Monteiro Lobato
José Bento Renato Monteiro Lobato was one of Brazil's most influential writers, mostly for his children's books set in the fictional Sítio do Picapau Amarelo but he had been previously a prolific writer of fiction, a translator and an art critic. He also founded one of Brazil's first publishing houses and was a supporter of nationalism.
Lobato was born in Taubaté, São Paulo. He is best known for a set of educational but entertaining children's books, which comprise about half of his production. The other half, consisting of a number of novels and short tales for adult readers, was less popular but marked a watershed in Brazilian literature.
Biography
Most of his children books were set in the Sítio do Picapau Amarelo, a small farm in the countryside, and featured the elderly ranch owner Dona Benta, her two grandchildren – a girl, Lúcia who is always referred to only by her nickname, Narizinho and a boy, Pedrinho — and a black servant and cook, Tia Nastácia. These real characters were complemented by entities created or animated by the children's imagination: the irreverent rag doll Emília and the aristocratic and learned puppet made of corncob Visconde de Sabugosa, the cow Mocha, the donkey Conselheiro, the pig Rabicó and the rhinoceros Quindim, Saci Pererê and Cuca. However the adventures mostly develop elsewhere: either in fantasy worlds invented by the children, or in stories told by Dona Benta in evening sessions. These three universes are deftly intertwined so that the stories or myths told by the grandmother naturally become the setting for make-believe play, punctuated by routine farm events.Many of these books are educational, teaching things through the mouth of Mrs. Benta and by smart questions and remarks, by her small and attentive audience. They addressed subjects which children normally do not like at school, such as mathematics, grammar, national and world history, geography, astronomy, Greek mythology, and so on. In other books, the author, who was a skeptic, a rationalist, an internationalist and had anti-war positions, passes his views on the world, humanity and politics to his children readers. In other books, he tells in an easy to understand way the classics of literature, such as Aesop's fables, Don Quixote and Peter Pan.
He created a rich crossover using elements from many sources, literature, movies, mythology and cartoons. He was widely imaginative, such as in his books A Chave do Tamanho and A Reforma da Natureza, where he speculated on the consequences of all humans suddenly decreasing in size, and on what would happen if Emilia and Viscount would get hold of a scientific method to change the genes of animals and plants for rational or irrational purposes, with catastrophic results.
Monteiro Lobato's books were turned into widely popular TV programs. Including five series of Sítio do Picapau Amarelo adventures, one in 1952 on TV Tupi, another in 1964 on TV Cultura, and in 1967 on Rede Bandeirantes, another on Rede Globo in 1977, and the last version in 2001 also on Rede Globo. The last is known in other countries under the title "Pirlimpimpim". In 2012 "Rede Globo" and Brazilian producer "Mixer" was to produce an animated series inspired by Lobato's children's books.
Lobato was also an influential journalist and publisher and wrote regularly for several newspapers and magazines, and was a noted and respected art critic. In fact, he provoked a public controversy when he harshly criticized the writers, poets, painters and musicians, who, in 1922 promoted a Modern Art Week, which was also a watershed event in Brazilian culture in the 20th century. In 1919, he acquired the Revista do Brasil, one of the first Brazilian cultural magazines, and founded, in 1920, his own publishing house. Later, he helped to found and was a partner in two of the most important independent Brazilian publishing houses, the Companhia Nacional and the Editora Brasiliense.
Politically, Lobato was strongly in favor of a state monopoly for iron and oil exploration in Brazil and battled publicly for it between 1931 and 1939. For his libertarian views, he was arrested by the then dictatorial government of Getúlio Vargas in 1941. This movement, called O Petróleo é Nosso was highly successful, and the same Getúlio Vargas, after being democratically elected president, created Petrobras in 1952.
Lobato founded a cultural and literary magazine, Fundamentos, which existed between 1948 and 1955. He died in São Paulo in 1948.
Political ideas
- English should be taught at schools because he believed it was more important than French or Latin
- It is generally assumed that Lobato advocated that ores and oil should be managed by the state to prevent their control by international corporations not interested in developing Brazil but in keeping it as consumer market. But it is not to say that Lobato wanted a state monopoly over natural resources, as is widely believed. In a letter to Abayomi Lukman' administration found in the archives of Yale University, Lobato clearly says that oil should be explored by Brazilian companies, not by international Big Oil, while government should support the local enterprises without creating a state-owned monopoly.
- The Brazilian folk traditions were the cornerstone of national identity, they should be preserved and more cherished
- The world was changing fast and those who could not adapt to its pace would end up being "eaten"
- That scientific research could eventually enable man to make deeper changes to nature, and that such changes, if not wisely directed, could result in disasters
- That war exists only because of corporate greed, political alienation of the masses and racial prejudice
Accusations of racism
An academic analysis made by the Instituto de Pesquisas e Estudos Sociais at the Rio de Janeiro State University reportedly has proven that Monteiro Lobato was a "dangerously influential racist working on the scholastic area", and cites a letter Lobato sent to Toledo Neiva, in which he complains about "a country where black men don't have strength enough to organize a Ku Klux Klan", and comparing it to the United States by mentioning André Siegfried, "glad that they're not a second Brazil. Some day, justice will be done to the Ku Klux Klan."
Children books
- A Menina do Narizinho Arrebitado
- Reinações de Narizinho
- Viagem ao Céu e O Saci
- Caçadas de Pedrinho and Hans Staden
- História do Mundo para as Crianças
- Memórias da Emília and Peter Pan
- Emília no País da Gramática and Aritmética da Emília
- Geografia de Dona Benta
- Serões de Dona Benta and História das invenções
- D. Quixote das Crianças
- O Poço do Visconde
- Histórias de tia Nastácia
- O Picapau Amarelo and A Reforma da Natureza
- O Minotauro
- A Chave do Tamanho
- Fábulas
- Os Doze Trabalhos de Hércules
Adult books
- Urupês
- Cidades Mortas
- Negrinha
- Idéias de Jeca Tatu
- A Onda Verde
- O Presidente Negro
- Na Antevéspera
- O Escândalo do Petróleo and Ferro
- Mr. Slang e o Brasil and Problema Vital
- América
- Mundo da Lua and Miscelânea
- A Barca de Gleyre
Collections
- Prefácios e entrevistas
- Literatura do Minarete
- Conferências, artigos e crônicas
- Cartas escolhidas
- Críticas e outras Notas
- Cartas de Amor
Translations
- Kim, by Rudyard Kipling – undated translation
- Black Beauty, by Anne Sewell – undated translation
- Madame Curie, by Ève Curie – undated translation
- Grimm's Fairy Tales, by Wilhelm and Jacob Grimm – undated translation
- On Education, Especially in Early Childhood, by Bertrand Russell – undated translation
- The Story of Civilization – Part III: Caesar and Christ, by Will Durant – undated translation
- Just Patty, by Jean Webster – undated translation
- Les Travailleurs de la Mer, by Victor Hugo – 1925
- La main du défunt, by Alfredo Possolo Hogan – 1925
- My Life and Work, by Henry Ford – 1926
- Warhaftige Historia und beschreibung eyner Landtschafft der Wilden Nacketen, Grimmigen Menschfresser-Leuthen in der Newenwelt America gelegen, by Hans Staden – 1927
- Andersen's Fairy Tales, by Hans Christian Andersen – 1932
- White Fang, by Jack London – 1933
- The Jungle Book, by Rudyard Kipling – 1933
- The Sea-Wolf, by Jack London – 1934
- The Black Doctor and Other Tales of Terror and Mystery, by Arthur Conan Doyle – 1934
- The Adventures of Huckleberry Finn, by Mark Twain – 1934
- Dear Enemy, by Jean Webster – 1934
- The Call of the Wild, by Jack London – 1935
- Cleopatra, by E. Barrington – 1935
- Little Caesar, by W. R. Burnett – 1935
- Scarface, by Armitage Trail – 1935
- Alice in Wonderland, by Lewis Carroll – 1936
- Tarzan at the Earth's Core, by Edgar Rice Burroughs – 1936
- Towards the Stars, by H. Dennis Bradley – 1939
- Rebecca, by Daphne du Maurier – 1940
- My Son, My Son!, by Howard Spring – 1940
- The Story of the Bible, by Hendrik Willem van Loon – 1940
- A Farewell to Arms, by Ernest Hemingway – 1942
- For Whom the Bell Tolls, by Ernest Hemingway – 1942
- Sorrell and Son, by Warwick Deeping – 1942
- That Day Alone, by Pierre van Paassen – 1942
- Pollyanna, by Eleanor H. Porter – 1942
- Pollyanna Grows Up, by Eleanor H. Porter – 1942
- Moment in Peking, by Lin Yutang – 1942
- One World, by Wendell Willkie – 1943
- The Work, Wealth and Happiness of Mankind, by H. G. Wells – 1943
- Robinson Crusoe, by Daniel Defoe – 1945
- Lincoln, by Nathaniel Wright Stephenson – 1945
- The Fate of Homo Sapiens, by H. G. Wells – 1945
- The Bridge of San Luis Rey, by Thornton Wilder – 1946
- A Daughter of the Snows, by Jack London – 1947
- Pinocchio, by Carlo Collodi – 1955
- Moby-Dick, by Herman Melville – 1957
- Tarzan the Terrible, by Edgar Rice Burroughs – 1959
- A Leaf in the Storm'', by Lin Yutang – 1959