Patricia Paola Fernández Silanes, better known as Nona Fernández, is a Chilean actress, author, and screenwriter. She is a recipient of the Sor Juana Inés de la Cruz Prize, and the Altazor prize.
Biography
An only child of a single mother, Nona Fernández grew up in a Matta Avenue neighborhood close to the market Persa Bíobío. There she had her first job, selling second-hand clothes. Even though her name is the same as her mother's, Patricia Paola, everyone calls her Nona, the name by which she also signs her works. When she was in her first steps, she used to talk little, hardly anything. "All she could say was the monosyllable, sharp, 'no'. Turning this negative into her child's pet word, earning her peculiar nickname Nonito among her family. When she got older, the nickname became Nona. She attended Santa Cruz School in Santiago and later the Catholic University Theater School. Later, as an actress, she founded the company Merri Melodys, participated in productions of many theatrical works, and won a competition of the Centro Chileno-Norteamericano de Cultura as the best actress. In 1995, she participated in a workshop given by Antonio Skármeta, the same year she won the Gabriela Mistral Literary Games. Her stories were first published in various anthologies of contests, and her first book of short stories, El Cielo, was published in 2000. Her award-winning novel Mapocho was published two years later. Regarding the genesis of that first novel, she states: Fernández has been included by some critics in the so-called Literatura de los hijos. Her husband, Dante's father, is the writer and theatre director Marcelo Leonart, whom she met when they were both studying at the Theatre School. Together they run the company La Fusa. Nona describes herself with these words: "Actress for fun. Narrator for being a nuisance, trying not to forget what should not be forgotten. Scriptwriter for soap operas because of necessity. An uncomfortable Chilean, and sometimes rabid". Her work as a screenwriter for TV series is for Nona Fernández only a way to make a living. On TVN, she has become the scriptwriter for El laberinto de Alicia. Also, she contributes to the series Los archivos del cardenal, based on the cases defended by the Vicariate of Solidarity during Augusto Pinochet's dictatorship. She also co-wrote 's film 199 recetas para ser feliz and the documentary La ciudad de los fotógrafos by Sebastián Moreno. She was selected in 2011 along with two other Chileans: Diego Muñoz Valenzuela and as one of the "25 literary treasures waiting to be discovered", writers "whose talent has been consolidated in their countries, but who are still not well known outside them", by the Guadalajara International Book Fair in celebration of its 25 years of existence. She made her debut as a playwright in 2012, with El taller, a play inspired by Mariana Callejas' literary workshop at her home in Lo Curro, while her husband Michael Townley directed the underground operations of a DINA headquarters. This black comedy performed by Leonart and Fernández's company, La Fusa, premiered in April at the Santiago theater Lastarria 90 and re-shown in August at the Centro Cultural Gabriela Mistral. It won the Premio Altazor 2013 in the Theater art category. Her second piece, Liceo de niñas, premiered in 2015 ; it is "a fantastic comedy about an overwhelmed science teacher who discovers in his school's laboratory three students who have been hidden since a 1985 taking."
Works
Novels
2002: Mapocho, Planeta
A novel that portray, through different symbols and metaphors, Chile’s biography and the role of the Official History as a speech of power on the structuring of an identity at least questionable
2007: Av. 10 de Julio Huamachuco, Uqbar
Work that represent classic children’s fears that most of the time cross the time barrier and continues tormenting until adulthood
2012: Fuenzalida, Mondadori, Santiago
Nona Fernández lead us by the hand through a maze of unbelievable stories that weave together and appears to be telling the reader that is impossible to close the eyes before memories, be them personal or collective
2013: Space invaders, Alquimia, Santiago.
Dreams of a generation turned into nightmares that until today torture them at night. Dreams of children that witnessed Pinochet’s dictatorship
2015: Chilean Electric, Alquimia, Santiago
A novel to understand and explore family history, turning it into an illumination of the "fearsome darkness" that has reigned in the history of Chile with its missing, murdered and hanged men. A novel inspired, at the same time, by wooden horses, a typewriter and the corpse of a president who said, "more passion and more affection"
In the middle of the Chilean dictatorship, an anguished man arrives at the offices of an opposition magazine. He is an agent of the secret service. "I want to speak", he says, and a journalist turns on her voice recorder to listen to a testimony that opens the doors to a hitherto unknown dimension
Short stories
2000: El Cielo, Cuarto Propio. Santiago
Seven stories marked by love and redemption or redemption through love. Stories where rules don't exist, everything counts, and everyone counts. What is important is that no one is actually more important. Everyone has a place, a niche, a sky to arrive at
In anthologies
1994: Música ligera
1996: Pasión por la música
1997: Cuentos extraviados
1998:
Theatrical dramas
El taller: released in April 2012; published in the book Bestiario, freakshow temporada 1973/1990, together with Grita and Medusa : Ceibo Ediciones, Santiago, 2013
Liceo de niñas: released on 23 October 2015 by the company Pieza Oscura at the Theater of the Catholic University, with direction by Marcelo Leonart and acting by the author, among others, who plays the role of a mute student. Published by Ediciones Oxímoron in 2016.