Maximus was a friend and patron of the poet Ovid. He was one of the people to whom Ovid had addressed various letters which have survived to the present. Maximus was with Ovid in the year 8, when news arrived of Ovid’s banishment. Maximus afterwards provided material, psychological, and possibly financial support to his friend. Although his friendship with Augustus didn’t affect Ovid’s banishment, Ovid believed as late as 11 that Maximus could successfully intercede with the Princeps.
Political career
Maximus was a leading public figure throughout the reign of Tiberius and until at least 32, remained close to the emperor. After the trial and execution of Marcus Scribonius Libo Drusus in 16, Maximus in the Roman Senate proposed that the bust of Drusus should be barred from his descendants' funeral-parades. This proposal was politically significant, as the history of this particular punishment shows that Maximus held Drusus to be an enemy of the Roman people - hostes populi Romani. Maximus probably anticipated Tiberius’ approval. A prominent noble allied to the government would not knowingly exasperate the Princeps. He became consul in 20. During his consulship, Maximus would ask the Roman Senate to speak first, for, when the emperor presided, it was custom to include officials among those called upon for their views. According to a Greek inscription found at Ephesus, sometime after his consulship, Maximus became the Proconsul of Asia. The inscription which honours Maximus, is dedicated to him by Alexander son of Memnonos, to whom Maximus was both friend and benefactor. The inscription is dated from 25/26. The Greek inscription reads: In 32, Tiberius successfully defended Maximus when prosecuted for accusing Caligula of homosexuality, ridiculing a banquet held to Tiberius’ late mother as a funeral feast, and boasting of Tiberius’ protection when he went to law.
Reputation
Maximus was a poet and orator whom Tacitus condemns for his extravagant life-style, his shameful behavior and servility. Pliny the Elder describes him as an extravagant gourmet. Juvenal represents him as a patron of the arts. One of Maximus' freedmen, Marcus Aurelius Zosimus, was buried on the Appian Way outside of Rome with his wife, Aurelia Saturnia. His epitaph is one of the fewRoman funeral inscriptions that expresses patron-freedman relations in poetic terms. Below is a copy of the Latin inscription and an English translation: