At the beginning of the 1890s, Ramon Casas began painting interior scenes with a female figure always present. Over My Dead Body, one of the first of the series, Casas paints a young woman standing between two doorways. Her posture appears to be looking out at someone and preventing them from entering the room. The complexity of the open doors at the far end of the room contribute a mysterious quality to the painting, allowing the viewer to question where this young woman really is. The painting's original title was replaced for some time with "Summer Study." But Miguel Utrillo changed the title of the painting back to "Over My Dead Body" after a solo exhibition at the Sala Pares in May 1900. The title of the work is listed in Pel & Ploma as "Summer Study."
Ramon Casas i Carbó was a CatalanSpanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernisme. In the 1890s, Casas was one of many artists exercising their artistic talents around the Moulin de la Galette in Paris. Casas and his friend, and fellow artist, Santiago Rusinol, constructed several exhibitions back in their native city of Barcelona, that exhibited their first-hand experiences of the French culture and art. Over time, these exhibitions quickly evolved into a center of progressive painting scenes within the Modernist movement. Casas became a leading figure in the revival of Catalan culture, and was one of the first Spanish artists to introduce French Modernisme to Spain in the late nineteenth-century.
Modernisme
Modernisme was a cultural movement associated with the search for Catalan national identity. It is often understood as an equivalent to a number of fin-de-siècleart movements, such as Art Nouveau, Jugendstil, Secessionism, and Liberty style, and was active from roughly 1888 to 1911. The Modernisme movement was centred on the city of Barcelona, and is best known for its architectural expressions, especially the work of Antoni Gaudí, but was also significant in sculpture, poetry, theatre and painting—notable painters include Santiago Rusiñol and Ramon Casas. Modernistes largely rejected bourgeois values, which they thought to be the opposite of art. Consequently, they adopted two stances: they either set themselves apart from society in a bohemian or culturalist attitude or they attempted to use art to change society
Exhibition
Exhibition history:
Segona Exposicio de Ramon Casas, Barcelona, Sala Parés, 25/5-11/6/1900.
Homenatge a Ramon Casas, Barcelona, Palau de Bellas Arts, Reial Circol Artistic, 6/1930.
Tresors de Barcelone. Picasso, Miró, Dalí et leur temps, Lausanne, Fondation de l'Hermitage, 10/10-28/11/1986.
Pintura, dibuix i obra grafica del Museu d'Art Modern de Barcelona. Excola Catalana ", Moscow, Academy of Fine Arts, 6-7/1987;Leningrad, Fine Arts Academy, 7-8/1987.
El espacio privado, Madrid, Sala Julio Gonzalex, 10-12/1990.
Ramon Casas. El pintor del Modernisme, Barcelona, Museu Nacional d'Art de Catalunya, 31/1-1/04/2001; Madrid, Fundació Cultural Mapfre Vida, 11/4-17/6/2001.
Gaudi e il modernismo catalano, Milano, 2003, p. 57, cat. s/num., fig..
El Modernismo. De Sorolla a Picasso, 1880–1918, Lausanne, Fondation de l´Hermitage, 27/01/2011-29/05/2011
"Ramon Casas. El pintor del modernisme", Madrid, Fundacion Cultrual Mapfre Vida, 10/04/2001-17/06/2001
"Ramon Casas. El pintor del modernisme¨", Barcelona, MNAC;Madrid, Dundacio Cultural Mapfre Vida, 31/01/2003-17/06/2001
"Ramon Casas. El pintor del modernisme", Barcelona, MNAC; 31/01/2001-01/04/2001
"Gaudi e il modernismo catalano". MNAC, Roma, Chiostro del Bramante, 20/01/2003-29/02/2004
