Myrna Herzog is a Brazilian born Israeli musician, player of the viol/viola da gamba and baroque cello, a conductor and is a researcher in the field of viols.
Musician career
Brazilian-born, Myrna started her professional career in 1972, when, with only one and a half years of study of viola da gamba, she was one of the winners of the Young Soloists competition of the Brazilian Symphony Orchestra. Her first professional ensembles of early music were the groups Kalenda Maya and Pro-Arte Antiqua. In 1973, together with Rosana Lanzelotte, she founded Quadro Cervantes, and in 1983 she founded and directed during 9 years Brazil's first Baroque Orchestra, Academia Antiqua Pro-Arte. In 1992 "The Lady of the viola da gamba" immigrated to Israel, where she taught the first generation of sabra viola da gamba players. Dr. Herzog studied viol with Judith Davidoff and Wieland Kuijken. Since 1998 she is the musical director and conductor of the Ensemble PHOENIX of early instruments. Herzog has also worked in opera, transcribing, editing, casting, directing and fully staging the 13th centuryPlay of Daniel, and the Baroque opera La púrpura de la rosa. As a viola da gamba soloist, Myrna has performed in 24 countries, throughout Europe, South America, the US and Israel. She has participated in the Israeli premiere of the Passions with the Israel Philharmonic, performing the viola da gamba solos. Myrna Herzog has recorded for many labels, as a conductor and as a performer on the viol, quinton, vielle, baroque cello and modern cello. She has a doctorate degree in music from Bar-Ilan University and teaches at the Israel Conservatory of Music. She has recently taught workshops for conductors on baroque music in Brazil and at the Royal Academy of Music and Dance, London.
Preface and Revision to Nicolas Harnoncourt's Musica, o Discurso dos Sons, the Brazilian translation of Musik als klangrede wege zu eigem neuen musikverstandnis, Rio de Janeiro: Zahar, 1988.
"Por que instrumentos de época?" ", by request of Polygram Records, 1987, brochure attached to all records of the Florilegium Series; also printed in Christopher Hogwood's Academy of Ancient Music concert programs in Brazil and Argentina.
"Por que instrumentos de época?" Expanded version, 1987.
"Algumas idéias sobre a execução do continuo em instrumentos de arco", 1988.
Diálogo Médico Roche Magazine, three series (Music from Renaissance to Impressionism, History of Musical Instruments, Music in Colonial Brazil), 1986, 1988
"Academias Renascentistas, berco dos concertos publicos" - vol.12, no1, 1986
"A Música segundo a fantasia do artista" - vol.12, no2, 1986
"Barroco - porque instrumentos originais " - vol.12, no3, 1986
"Barroco - porque instrumentos originais " - vol.12, no4, 1986
"Rococó, o estilo maldito" - vol.12, no5, 1986
"Tempo de transição: Beethoven" - vol.12, no6, 1986
"Debussy e Rameau - Revoluco~es na Musica" - vol.12, no7, 1986
"Do Rebab ao violino eletrico" - vol. 14, no1, 1988
"Flauta - o instrumento chora~o por excelencia" - vol.14, no2, 1988
"O bandolim, esse seresteiro..." - vol.14, no3, 1988
"Pianos" - vol.14, no4, 1988
"Da guitarra ao violão " - vol.14, no5, 1988
"Órgão - o rei dos instrumentos" - vol.14, no6, 1988
"Música no Brasil colonial: Sec. XVI - O descobrimento" - vol.14, no 7, 1988
"Música no Brasil colonial: Pernambuco" - vol.14, no 8, 1988
"Música na Bahia Colonial" - vol 14, no 9, 1988
Aonde Vamos (Where Are We Going)? weekly magazine, Rio de Janeiro, 1973-75
"Agradável surpresa" - 28/06/73
"Julho em Israel" - 23/08/73
"Bach - em flauta e cravo" - 6/09/73
"Redescobrindo Salomone Rossi" - 13 and 20/09/73
"Kubala em grande forma" - 28/09/73
"Classicos em FM" - 18/10/73
"Sobre a importancia da musica como meio de comunicaca~o" - 25/10/73
"Casals - morre um grande homem" - 1/11/73
"Duas notas" - 15/11/73
"Trio Eolio" - 29/11/73
"Vicky Adler no Ibam" - 13/12/73
"David, musico e rei" - 3/01/74
"Uma opera na TV" - 10/01/74
"Conversando com Morelenbaum" - 17/01/74
"O inacreditavel Anner Bylsma" - 24/01/74
"Schoenberg e o Seculo XX" - 31/01/74
"Casals, Tortelier, Rostropovich" - 7/02/74
"Calor e música - antagônicos?" - 14/02/74
"Aos pais" - 7/03/74
"Música para milhões" - 14/03/74
"O fenômeno Assad" - 21/03/74
"Dolmetsch e a primeira flauta doce moderna" - 28/03/74
"Ibam inicia temporada" - 4/04/74
"Excelente recital Botelho + Alimonda" - 23/04/74
"O Poder da Musica ou Alexander's Feast" - 25/04 and 2/05/74
"O feiticeiro Alfred Deller" - 16/05/74
"Virtuose a antiga" - 23/05/74
"Brahms & Stradivarius" - 30/05/74
"Banda Antiqua" - 13/06/74
"O Descobrimento da America" - 20/06/74
"Musicoterapia" - 27/06/74
"Dos cuidados com o instrumento musical" - 4/07/74
"Ouvir melhor" - 11/07/74
"A America e a cultura oriental" - 18/07/74
"Conversando com Judith Davidoff" - 15/08/74
"Israel e Wagner" - 22/08/74
"Ricardo Kanji no Brasil" - 29/08/74
"Orquestra Hebraica-Rio" - 5 and 12/09/74
"Kol Nidre na Sala Cecilia Meirelles" - 3/10/74
"Yuval Piano Trio" - 3/10/74
"Um senhor violinista: Paulo Bosisio" - 10/10/74
"Concursos e seus criterios" - 17/10/74
"Virtuose israelense" - 31/10/74
"O trabalho de Idelsohn" - 14/11/74
"Maria Domicia: voz internacional" - 28/11/74
"Concurso Internacional Villa-Lobos" - 5/12/74
"Collegium Musicum Pro-Arte" - 12/12/74
"Música e anti-semitismo" - 9/01/75
"Zvi Zeitlin e Miguel Proenca" - 15/06/75
"Andre Navarra" - 30/06/75
Translations
Karas, Joza. "Musica em Terezin". Aonde Vamos?, 30/01/75
Talbot, Michael. Vivaldi. BBC Music Guides series. Translation of the first English edition, 1979. Rio de Janeiro: Zahar, 1985.