On Ilkla Moor Baht 'at
"On Ilkla Moor Baht 'at" is a folk song from Yorkshire, England. It is sung in the Yorkshire dialect, and is considered the unofficial anthem of Yorkshire. According to tradition, the words were composed by members of a church choir on an outing to Ilkley Moor near Ilkley, West Yorkshire.
Theme
The song tells of a lover courting the object of his affections, Mary Jane, on Ilkley Moor without a hat. The singer chides the lover for his lack of headwear – for in the cold winds of Ilkley Moor this will mean his death from exposure. This will in turn result in his burial, the eating of his corpse by worms, the eating of the worms by ducks and finally the eating of the ducks by the singers.In The Yorkshire Dictionary it was said the song probably originated from the Halifax area, based on the dialect which is not common to all areas of Yorkshire.
The title is seen in various transcriptions of the dialect, but is most commonly On Ilkla Mooar baht 'at, i.e. "On Ilkley Moor without the hat"; idiomatically "On Ilkley Moor without the hat". Dr Arnold Kellett reports the traditional belief that the song "came into being as a result of an incident that took place during a ramble and picnic on the moor. It is further generally believed that the ramblers were all on a chapel choir outing, from one of the towns in the industrial West Riding".
The first published version of the words appeared in 1916, when it was described as "a dialect song which, for at least two generations past, has been sung in all parts of the West Riding of Yorkshire". Arnold Kellett judged that the song "could well have originated in the early years of the second half of the century, and not as late as 1877".
Tune
Sung to the Methodist hymn tune "Cranbrook", the song became so popular that the origin of the music as a hymn tune has been almost forgotten in the United Kingdom.It is still used for the traditional words "While Shepherds Watched" in some churches including Leeds Parish Church, but no longer widely recognised as a hymn or carol tune in the United Kingdom.
Cranbrook continues in use as a hymn tune in the United States, where it was not adopted as the tune of a popular secular song and is customarily used with the lyrics of Philip Doddridge's "Grace! 'Tis a Charming Sound".
Lyrics
Within the lyrics there is a central verse, the first, third and fourth lines are changed with each following verse. All the verses feature the second, fifth, sixth and seventh lines "On Ilkla Mooar baht 'at".The lyrics include many features of the Yorkshire dialect such as definite article reduction, H-dropping, and traditional second-person singular pronouns.
Many sources give the first line as "Wheear wor ta bahn when Ah saw thee?", though "Wheear 'ast tha bin sin' Ah saw thee" is the more common version nowadays.
Some singers add the responses "without thy trousers on" after the fourth line of each verse, and "where the ducks play football" after the seventh. Other variations include "where the nuns play rugby", "where the sheep fly backwards", "where the ducks fly backwards", "where the ducks wear trousers", "an' they've all got spots", and "where they've all got clogs on".
Also in some recitals, after the first two lines of "On Ilkla Mooar baht 'at" it is followed by a "Where's that?". Another variant adds "Howzat?" after the first line and "Not out!" after the second. In Leeds the line immediately before the chorus is often ended with "And we all got wet". In the United States, "Then we will go and eat up the ducks" is often followed by a shouted "Up the Ducks!"
There are also alternative endings, where verse nine states: "There is a moral to this tale", and is followed by a chorus of "Don't go without your hat / Don't go without your hat / On Ilkey moor baht 'at", or "Don't go a courtin' Mary Jane". Alternatively, verse nine is sung as "There is a moral to this tale", and verse ten as "When courtin' always wear a hat".
Usage
Television
- Yorkshire Television – pre-programme ident 1968–1989 and 1996–2002
- Go With Noakes – 1970s BBC children's television programme
- The Onedin Line – 1970s BBC series. The song is heard in multiple episodes.
- Clouds of Witness – TV adaptation of Dorothy Sayers' murder mystery
- Heartbeat – sung by character Alf Ventress in an episode entitled "In The Bleak Midwinter"
- A Woman of Substance – 1980s BBC miniseries based on the book of the same name by Barbara Taylor Bradford - sung in Episode 1.3 by heroine Emma Harte while she takes a bubble bath.
- All Creatures Great and Small – first season of TV series, and film
- A distorted version of the chorus is sung by Eccles in an episode of The Goon Show
- United - in this 2011 BBC2 drama, Mark Jones leads the other Busby Babes in a brief rendition of the song at a reception in Belgrade, before their ill-fated flight via Munich.
Commercial recordings
- Pete Seeger recorded live in concert at Mandel Hall in 1957.
- George Formby sang the second verse and the chorus in a medley of British folk songs.
- Chumbawamba – hidden track on Just Look At Me Now CD single; however this is not a Chumbawamba performance but an anonymous rendering from a vinyl recording
- Ted Heath recorded a big band swing arrangement of the song in 1945
- Bill Oddie – 1970 a parody of the Joe Cocker arrangement of the Lennon–McCartney song "With a Little Help from My Friends"
- Ronnie Hilton recorded a version entitled "Elland Road Baht' at" as a tribute song for Leeds United AFC in 1964.
Other usage
- The Yorkshire Regiment – 4th Battalion's Quick March.
- Anita Rani introduced this song to a class of Chinese primary school children during an improvised English lesson on the BBC TV programme China on Four Wheels which was broadcast in 2012.
- A parody "On Exmoor Baht At" was widely sung at student and Young Liberal conferences in the 1970s.
- A contemporary rendition was produced by Welcome to Yorkshire for Yorkshire Day 2013. It features a rap by Brian Blessed, as well as an operatic verse by soprano Lesley Garrett.
- Eric Fenby composed an overture in the style of Rossini, entitled Rossini on Ilkla Moor.
Published versions
- Rise Up Singing, Peter Blood and Annie Patterson, editors, 1988, page 74