Oliver Schneller
Oliver Martin Schneller is a German composer and saxophonist.
Life
Schneller grew up in Ireland, Sudan, Belgium and the Philippines. After completing a MA in musicology, political science and history at the University of Bonn, he worked for the Goethe Institute in Kathmandu, Nepal.In 1994 he moved to the USA, first studying composition at the New England Conservatory in Boston. From 2000-01 he lived in Paris attending a yearlong course at IRCAM/Centre Pompidou. In 2002 he received his doctoral degree in composition at Columbia University as a student of Tristan Murail, where he also taught composition and computer music as an assistant to Murail. During his time in New York Schneller developed and managed the Computer Music Studio at the Graduate Center of CUNY and taught harmony and counterpoint at . Masterclasses with Salvatore Sciarrino, Jonathan Harvey, Brian Ferneyhough, George Benjamin, and Vinko Globokar provided important orientations. From 2002 to 2004 he was compositeur en recherche at IRCAM working on "Jardin des fleuves" a work for ensemble and live-electronic.
Oliver Schneller's music has been performed at international festivals such as Paris, , Munich Biennale, :de:MaerzMusik|Maerzmusik Berlin, Wittener Tage für neue Kammermusik, , , IFNM Darmstadt, Tremplins Paris, , , , Wintermusic Berlin, , Alternativa Moscow, the International Computer Music Conference, in Singapore and Göteborg, , Takefu Japan, , Aspen Music Festival and School, Tanglewood Music Festival, "Frankfurt 2000", and the "Millenium Stage Series" at the Kennedy Center in Washington DC.
He was a Visiting Composer at the 2001 Festival of Contemporary Music at the University of Cincinnati Conservatory of Music, and a featured composer at Festival Résonances at IRCAM.
His works have been performed by numerous ensembles including Ensemble modern, Ensemble InterContemporain, MusikFabrik, Ictus Ensemble, Avanti!, ensemble recherche, Speculum Musicae, Court Circuit, Ensemble Mosaik, Südwestrundfunk Orchestra, Kammerensemble Neue Musik Berlin, Ensemble Courage, Antares, the Tanglewood Symphony Orchestra, and St. Luke's Chamber Ensemble.
As a saxophonist, he has performed with the George Russell Big Band, the Gustav Mahler Youth Orchestra under Seiji Ozawa, with the Tanglewood Music Center Orchestra as a soloist in Tan Dun's "Red Forecast", as well as with musicians such as Steve Drury, Heather O'Donnell, Jiggs Whigham, Bernhard Lang, Ned McGowan, Robin Hayward, Vinko Globokar, and .
In 2004 he was the artistic director of the "Tracing Migrations" Festival in Berlin which led to the foundation of the "Tracing Migrations Project", an ongoing documentation and permanently updated data base of contemporary compositions, recordings and newly founded music institutions from the Arab world. In this function he was a co-curator at Berlin's MaerzMusik Festival 2013.
In 2005 he was the curator of the project at Berlin's House of World Cultures featuring composers Toshio Hosokawa and Helmut Lachenmann. From 2005-06 he was a guest lecturer and "mentor" in Cairo as part of the project of Musik der Jahrhunderte, Stuttgart. At Berlin University of the Arts he taught the seminar "Psychoacoustics and Acoustics for Composers".
Schneller is the artistic director of the for Experimental Music in Magdeburg which he co-founded with Carsten Gerth in 2008. In 2004, together with and Thierry Blondeau, he formed the composers collective "Biotope". Since 2009 he serves as Sound Arts Curator of and . His works have been recorded on Wergo, Mode, Hathut, Telos, and LJ Records.
From 2009-2010 Schneller held a professorship in composition at the State University of Music and Performing Arts Stuttgart as a sabbatical replacement for Prof. Marco Stroppa. From 2012-2015 he was a professor of composition at the Hochschule für Musik, Theater und Medien Hannover. In 2015 Schneller was appointed professor of composition and director of the Eastman Computer Music Center at the Eastman School of Music in Rochester. Since 2019 he is professor for composition at the Robert Schumann Hochschule Düsseldorf in Düsseldorf, where he currently resides with his wife, pianist Heather O'Donnell, and daughter.
Awards
- 1984 First Prize in Instrumental Performance of the Interscholastic Association of Southeast Asian Schools
- 1996 Robert Starer Prize
- 1998 the Boris Rapoport Award for Composition
- 1998 Grant for Joyce Paraphrases
- 1998–2002 Presidential Fellowship from Columbia University
- 1999 Commissioning Prize of the National Flute Association
- 1999 Benjamin Britten Memorial Fellowship, Tanglewood Music Center
- 2000 Paul Fromm Award Tanglewood Music Center/Harvard University
- 2002 Residency at the Maison-Heinrich-Heine in Paris
- 2004-05 Fellowship Bavarian Ministry of Science and Culture,
- 2006-07 Rome Prize Fellowship of the German Academy Villa Massimo
- 2010 Ernst von Siemens Composers' Prize
- 2011 Fellowship
Selected works
Orchestral
- Gammes, full orchestra, 1995
- Tightrope Dancer, full orchestra, 1996
- Wu Xing/Fire, full orchestra, 2010
- , full orchestra, 2006-11
- "", full orchestra and soloist ensemble, 2011
- "Wu Xing/Water", full orchestra, 2013-14
- ''", full orchestra, 2014
Chamber music (1-4 players)
- Big City Divertimento, 4 saxophones, 1995
- Kumoijoshi, soprano saxophone, koto, 1995
- Hoqueterie, alto saxophone, tenor saxophone, guitar, percussion, 1996
- Marsyas, amplified flute, amplified cello, 1996
- Processional Suite, 2 guitars, 1996
- Five Miniatures after Maurice Sendak, French horn, trumpet, trombone, 1998
- ', amplified string quartet, tape, 1998
- ', cello, piano, accordion, 1999
- ', + electronics, 2000
- Topoi, clarinet, violin, cello, piano, 2000
- Soleil in memoriam Iannis Xenakis, flute, piano, 2001
- ", flute, clarinet, viola, percussion, 2005
- String Space, violin, viola, cello + electronics, 2005
- ', 2 pianos, 2 percussion, 2007
- , flute, harpsichord, 2007
- Rugged Space, accordion, piano + electronics, 2009
- Die unendliche Feinheit des Raumes, organ, horn, tuba, percussion + electronics, 2005
- Vier Szenen, flute, percussion, piano, 2010
- Cyan, for two pianos and two percussions, 2011
Chamber music (5-22 players)
- Finnegain Speaking, 9 players, 1997
- ', 8 players, 1999
- ', 14 players, 2001–02
- ', 16 players + electronics, 2002–04
- Clair/Obscur, 7 players + electronics, 2005–06
- ', 6 players + electronics, 2007
- ', 5 players + electronics, 2008
- ', 4 players + electronics, 2009
- , 6 players + electronics, 2009–10
- Kagura, solo flute + 22 players, 2010–11
- "", piano and Chamber Orchestra, 2012
- ", two string quartets, 2011–12
- Alice Blue, for ensemble, 2014
- Superstructure, for six percussionists, 2014
Vocal
- Rice Pudding, speaker, piano, 1993
- Three Songs after Hopkins, Shelley and Meredith, soprano, piano, 1994
- Alice Setting, soprano, mixed chorus, piano, percussion, string orchestra, 1997
- Pour Schnabelmax. Hommage à Max Ernst, 3 male voices, 1999
- Candidum lilium for vocal ensemble + electronics, 2005
- Abendlied for voice, clavichord, violin, cello, 2009
- Monodie for voice and electronics, 2010
- Mugen for Noh voice and electronics, 2011
- Kireji for vocal ensemble and loudspeakers, 2015
Solo
- Vier Capricen, piano, 1989–90
- Sieben Bilder, piano, 1995
- Reed-Weed, alto saxophone, 1996
- Labyrinth, piano, 1996
- Aurora, piano, 1997
- Clouds, piano, 1998
- ', piano + electronics, 2001
- ', piano + electronics, 2004
- Turbulent Space, recorder + electronics, 2005
- Track & Field, piano, video + electronics, 2006–07
- Open Space, organ + electronics, 2011
Electroacoustic + Installation
- Variations on a Word, tape, 1997; Bell/Man, tape, 1998
- Proteus, tape, 1999
- Cell Cycle, for six channel audio + video, 2007
- ', 4 channel audio-visual installation, 2005
- ', five channel audio-visual installation, 2007
- ', six channel interactive audio-visual installation, 2007
- ', 42 Channel audio-visual Installation, 2009–10
Collaborative works
- ', 5.1 Channel interaktive sound installation with Peter Wyss, 2010
- Lichtkörper : 4 Channel Sound Installation for suspended speakers with , 2009
- IO, 5.1 Channel Installation with Curtis Anderson, 2006
- Cento Correnti 20.1 Channel Sound Installation with , 2006
- Ritratto Romano, Soundtrack to a video work of , 2006
- Duets I-VII : Soundtracks to seven video works of , 2006–11
- ', Soundtrack to a video work of , 2004
Arrangements
- Sechs kleine Klavierstücke, Op. 19, orchestra, 1989
- Zehn Märsche um den Sieg zu verfehlen , orchestra, 1995
- All of Me, full orchestra, 2007
- My Funny Valentine, full orchestra, 2007
- "You're the Top", wind band, 2012
Publications
- ', in: "TASWIR. Islamische Bildwelten und Moderne", Nicolai Verlag Berlin, 2009, pp. 133–137
- ', Institut für Neue Musik und Musikerziehung, Darmstadt 2008, Schott Verlag Mainz, 2009, pp. 183–189
- '. Schott Verlag/WERGO Edition Zeitgenössische Musik, Booklettext WER 6569 2
- Migration and Identity: Perspectives in Contemporary Arabic Music, , Pfau Verlag, 2006, pp. 127–139
- HörRaum Stadt, , Pfau Verlag 2006, pp. 99–100
- ', Magazin der Berliner Philharmoniker, October 2005, pp. 38–40
- Braucht die Neue Musik den Kammermusiksaal?, 8/05, pp. 26–27
- ', Berliner Festspiele, MaerzMusik. Festival für aktuelle Musik 2004, Saarbrücken Pfau Verlag 2004, pp. 138–139
- ' in: Berliner Festspiele, MaerzMusik. Festival für aktuelle Musik 2004, Saarbrücken 2004, pp. 146–153
- Klangschicht und Zeitharmonik. Begegnung mit Gottried Michael Koenig, Programmheft zu den “3. Magdeburgischen Concerten”. Festtage zur Musikgeschichte Magdeburgs, October 2003
- Music und Raum, Research Commission from the House of World Cultures Berlin 2003
- , M.I.T. Press Computer Music Journal 26, 4, pp. 54–57
- , M.I.T. Press Computer Music Journal 25, 1 : pp. 75–76
- Material Matters : pp. 156–174
- IRCAM at Columbia 1999, Dossier d'Information IRCAM, No 18
- Musik und Utopie, Universalmaschine Heft 02, Berlin, pp. 68–70
- , CD-liner text . Recorded Anthology of American Music, No. 80529-2
Translations (selection)
- Helmut Lachenmann - Four Questions Regarding New Music transl. into English for: Contemporary Music Review, Vol. 23, No. 3/4
- James Harley - "Sonic and Parametrical Entities in Tetras: An Analytical Approach to the Music of Iannis Xenakis, transl. into German for: 91
- Neil Leonard.1994. "Kompromißlos und fortschrittlich. Juan Blanco:Kubas Pionier der Elektroakustischen Musik, transl. into German for: 96