Melanie Friend is a photographer/artist. From 2003 to 2019 Friend was Reader in Photography in the School of Media, Film and Music at University of Sussex, England.
Background
Born in London, Friend studied English at the University of York, and Photography at the University of Westminster and the London College of Printing. As a freelance photojournalist in the 1980s, she reported for broadcast and print media such as the World Service, BBC Radio 4, The Guardian,The New York Times,The Economist, and the Financial Times. From the mid 1990s she shifted her focus to longer-term photographic projects, producing work for exhibitions and books. Her book and exhibition Border Country documents the experiences of asylum seekers detained at the UK's Immigration Removal Centres. Friend is known for using the tension between images and sound to document conflict. Of Border Country, she writes: "The voices provide an emotional counterpoint to the formal images of the institutions..... listener/viewer to reflect both on the experience of the immigration system itself and on the wider concepts of migration and borders." Friend's project The Home Front was nominated in 2012, and again in 2013, for the Prix Pictet, a global award in photography and sustainability. Standing By, which uses sound & still images, draws us into Friend's parents’ 60-year long relationship. It focuses on their daily solving of The Daily Telegraph ‘Quick’ crossword, undertaken to combat memory loss. For years, Friend thought that her parents’ crossword interactions were funny: how her father barked out the clues in mock-Sergeant Major style and her mother quietly came up with the answers. As they grew older and frailer, and her mother's Alzheimer's disease became apparent, the daily routine of the crossword, initiated by her father, felt increasingly crucial both as a memory exercise and a ritual where humour, conversation and banter could happen as before. The first recordings for Standing By were made in the year 2000; the work was completed in 2017. Friend was a judge for the FotoDocument Awards 2013 and 2014, and is a member of FotoDocument Advisory Panel. Since 2017 she has been a judge for the Marilyn Stafford FotoReportage Award.
Publications
Books
Homes and Gardens: Documenting the Invisible. London: Camerawork, 1996.
No Place Like Home: Echoes from Kosovo. USA: Midnight Editions, 2001..
"No Place Like Home: Echoes of Kosovo", a chapter in Representations of War, Migration and Refugeehood: Interdisciplinary Perspectives published by Routledge, New York, 2014 eds. Christiane Schlote & Daniel Rellstab.
Research papers
Friend, M Homes and Gardens: Documenting the invisible, Home Cultures, Volume 4, Number 1, March
Friend, M Representing Immigration Detainees: The Juxtaposition of Image and Sound in Border Country, Forum: Qualitative Social Research, Volume. 11, Number. 2, May
Exhibitions
Belfast Exposed Photography, Belfast, 16 November 2007 – 11 January 2008.
European Central Bank Europe Photographic Award 2008: finalists’ show Cologne and Frankfurt.
2013 / 2015: The Home Front, An Impressions Gallery touring exhibition, curated by Pippa Oldfield, Impressions Gallery, 2013 Toured to DLI Museum and Art Gallery, Durham, 2014 and University of Hertfordshire Galleries, 14 November 2014 – 31 January 2015.
Images from The Home Front in A Green and Pleasant Land: British Landscape and the Imagination: 1970s to Now, Towner Art Gallery, UK, 30 September 2017 – 21 January 2018.
2017/2018 Ryerson Artspace, Toronto, Canada, 5 – 29 September 2018, in conjunction with Gallery 310, School of Image Arts, University of Ryerson, Toronto, Canada 16 – 29 September 2018.
Images from The Home Front in Generation War, Torrance Art Museum, Los Angeles County, USA, 15 June – 24 August 24, 2019.
Collections
Friend's work is held in the following permanent collections:
