Mordechai Gebirtig was born in Kraków under the Austrian Partition, and lived in its Jewish working-class quarter all his life. He served for five years in the Austro-Hungarian army. Gebirtig became a renowned folk artist in Yiddish literature and song while in Kraków. He was self-taught in music, played the shepherd's pipe, and tapped out tunes on the piano with one finger. He earned his livelihood as a furniture worker; while music and theatre were his avocations. His life ended in the Nazi shooting action carried out in the Kraków Ghetto on the infamous "Bloody Thursday" of June 4, 1942.
From 1906 he was a member of the Jewish Amateur Troupe in Kraków. He also wrote songs and theater reviews for Der sotsial-demokrat, the Yiddish organ of the Jewish Social-Democratic Party. It was in such an environment that Gebirtig developed, encouraged by such professional writers and Yiddishist cultural activists as Avrom Reyzen, who for a time lived and published a journal in Krakow. Gebirtig's talent was his own, but he took the language, themes, types, tone, and timbre of his pieces from his surroundings, in some measure continuing the musical tradition of the popular Galician cabaret entertainers known as the Broder singers, who in turn were beholden to the yet older and still vital tradition of the badchen's improvisatory art.
He published his first collection of songs in 1920, in the Second Polish Republic. It was titled Folkstimlekh. His songs spread quickly even before they were published, and many people regarded them as folksongs whose author or authors were anonymous. Adopted by leading Yiddish players such as Molly Picon, Gebirtig's songs became staples of numerous regular as well as improvised theatrical productions wherever Yiddish theatre was performed. It is not an exaggeration to say that Gebirtig's songs were lovingly sung the world over.
One of Gebirtig's best-known songs is "S'brent", written in 1938 in response to the 1936 Przytyk pogrom in the shtetl of Przytyk. Gebirtig had hoped its message, “Don't stand there, brothers, douse the fire!” would be a call to action. Kraków underground Jewish resistance adopted S'brent as its anthem inWorld War II. "Undzer shtetl brennt" was sung in the Nazi ghettos of German-occupied Europe. Since then the song, in the original Yiddish and in its Hebrew translation titled "Ha-Ayyarah Bo'eret", "Our Little Town is Burning!" - hence the occasional reference to a Yiddish title, "Undzer Shtetl Brent!", continues to be widely performed in the context of Holocaust commemoration.
Arbetsloze marsh
One of Gebirtig's political songs that is also still popular today is the Arbetloze marsh, or Song of the Unemployed:
Recognition
Gebirtig is best known for his song "It is Burning" which was written in 1938, and which was later adopted by the Jewish youth of Kraków and others as a battle song against the Nazis. In his song "S'tut vey", Gebirtig is shattered by the absence of solidarity of all Polish citizens against the Nazi invaders. Dated Kraków, February 1940, it is a song directed against those bystanders who laughed when German soldiers humiliated Jews in the streets of Kraków. Pianist Anthony Coleman recorded an album of Gebirtig's compositions Shmutsige Magnaten in Kraków in 2005.
Publications and recordings
Gehat hob ich a hejm. Edition Künstlertreff, Wuppertal –
Majn jowl. Edition Künstlertreff, Wuppertal –
Der singer fun nojt. Edition Künstlertreff, Wuppertal –
Farewell Cracow - Blayb gezunt mir, Kroke. Interpretiert von Bente Kahan. Studio Hard, Warschau
1946: S'brent. Krakau 1946
1949: Meine lider. Farl. Dawke, Paris 1949
1992: Jiddische Lieder., Wuppertal 1992. –
1997: Mai faifele: unbakante lider. Lerner, Tel Aviv 1997
2005: Shmutsige Magnaten. Anthony Coleman, piano. Tzadik, 2005