Park Chan-wook
Park Chan-wook is a South Korean film director, screenwriter, producer, and former film critic. One of the most acclaimed and popular filmmakers in his native country, Park is best known for his films Joint Security Area, Thirst, The Handmaiden and what has become known as The Vengeance Trilogy, consisting of Sympathy for Mr. Vengeance, Oldboy and Lady Vengeance.
He is also known for his English-language works Stoker and The Little Drummer Girl, a television miniseries based on the novel of the same name by John le Carré.
His films have gained notoriety for their immaculate framing, black humor and often brutal subject matters.
Early life
Park was born and raised in Seoul and studied philosophy at Sogang University, where, in light of his disappointment with the analytic orientation of the department and consequent scant offerings in aesthetics, he started a cinema club, the 'Sogang Film Community', and published a number of articles on contemporary cinema. Originally intending to be an art critic, Park, upon seeing Vertigo, resolved to become a filmmaker. After graduation, he wrote articles on film for journals and soon became an assistant director of films like Kkamdong, directed by Yu Yeong-jin, and Watercolor painting in a Rainy Day, directed by Kwak Jae-yong.Career
Park's debut feature film was The Moon Is... the Sun's Dream. After five years, he made his second film, Trio. Park's early films were not successful at the box office, and he pursued a career as a film critic to make a living.In 2000, Park directed Joint Security Area, which was a great success both commercially and critically, even surpassing Kang Je-gyu's Shiri as the then most-watched film ever made in South Korea. This success made it possible for Park to make his next film more independently. Sympathy for Mr. Vengeance is the result of this creative freedom.
Park's unofficially-titled Vengeance Trilogy consists of Sympathy for Mr. Vengeance, Oldboy and Lady Vengeance. It was not originally intended to be a trilogy. Park won the Grand Prix at the 2004 Cannes Film Festival for Oldboy. The films concern the utter futility of vengeance and how it wreaks havoc on the lives of those involved. Lady Vengeance was distributed by Tartan Films for the United States theatrical release in April 2006. American director Quentin Tarantino is an avowed fan of Park. As the head judge at the 2004 Cannes Film Festival, he personally pushed for Park's Oldboy to be awarded the Palme d'Or. Oldboy garnered the Grand Prix, Cannes's second-highest honour. Tarantino also regards Park's Joint Security Area to be one of 'the top twenty films made since 1992'.
In a May 2004 interview with The Hollywood Reporter, Park listed Sophocles, Shakespeare, Kafka, Dostoevsky, Balzac and Kurt Vonnegut as influences on his career.
Since 2004, Park has been an owner of the filmmaking company Moho Film, which participated in the production of Snowpiercer and The Handmaiden.
In 2006, Park was the member of official section jury at the 63rd Venice International Film Festival.
In February 2007, Park won the Alfred Bauer Prize at the 57th Berlin International Film Festival. The award, named after the festival's founder and in praise of works that introduce new perspectives, went to Park for his film, I'm a Cyborg, But That's OK.
In 2009, Park directed the vampire film Thirst, starring Song Kang-ho, which won the Prix du Jury at the 2009 Cannes Film Festival. He considered directing Tinker Tailor Soldier Spy but ultimately turned it down.
In 2011, Park said his new fantasy-horror film Paranmanjang was shot entirely on the iPhone. The film was co-directed with Park's younger brother, Park Chan-kyong, who had no prior directing experience. It was nominated for Berlinale Shorts during the 2011 Berlin Film Festival and won the Golden Bear for Best Short Film.
In 2013, Park directed his first English-language film, Stoker. He said he learned to accelerate the production process and completed filming in 480 hours. Although Park does speak English, he used an interpreter on set. On why the script attracted his attention, Park said: "It wasn't a script that tried to explain everything and left many things as questions, so it leads the audience to find answers for themselves, and that's what I liked about the script... I like telling big stories through small, artificially created worlds". On 2 March 2013, Park appeared on a panel discussion about the film Stoker held at the Freer Gallery of Art in the Smithsonian's Museums of Asian Art.
In 2014, Park directed a short film commissioned by luxury brand Ermenegildo Zegna, co-written by himself, Ayako Fujitani, Chung Chung-hoon and Michael Werwie, scored by Clint Mansell, and starring Jack Huston and Daniel Wu. It screened at the Rome International Film Festival and the Busan International Film Festival.
In September 2014, it was announced that Park would adapt Fingersmith, a historical crime novel by Sarah Waters. The film entered production in mid-2015 and ended on 31 October 2015. That film ended up becoming The Handmaiden and premiered in competition to rave reviews at the 2016 Cannes Film Festival, where Artistic Director Seong-hie Ryu won the Vulcain Prize for the Technical Arts, and the film was nominated for both the Palme d' Or and Queer Palm. At the 2016 Buil Film Awards, The Handmaiden won for Best New Actress, The Buil Readers' Jury Award and Best Art Direction. The film holds a 95% rating on Rotten Tomatoes, and saw box office success in several countries, including South Korea, the United States and the United Kingdom.
In October 2014, it was announced that Park had signed on to direct the sci-fi body-swap film, Second Born.
In January 2018, it was reported that Park would direct a TV miniseries adaptation of The Little Drummer Girl, a novel by John le Carré. It aired on BBC One in October of that year and stars Michael Shannon, Florence Pugh and Alexander Skarsgård. At the 24th Busan International Film Festival, Park announced that he is writing scripts for feature films, for theater and for TV, including a new installment in Vengeance Trilogy, and a second adaptation of Donald E. Westlake's novel The Axe.
Personal life
Park was raised in a devout Catholic family in Korea, and describes himself as an atheist. He has collaborated with his younger brother, Park Chan-kyong, who is a media artist. He dedicated his career tribute to his wife Kim Eun-Hee at the 15th Marrakech International Film Festival.Filmography
Films
Television
Short films
Awards
Park is a recipient of the Bogwan Order of Cultural Merit.Year | Event | Award | Title |
2001 | Deauville Asian Film Festival | Lotus Award for Best Film | Joint Security Area |
2001 | Seattle International Film Festival | New Director's Showcase Special Jury Prize | Joint Security Area |
2002 | Blue Ribbon Awards, Japan | Best Foreign Language Film | Joint Security Area |
2002 | Seattle International Film Festival | Emerging Masters Showcase Award | |
2003 | Fantasia Festival, Montreal | Best Asian Film | Sympathy for Mr. Vengeance |
2003 | Philadelphia Film Festival | Jury Award for Best Feature Film | Sympathy for Mr. Vengeance |
2004 | Cannes Film Festival | Grand Prix | Oldboy |
2004 | Asia Pacific Film Festival | Best Director | Oldboy |
2004 | Bergen International Film Festival | Audience Award | Oldboy |
2004 | Grand Bell Awards, South Korea | Best Director | Oldboy |
2004 | Sitges Catalan International Film Festival | Best Film | Oldboy |
2004 | Stockholm International Film Festival | Audience Award | Oldboy |
2005 | Bangkok International Film Festival | Golden Kinnaree Award for Best Director | Oldboy |
2005 | Venice Film Festival | CinemAvvenire Award | Lady Vengeance |
2006 | Bangkok International Film Festival | Golden Kinnaree Award for Best Director | Lady Vengeance |
2006 | Fantasporto, Portugal | Orient Express Section Grand Prize for Best Film | Lady Vengeance |
2006 | Sarasota Film Festival | Audience Award for Best in World Cinema | Lady Vengeance |
2007 | Berlin International Film Festival | Alfred Bauer Award | I'm a Cyborg, But That's OK |
2007 | Montréal Festival of New Cinema | Z Tele Grand Prize Feature Film Award | I'm a Cyborg, But That's OK |
2007 | Sitges Catalan International Film Festival | Best Screenplay | I'm a Cyborg, But That's OK |
2008 | Fantasporto, Portugal | International Fantasy Film Award - Special Mention | I'm a Cyborg, But That's OK |
2009 | Cannes Film Festival | Jury Prize | Thirst |
2011 | Berlin Film Festival | Golden Bear for Best Short Film | Night Fishing |
2016 | Boston Society of Film Critics Awards | Best Foreign Language Film | The Handmaiden |
2016 | Buil Film Awards | Buil Readers' Jury Award | The Handmaiden |
2016 | Chicago Film Critics Association Awards | Best Adapted Screenplay | The Handmaiden |
2016 | Chicago Film Critics Association Awards | Best Foreign Language Film | The Handmaiden |
2016 | Dallas–Fort Worth Film Critics Association Awards | Best Foreign Language Film | The Handmaiden |
2016 | Los Angeles Film Critics Association Awards | Best Foreign Language Film | The Handmaiden |
2016 | New York Film Critics Online | Best Foreign Language Film | The Handmaiden |
2016 | San Francisco Film Critics Circle Awards | Best Foreign Language Film | The Handmaiden |
2016 | Houston Film Critics Society Awards | Best Foreign Language Film | The Handmaiden |
2017 | KOFRA Film Awards | Film Industry Figure of the Year | The Handmaiden |
2017 | Baeksang Arts Awards | Grand Prize | The Handmaiden |
2017 | Saturn Awards | Best International Film | The Handmaiden |
2018 | 71st British Academy Film Awards | Best Film Not in the English Language | The Handmaiden |
2019 | Geneva International Film Festival | Film & Beyond Award | |
2019 | Oslo Films from the South Festival | Silver Mirror |