After college Glaser worked for the Metropolitan Detroit Youth Council and as a compliance officer for the War Manpower Commission. She also held a position in the publicity department of the Greater Detroit and in the Wayne CountyUnion council. During this time she promoted and was involved with local leaders in the community to maintain food subsidies. She was active in organizing the efforts of local trade union and non-unionized workers. She continued her education during this time by studying radio script writing. It was during this time that she decided to take a career in journalism and public affairs, but after the Detroit race riot of 1943 she was a major participant in addressing race relations by helping to form the Entertainment Industry Emergency Committee to halt "race hatred." After these positions, she worked for the City of Chicago Mayor's Commission on Human Relations from about 1944 to 1946. She handled publicity, press relations, fact-finding and specialized in press releases addressing issues related to race relations. She also arranged events for the commission. She was a featured speaker on radio shows and public functions on activities of the commission. After leaving this job, she accepted a job with the Disc Company of New York City. In 1946, Glaser worked for the City of Chicago Mayor's Commission on Human Relations. In the early 1950s Glaser met jazz pianist Erroll Garner composer of the standard "Misty." Though recorded by a wide variety of performers, Garner's version of "Misty" was inducted into the Grammy Hall of Fame in 1991.
Archives
Glaser maintained the collection of Erroll Garner original recordings and records during her lifetime. The collection was given to the University of Pittsburgh by her estate. Examples of records contained in the archives include Glaser's:
Correspondence
*Letters of reference
*Condolence letters
*Between Garner's family and Glaser
Legal papers
Banking records
Documentation of royalties
Trust Agreement and Will
Recordings from the archives and preserved by Glaser have been released and included songs that have been published for the first time in September 2016. In the recent release of archived recordings, Glaser can be heard during the studio recordings give instructions to Garner from the control booth. During her lifetime, Glaser maintained the largest collections of Garner's work.
Personal life
She went by various names. In 1947, she called herself Martha Gleicher. By 1949, she took the name of Martha Glaser Gleicher.
