Lidia Zielińska Lidia Zielińska is a Polish composer and music educator .Biography Lidia Zielińska was born in Poznań, Poland . She graduated from the State Higher School of Music in Poznań in 1979 after studying composition under Andrzej Koszewski . She also studied composition and electronic music in Poland and at 'Musicultura' in Breukelen , the M. Deutsch Symphonic Workshop in Paris , IRCAM courses in Kraków and the Polish Society for Contemporary Music courses in Rydzyna and Wzdów . Zielińska took a position as professor of composition at the Poznań Academy of Music , and worked as a violinist in the Poznań Philharmonic Orchestra and the Agnieszka Duczmal Chamber Orchestra . She also taught at the State Higher School of Visual Arts , Wrocław Academy of Music, and was a guest lecturer for summer courses in Poland, France , the Netherlands , Germany , Switzerland , Sweden , Belarus and Moldova . Zielińska received a number of prizes for her compositions in Poland, Yugoslavia , Germany, Switzerland and France. In 1993/94, she worked with the EuroMusicTheater project, and in 1994/95 was part of the Donau Ballet project. In 1995/96 she was the composer-in-residence at the Electronic Music Studio in Stockholm . She has also worked with the Eighth Day Theatre with Izabella Gustowska , Jan Berdyszak and Aleksandra Korejwo . From 1982 to 1992, Zielińska was artistic director of the "Poznań Music Spring" festival. She has been a board member of the Polish Society for Contemporary Music, secretary of the Coordination Committee for Creative and Visual Art Circles, a member of the Polish Composers' Union , and a member of the "Warsaw Autumn" repertoire committee. She has been president of the "House of World Rhythms" foundation, and is co-founder of the Brevis music editions and Monochord quarterly.Works Zielińska has composed for chamber ensembles , stage, orchestra, voice and solo instrument. She has also composed theatre and film music . Selected works include: ;StageListen, Joe, monodrama for mime, tape and orchestra based on Samuel *Beckett - 1978 Mrs. Koch, tragicomedy for solo voices, tape recorders, vocal and instrumental ensembles - 1981 Cascando, for actors and double mixed choir to a text by Samuel *Beckett - 1983/91 Huit heures de la vie des femmes, musical theatre for 9 performers - 1988 The Same, performance - 1988 In the Field, minispectacle - 1990 Voices, performance - 1992 Zeitschlingen, sound spectacle - 1994 Venture Unknown, ballet - 1995 ;OrchestralViolin Concerto - 1979 Farewell to Toorope for orchestra - 1981 Epitaph in memoriam Poznan June 1956 for orchestra - 1981 Fiction for orchestra - 1986 Little Atrophic Symphony for orchestra - 1988 ;Chamber musicLitany for string quartet - 1979 Minuten - Sonate for optional instrument - 1981 Two Dances for strings - 1981 Treaty for oboe quartet - 1982 Sonnet on the Tatras for 5 musicians - 1985 Pleonasmus for oboe, violin and string orchestra - 1986 String Quartet - 1988 Jacquard for 14 musicians - 1991 La Vetrata for young string orchestra - 1996 ;Solo instrumentsGagaku Lullaby for double bass - 1984 Glossa for violin or viola solo ;VocalConcrete Music for choir and orchestra - 1987 Music for Holy Week for mixed choir and percussion - 1988 TOGO Unit for male choir and piano - 1995* ;ElectroacousticArtificial Cult for tape, video tape, neons and visual objects - 1985 Heldenleben.Overheard and Spied on for audio tape, video tape and shadowgraph - 1986 Polish Dances According to Priest Baka for tape - 1986 Feature Piece for saxophone and tape - 1987 Musica humana or How Symphonies Are Born radio piece - 1989 Graphic 2 for 10 instruments and live electronics - 1991 Fago for bassoon, double-bass, accordion and electronic keyboard - 1992 Short piece for flute and computer or computer and tape - 1992 Like These White Mice, radio piece - 1996 Expandata for percussion and tape - 1997 ;Mixed media ;Music for childrenKaleidoscope - Passacaglia for percussion, slides and clapping hands, for children - 1987 Piece about Everything for percussion and children audience - 1988 Sound Museum, "live" installation for children - 1988 Soaked Music, with children audience, narrator, conductor and tape - 1993
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