The National Theatre was opened in 1992 to spearhead the Theatre movement in Ghana by providing a multi-functional venue for concerts, dance, drama and musical performances, screen plays, exhibitions and special events. In Ghana, theatre as an artistic form has existed for centuries in the traditional dramatic expressions of society, however, the National Theatre Movement was conceived around the time of Ghana’s independence in 1957 to help remold the new nation’s cultural identity. The theatre is governed by the National Theatre Law 1991, PNDC Law 259. The building houses the three resident companies of the National Dance Company, the National Symphony Orchestra, and the National Theatre Players.
Structure
The theatre has a building area of and is sited near the junction of the Independence Avenue and Liberia Road. The building has a complicated construction moulding and novel exterior features. When looked at from a distance, the whole structure looks like a gigantic ship or a seagull spreading its wings. The theatre located in the Victoriaborg district of Accra, Ghana, was built by the Chinese and offered as a gift to Ghana.
National Dance Company
The National Dance Company is also known as "The Ghana Dance Ensemble." The company was first established at the Institute of African Studies, University of Ghana as the first of its kind in 1962. It was then directed by Emeritus Prof. J.H. Nketia and was endorsed by Kwame Nkrumah in 1962. The company moved to the National Theatre in 1992 with Emeritus Prof. Mawere Opoku as their artistic director. Since then, the company has had other directors such as David Amoo, Mr. Nii-Tete Yartey and Stephany Ursula Yamoah.
The Drama Company is one of the three Resident performing groups of the National Theatre of Ghana. It was established in August 1983 as a Model Repertory Troupe to facilitate teaching, research and experimentation at the University of Ghana, Legon. Then, it became the resident theatre for the theatre upon its completion in 1991.
The concert party, a well-loved theatre show which peaked in the early twentieth- century is crowd puller at the theatre. The concert party, although has its origins in Britain, was remodelled by Ghanaian artists and became a popular form of theatre in the 1950s and 1960s. Besides being turned into films, television series, photoplay, and cassettes, the concert party has been cherished for its theatre performances, often held at the national theatre. In fact, the medium was used for 'theatre-for-development' to discuss topics such as family planning, Aids and environmental protection, an idea originally pioneered by the Workers Brigades and Efua Sutherland.
