New Interfaces for Musical Expression

History

• NIME 2002 was hosted by Media Lab Europe in Dublin, Ireland.
• NIME 2003 was held at McGill University, Montreal, Quebec, Canada.
• NIME 2004 was hosted by Shizuoka University of Art and Culture, Hamamatsu, Japan.
• NIME 2005 was held at the University of British Columbia in Vancouver, British Columbia, Canada.
• NIME 2006 was hosted by IRCAM, Paris, France.
• NIME 2007 was held in New York City, hosted by the Harvestworks Digital Media Arts Center, New York University's Music Technology Program and the Interactive Telecommunications Program in the Tisch School of the Arts.
• NIME 2008 was hosted by the at the University of Genova, Italy.
• NIME 2009 was held at the Carnegie Mellon School of Music in Pittsburgh, Pennsylvania, United States.
• NIME 2010 hosted by University of Technology, Sydney in Sydney, Australia.
• NIME 2011 was held at the University of Oslo in Oslo, Norway.
• NIME 2012 was hosted by the University of Michigan in Ann Arbor, Michigan, USA.
• NIME 2013 was hosted by the Graduate School of Culture Technology at KAIST, Daejeon, South Korea, and featured a series of special events in Seoul
• NIME 2014 was held at Goldsmiths University in London, Great Britain.
• NIME 2015 was held at Louisiana State University in Baton Rouge, Louisiana, United States.
• NIME 2016 was held at Griffith University in Brisbane, Queensland, Australia. July 11–15.
• NIME 2017 was hosted by Aalborg University in Copenhagen, Denmark.
• NIME 2018 was held by Virginia Tech and the University of Virginia in Blacksburg, Virginia.
• NIME 2019 will be hosted by Federal University of Rio Grande do Sul in Porto Alegre, Brazil.

  Areas of application

• Design reports on novel controllers and interfaces for musical expression
• Performance experience reports on live performance and composition using novel controllers
• Controllers for virtuosic performers, novices, education and entertainment
• Perceptual & cognitive issues in the design of musical controllers
• Movement, visual and physical expression with sonic expressivity
• Musical mapping algorithms and intelligent controllers
• Novel controllers for collaborative performance
• Interface protocols and alternative controllers
• Artistic, cultural, and social impact of new performance interfaces
• Real-time gestural control in musical performance
• Mapping strategies and their influence on digital musical instrument design
• Sensor and actuator technologies for musical applications
• Haptic and force feedback devices for musical control
• Real-time computing tools and interactive systems
• Pedagogical applications of new interfaces - Courses and curricula

  Other related conferences

• International Computer Music Conference ;
• ACM Multimedia
• Sound and music computing