Rodriga’s career began in Sydney in 1974 at the Australian Broadcasting Corporation, where she was trained in production management and film editing for both drama and documentary. Her first film as writer/director was the 1976 experimental short Curiosities. In 1979 she edited Witches and Faggots, Dykes and Poofters. This was one of the first documentaries about the lives of gay and lesbian people in Australia set against the backdrop of the first Sydney Mardi Gras and the arrests that followed. In 1980, having moved to New Zealand, Rodriga began writing and directing her first three short films: Second Sight, about Sally Rodwell and Deborah Hunt of theatre group Red Mole, Them’s The Breaks, a documentary about street kids, and Hooks and Feelers, a short feature based on the Keri Hulme story.
Later career
Rodriga’s first feature-length film, Trial Run, starred Annie Whittle and was edited by Finola Dwyer. It was the first film in New Zealand to be written and directed by a woman. In the film Rosemary Edmunds has an assignment to photograph a group of rare penguins. She relocates to a remote cottage which appears to be haunted by a previous occupant. Conceived by Rodriga as a feminist thriller, and seen by some critics as a feminist form of "Kiwi Gothic," Trial Run was feminist in its work practices as well as its ethos: twenty of the twenty-nine people on the production crew were women. Together with Gaylene Preston's Mr. Wrong, Trial Run marked a turning point in New Zealand cinema. According to Conrich and Murray in New Zealand Filmmakers "From this moment on, the centrality of the white, male hero, or anti-hero... was if not displaced, then constantly undermined." Conrich and Murray argue that Rodriga's Trial Run was the more daring of the two films as it focused "not on the unknown, external danger to women, which the thriller uses most potently, but on threats within the family." In 1986/87 Rodriga directed three episodes of the seven-part TV series . This pioneering series was conceived by actor-writer as a response to the lack of challenging female roles in New Zealand television. Rodriga’s next feature, Send A Gorilla, was conceived and developed with three of her Marching Girl colleagues. Set on Valentine’s Day, the film was a feminist critique of the commercialisation of Romance. The film is frenetic and has some fine comic moments, while having a serious feminist subtext. In the 1990s Rodriga focused on TV drama and documentary. The People Next Door was New Zealand’s first prime time documentary dealing with gay and lesbian culture. In 1997 Rodriga moved to Perth, Western Australia. While teaching screen production and screenwriting at Murdoch University, Rodriga directed her third feature film, Teesh and Trude starring Linda Cropper, Susie Porter, Peter Phelps and . Teesh and Trude tells the story of a day in the life of two working-class single mums in Perth, Western Australia. The film was nominated for 3 s in 2003. Critics were divided by the film's gritty social realism: In 2010, Rodriga wrote, directed and produced her fourth feature film myPastmyPresent, shot on location in the Margaret River region of Western Australia. myPastmyPresent is a young lesbian love story with Buddhist themes shot with an entirely undergraduate crew. It played at the 16thSeattle Lesbian & Gay Film Festival. In 2015 the feature film 'Pinch' which Rodriga executive produced, won best feature at the WA Screen Awards.
Academics
Rodriga has a PhD from Murdoch University in Perth, where she ran the Graduate Screen Program].
Personal life
Rodriga identifies her sexual orientation as fluid, and identifies as lesbian and queer as of 2018. She has written that she disagrees with "the assumption that sexuality is biologically or genetically driven" and believes in "allowing young people the freedom to make up their own minds about their sexual preference."
