Lorena Kloosterboer is a Dutch-Argentine artist who paints using trompe-l'œil and photorealistic styles, often creating the illusion of three-dimensional objects on a two-dimensional surface. She is best known for her hyperrealist still life paintings of idiosyncratic compositions made of glass and porcelain pieces. Her paintings have been exhibited and awarded in several countries worldwide. As a sculptor Kloosterboer has created a number of bronze pieces which are displayed in public in the city ofWassenaar. Also, the artist has published several books on painting techniques.
Career
Kloosterboer studied fine arts at the Instituto de Bellas Artes Beato Angélico in Buenos Aires, Argentina. She later attended art classes and workshops for several years at Scottsdale Artist's School in Scottsdale, Arizona. Kloosterboer painting subjects include a wide variety of objects like colorful candies, marbles, shells, silverware, glass and ceramics. An evolving series of Kloosterboer's paintings entitled Tempus ad Requiem depicts still lifes with birds. "This series of still lifes featuring birds perched on ceramic or glass objects symbolizes the need for a time and a place to rest, to come to terms with life’s hurdles and replenish our energies".
Sculptures
In 1991 Kloosterboer unveiled her first bronze sculpture representing a jester officially named De Nar. It was commissioned to celebrate the 25th anniversary of a Dutch carnival group: De Deylknotsen. This jester is on public display at De Warenar, the official cultural center in Wassenaar. During the following years Kloosterboer also created a commissioned series of four bronze sculptures popularly known as De Boomstronken, which are on public display in Wassenaar. Color illustrations of these pieces and their locations are shown in the book "Beeldend Wassenaar" offering hiking and biking trails leading past the visual arts in Wassenaar.
Books
2014 - Painting in Acrylics: The Indispensable Guide.
2014 - Complete Guide to Painting in Acrylics
2015 - De Complete Gids voor Acrylverf - Professionele Technieken voor Traditionele Toepassingen
Critique
Kloosterboer's artwork has been favourably reviewed and included among other artists in a book on the history of women painters in the Low Countries authored by Art Historian Professor Katlijne van der Stighelen. Some of Kloosterboer's paintings from her time in the USA are included in a published essay on Trompe L'Oeil in America, by Kevin Sharp. Also, some of her realist paintings were included in Acrylic Artist's Guide to Exceptional Colour chosen to illustrate fundamental aspects of color such as temperature, intensity and brightness. Media articles and interviews dealing with Kloosterboer's artwork are available from other sources.
Exhibitions
Kloosterboer's paintings have been exhibited in many countries including Argentina, Belgium, Canada, Denmark, Estonia, France, Germany, Japan, the Netherlands, the United Kingdom, and the United States. Some recent exhibits including her paintings are:
2015 - IGOR Exhibition - The International Realism Guild's Tenth Annual International Juried Exhibition, at the Principle Gallery in Alexandria, Virginia, USA
2015 - Richeson75 International Still Life & Floral Online Exhibition
2009 - Creative Achievement Award for Chalkboard No. 1 - Manet at the Fourth Annual Juried Exhibition of the International Guild of Realism, at The Weatherburn Gallery, in Naples, Florida, USA.
2008 - Best of 2008 in the Still Life Category, for Twice As Much, Cat’s Eyes Marbles and Alternative Anthology in the International Best of 2008 Competition at the Marziart Internationale Galerie, Hamburg, Germany.
2006 - Merit Award by Savoir-Faire for Liberty at the 9th Annual International ISAP Exhibition, at the Cornell Museum of Art and History, Delray, Florida, USA.
2006 - Creative Achievement Award for Twice As Much at the 2nd Annual Juried Exhibition of the International Guild of Realism, at Manitou Galleries, Santa Fe, New Mexico, USA.
2005 - Master Painters of the World, US Showcase, honoring Sunday Best featured in the June/July 2005 issue of International Artist Magazine.