Today's cathedral is located in a position that has been occupied by churches for hundreds of years. Charlemagne had a Kaiserpfalz built near the sources of the Pader river. As early as 777 this palace had an attached church, dedicated to Christ and Brigit of Kildare. This church, located north of today's cathedral, served as chapel to the court as well as a basis for missionary work among the Pagan Saxons. Rebellious Saxons repeatedly destroyed this first church. After the locals converted to Christianity, the first cathedral was built. Pope Leo III met Charlemagne at Paderborn in 799 and consecrated an altar to Saint Stephen, depositing some relics of that saint in it. The first cathedral of the newly established bishopric was a three-aisled basilica, dedicated to Mary and Saint Kilian. After the See was initially administered from Würzburg, in 806 :de:Hathumar|Hathumar became the first Bishop of Paderborn. The second bishop, :de:Badurad|Badurad, asked the Bishop of Le Mans for the remains of a saint, to help with consolidating the faith of the local Saxons. In 836, the remains of Liborius of Le Mans were handed over to a delegation from Paderborn and translated back to the cathedral. A fire destroyed the first cathedral in 1000 AD. Bishop Ratherius began with rebuilding, but his successor Meinwerk had the previous work destroyed and started over, building a three-aisled church with a transept and crypt in the east. This cathedral was consecrated in 1015, but destroyed in a city fire in 1058. Meinwerk's nephew, had the cathedral rebuilt on a significantly larger scale. This building, with two transepts, already was very similar to today's cathedral. Today's crypt was built around 1100 AD. Similarly, a chapel to St. Bartholomew, connected to the cathedral, would be built after 1015 by Greek monks. Another fire in 1133 damaged the church, but its core survived. :de:Bernhard I. von Oesede|Bernhard I. von Oesede had the building strengthened and extended ; it was reconsecrated in 1144/45.
The current cathedral
In the 13th century, the cathedral was reconstructed, not due to damage but to bring it up to then current artistic and ecclesial standards. Construction likely began at the western end of the building. The nave followed in the form of a hall church in early Gothic style. It was completed in the late 13th century with High Gothic elements. In the 17th century, Prince-Bishops :de:Dietrich Adolf von der Recke|Dietrich Adolf von der Recke and :de:Ferdinand von Fürstenberg |Ferdinand von Fürstenberg replaced the Gothic interior features with Baroque artworks. In 1930, the Diocese of Paderborn was promoted to Archdiocese. Repeated Allied bombing of Paderborn in 1945 resulted in severe damage to the cathedral and the loss of irreplaceable works of art, including all the historic glass windows. On 22 March 1945, fourteen people were killed by a blockbuster bomb in the cloister. Reconstruction took until the 1950s. From 1978-81, a major restoration was undertaken.
Architecture
External dimensions
Length: 104 m
Width: 52 m
Height: 28 m
Height of the western tower: 93 m
Points of interest
Paradiesportal, from the first third of the 13th century. It combines late Romanesque and early Gothic statuary.
Alabaster relief showing the veneration of the Magi, made in Nottingham c. 1360.
Doppelmadonna, hanging from the ceiling in the nave, from round 1480.
Reliquienrentabel, the former Gothic high altar was replaced in the 17th century by a Baroque high altar. It is now once again located in the cathedral's choir.
Tomb of Bishop Rotho, circa 1460.
Margarethenaltar, the only remaining medieval wooden retable, painted by .
The baptismal font dates only from 1924, but the Mannerist screen surrounding it is from the 17th century.
Crypt
The relics of Saint Liborius are kept in the three-aisled crypt, which is one of Germany's largest crypts. Towards the west are the tombs of the Archbishops of Paderborn. An antechamber features a 1935 mosaic on the walls and ceiling and in the centre of the floor the tombstone for Bishop Meinwerk, dating to the 13th century.
Window of Three Hares (''Dreihasenfenster'')
One of the cathedral's, and the city's, most recognisable features is the Dreihasenfenster. It depicts three hares in motion, arranged in a triangle. Each hare is shown as having two ears, although only three ears are visible in total. The original 16th century carving can be found in the cloister's inner courtyard, and has been duplicated on numerous buildings and a number of shops throughout the city centre.
