Lexicon Devil
Lexicon Devil is a three-song EP and the second release by American punk rock band the Germs. It was also the debut output of Slash Records, and of Geza X both as a producer and as a recording engineer. The record was named after its leadoff song.
Overview
In the Germs, a man whose birth name was Paul Beahm served as singer and one of the principal songwriters. During the time of the Germs, Paul actually went by other names he made up for himself. At the time of the band's debut single, he called himself Bobby Pyn. Bobby Pyn's persona on the single was the rather innocent "Sex Boy". On "Lexicon Devil," he reinvented his on-record persona as the much darker Darby Crash, who sings his fascistic mission statement in the self-mythologizing "Circle One", the guitar frenzy which opens the side B:The EP's title track is an apocalyptic manifesto full of fractured images, whose lyrics were written by Crash in the first person in the name of Adolf Hitler, who proclaims himself a "lexicon devil" in the song, which is featured here in its slower and tamer first version. "Lexicon Devil" might also fit Paul Beahm's new punk persona, since Crash was an aspiring cult leader obsessed with the idea of the mind control through the rhetoric, that is, using the power of words. Crash was one of the wordiest lyricists in the early Los Angeles punk scene, hence, while it is more musically developed than "Forming", the band's previous record, the Lexicon Devil EP is rather remarkable for its lyrics.
The record closes with "No God", a Nietzschean rant which borrows the intro from "Roundabout" by Yes.
Background
The Germs were gaining notoriety since the release of their first single, "Forming", and their early live performances. The band's increasing success also presented some roadblocks. They did not have a permanent drummer at the time. After Donna Rhia left, the band had a succession of aspiring drummers and part-timers taken on loan from other bands, including X's Don Bonebrake, who filled in at a few gigs, and the Weirdos' Nicky Beat, who took the seat in the sessions for the Lexicon Devil EP. Also, Pat Smear did not own an amplifier for his Rickenbacker electric guitar.The band's second record came about when the publishers of the punk zine Slash agreed with the Germs to release an EP on their newly formed record label, Slash Records.
Production
Lexicon Devil was recorded in Los Angeles, California at an unidentified studio, underneath a bank building, on Hollywood Boulevard.Smear's non-ownership of an amplifier at the time actually led to the unique guitar sound on the record. Geza X was supposed to lend him one for the recording sessions, but had forgotten; instead he strung together some effect pedals and the guitarist plugged directly into the studio's mixing board.
A few days before recording commenced, aspiring drummer Don Bolles came down to Los Angeles from Phoenix, Arizona to audition for the group. He got the job, but it was too late for him to learn the songs in time to go into the studio. Instead, Nicky Beat kept the drum seat warm for the session while Bolles still participated, helping chant "Non deus, non deus, non deus" and clapping his hands, along with the Deadbeats' saxophonist Pat Delaney and the rest of the band, during the bridge in "No God".
According to Bob Biggs, Slash Records founder, the EP cost the label only $600 to produce.
Release and artwork
Lexicon Devil was released as a 7-inch vinyl record in May 1978, with about 1,000 copies pressed. It was available mostly through mail order from the punk zine Slash.At the time of its release, the band proposed an advertisement to promote the EP which displayed Nazi iconography accompanied with the darkly humorous slogan "Six million Jews can't be wrong", but Slash deemed it potentially controversial and refused to print it.
Conceptually linked to the lyrical content of the record, which is a reflection of the messianic and apocalyptic obsessions of Crash, the cover art for Lexicon Devil is notorious for its contentious imagery. The front cover features a Nazi propaganda painting by Hubert Lanzinger from ca. 1935 portraying a glorified Adolf Hitler; while the back cover, in ideological contrast, reproduces an anti-fascist political cartoon by Arthur Szyk from 1942 which portrays Hermann Göring, the Grim Reaper, Benito Mussolini, and Hirohito, who are humorously featured as alter egos of Crash, Lorna Doom, Drummer, and Pat Smear, respectively. The EP's artwork was printed in black ink on red, deep pink, golden and yellow paper record sleeves.
Reissues and re-recordings
A rare alternate mix of "No God", with an extra drum beat at the end, was featured on the 1979 Dangerhouse Records compilation EP Yes L.A.Long out of print in its original form, the Lexicon Devil EP would reappear in 1981 as part of the Germs' posthumous 12-inch vinyl disc EP What We Do Is Secret, as well as included on the band's 1993 compilation album : The Complete Anthology.
In October 1978, a faster second version of "Lexicon Devil", this time with Bolles on drums, who gave the song a harder and more manic drive, was recorded for the Germs' first and only studio album, , released in 1979.
Cover versions
Southern California punk band D.I. covered "Lexicon Devil" for their 1994 album State of Shock.Also in 1994, the German record label Bitzcore released Strange Notes!: A Germs Cover Compilation, featuring versions of "Lexicon Devil" and "No God", done by the Freeze and Final Conflict, respectively.
The 1996 tribute album to the Germs, A Small Circle of Friends, featured cover versions of "Lexicon Devil", "Circle One", and "No God", recorded by the Melvins, the Holez, and D Generation, respectively.
Appearances in other media
In 2013, "Lexicon Devil" was included in the video game Grand Theft Auto V, for its reproduction through the in-game radio station Channel X. Similarly, the sped-up version of the song was featured on the soundtrack for the 2004 video game Tony Hawk's Underground 2.Track listing
Personnel
GermsAdditional performers
- Don Bolles – backing vocals and hand clapping
- Pat Delaney – backing vocals and hand clapping
- Steve Samiof – executive in charge of production
- Geza X – production, engineering
- Hubert Lanzinger – illustration
- Arthur Szyk – illustration
Works cited