" organ of the Temple de l'Annonciation of Paris
Soloists of the Orchestre de Chambre du Marais, Pascal Vigneron's brass ensemble.
Johann Sebastian Bach's Les Arias pour Mezzo-Soprano et instruments obligés, Pascal Vigneron, "Curt Schwenkedel" organ of the Temple de l'Annonciation of Paris, Anne Maugard, mezzo-soprano, Vinh Pham, violin, Patricia Nagle, flute, Pierre Makareenko, oboe.
Johann Sebastian Bach, Partitas I-II-III, Pascal Vigneron, organ Curt Schwenkedel du Temple de l'Annonciation de Paris, de la Cathédrale de Toul et de l'église d'Arques-la-Bataille
Johann Sebastian Bach, Transcriptions for flugelhorn and piano, Preludes Chorales, Sonatas and Arias
Johann Sebastian Bach's Suites for Cello, transcribed for four-piston flugelhorn
;Jean-Baptiste Nôtre
Jean-Baptiste Nôtre, Le Livre d'orgue, first world recording
;Antonio Vivaldi
Antonio Vivaldi's The four seasons, Frédéric Pelassy, violin - Orchestre de Chambre du Marais - P.Vigneron
;Baroque and classical musics
Georg Friedrich Haendel's Concertos for Organ and Orchestra, Michel Chapuis, Organ, Orchestre du Marais, Pascal Vigneron
Les Grands Concertos pour Trompette: Haendel, Telemann, Mozart, Haydn, Hummel with the Prague Chamber Orchestra
