Mary McCormic
Mary McCormic was an American operatic soprano and a professor of opera at the University of North Texas College of Music.
Career
For more than a decade, McCormic was among the most famous sopranos in the world. She was most known for her leading roles with the Paris National Opera, the Opéra-Comique, the Monte Carlo Opera, and the Chicago Civic Opera. She spent much of 1937 touring with the Kryl Symphony Orchestra.McCormic was born in Belleville, Arkansas. A onetime obscure Arkansas housewife, McCormic rose to stardom and enjoyed a colorful personal life — four marriages and four divorces, almost a fifth, a high-dollar lawsuit defense for assaulting an unauthorized female biographer, boom and bust personal wealth, witty humor, and brush with royalty. McCormic captured world intrigue with the panache of the operas she starred in, all with the backdrop of being born at the end of the Gilded Age, growing up as a teenager during World War I, flourishing as an opera superstar through the Roaring Twenties, Prohibition, the Jazz Age, the Great Crash, and failing in her last two high-profile marriages in the throes of the Great Depression. She died, age 91, in Amarillo, Texas.
Selected singing roles
Chicago Opera Association
- 1921–1922 Season — Operatic debut as Micaela in Carmen. McCormic was a protégé of Mary Garden, who, rather than sing, debuted as General Director for what became the final year of Chicago Opera Association.
- February 1 and 8, 1922 — New York debut as Musetta in La Boheme at the Manhattan Opera House.
Chicago Civic Opera
- 1923 — Referred to as "the Cowgirl Soprano" by The New York Times, McCormic and Charles Marshall sang the leading roles in the premiere of The Snow Bird, an American one-act opera.
Paris Opera
- July 24, 1926 — McCormic was honored by receiving the title role for a special presentation of Romeo and Juliet with the Paris National Opera at the Paris Opera House in honor of Mulai Yusef, Sultan of Morocco.
Opera Comique
- July 23, 1929 — Opera Comique debut, singing the title role in Manon. She and William Martin, in July 1927, earned the distinction of being the only American natives singing in leading roles with Opéra-Comique. McCormic was the first American woman in 60 years to sign a long-term contract with Opera Comique.
Artistic management
- 1924 — McCormic, early in her career, gained the artist management services of Charles L. Wagner, who also managed world figures that included Mary Garden, Amelita Galli-Curci, Walter Gieseking, Jussi Björling, Alexander Kipnis, and Jeanette MacDonald.
- 1938 — McCormic, later in her career, was managed by Mme. LaReine.
Early life
- John H. Harris and wife,
- Mary Jimmie Harris
Mamie's interest in becoming an opera star began at age nine, and continued while attending Ola High School of Ola, Arkansas. She, with her family, moved to Portales, New Mexico, in 1907, then to Amarillo, Texas in 1909.
Emil Frey Myers gave McCormic's her first voice lessons in Amarillo. He was the conductor the Amarillo Civic Chorus and was a major concert promoter in the Texas Panhandle. Myers, with his wife, Lila, founded the Amarillo School of Music, Inc.
McCormic's father and two brothers, Odell and Williard, built a grocery store business — "J H Harris & Sons" and "Harris Food Stores" and "Rolling Stone Stores". The business was sold in 1946, shortly before the death of the father. The father, Odell, and Williard also operated a ranch in Union County, NM, north of Clayton. The father purchased the first portion of the ranch in 1915.
During a 1914 Tri-State Fair Music Festival in Amarillo, McCormic became aware of the operatic possibilities of her voice. By way of a Methodist Choir in Chicago and a singing contest sponsored by Mary Garden, her operatic potential became known to others.
College
McCormic studied music at Ouachita College, University of Arkansas and then, with the intention of becoming a lyric soprano, Northwestern University where she took vocal lessons. McCormic became a protégé of Mary Garden. Both McCormic and Garden had been vocal students of the renowned voice teacher Mrs. Sarah Robinson-Duff ''Marriages
Quotes on men and marriage
Filmography
- 1933: Paddy the Next Best Thing
Teaching
The North Texas Opera Workshop was the first collegiate touring opera workshops west of the Mississippi and, at the time of its founding, was the only opera production company in existence in the Southwest. The San Antonio Grand Opera, Houston Grand Opera, Dallas Opera, Opera in the Heights and others were not yet in existence.
Through the opera workshop, McCormic pioneered an approach to opera in an era that wiped out major opera companies on the heels of the Great Depression. The new "low-cost workshop" model also offered new opportunities for composers who otherwise would never have their operas produced. And the workshop model gave hope for opera itself, when many in the world dismissed opera as a bygone luxury of the rich. The new "low cost model" also gave access in regions of the world that otherwise had little hope of having opera.
Under McCormic, the opera workshop performed locally, toured, and did broadcasts in radio and TV often with near quality of a reputable professional company.
When the Dallas Opera was founded in 1957, the UNT Opera Workshop and Vocal Studies provided a steady supply of singers for the Dallas Opera Chorus.
In 1966, McCormic retired and moved to Amarillo to make her home with her widowed sister-in-law, Mrs. Odell Harris.
The UNT Opera Workshop is an integral part of one of the most comprehensive music schools in the world; a school that, since the 1940s, has been among the largest in the country, and in recent years, holds the largest enrollment of any music institution accredited by the National Association of Schools of Music.
UNT Opera Workshop Productions
Directed by Mary McCormic
- The Bohemian Girl
- The Chocolate Soldier
- The Bohemian Girl
- The Stranger of Manzano
- The Bohemian Girl
- Rigoletto
- Abduction from the Seraglio
- Daughter of the Regiment †
- Romeo and Juliet
- Otello
- La Boheme
- Faust
- HMS Pinafore
- Abduction from the Seraglio
- Die Fledermaus
- La Boheme
- Down in the Valley
- Trial by Jury
- The Saint of Bleeker Street
- Boris Godunov
- Don Pasquale
- Madama Butterfly
- Pagliacci
- The Princess and the Pea
- La Serva Padrona
- La Boheme
- Down in the Valley
- Rigoletto
- Trouble in Tahiti
- Amelia Goes to the Ball
- The Impresario
- The Emperor's New Clothes
- The Marriage of Figaro
- Faust
- Comedy on the Bridge
- The Barber of Seville
- La Traviata
- Comedy on the Bridge
- Cavalleria Rusticana
- Tosca
- Dec 1958 — McCormic directed the first televised opera in the Southwest on WBAP-TV Fort Worth in a student production of Carmen
Composition dedicated to McCormic
- Blanche Robinson '' composed "Love Was a Beggar" for Mary McCormic.