Larry Weir
Larry Anthony Weir is a US songwriter, composer, producer, promoter and managing editor of New Music Weekly magazine. Weir is best known for songs in the musical, Teen Witch, which has become an annual Halloween tradition on several television networks.
Early life
Namesake to his father, Larry Weir is the eldest of nine children born to Larry and Maria Weir. Weir's father was an architect/builder and Maria is a teacher and classical pianist.In 1967, Weir was influenced by composers, Burt Bacharach, Jimmy Webb and the Beatles. A guitar player and singer, Weir recruited his brother Tom and sister Maria to form The Royal Enterprise and had a San Diego area radio hit with one of his earliest compositions, "Boy It's All In Your Head" in 1968.
In 1970, the Weir family moved to Oxnard, California with Weir attending his senior year at Oxnard High School and attended two years at Ventura College. At this time, Tom, Maria and Larry founded Ventura County Youth Experimental Theatre featuring three of Weir's original musicals, "Island", "Hobos Jungle" and "House On Crossroad Alley".
The entire family participated in the Ventura theatre productions, with Larry Sr. involved in set design and construction, other family responsibilities included: choreography, casting, costumes, direction and music composition for these fully orchestrated theatre productions.
The Weirz
By 1975, the Weir family was again living in San Diego County area, the band included all nine of the Weir siblings and was now called The Weirz. The San Diego radio station, KGB-FM included the Weirz song, "Gypsies From Bonsall" on the KGB HomeGrown III LP album on side one, track number four.- The KGB Homegrown III album sold in excess of 50,000 copies
- KGB-FM was Billboard's "Station of the Year" in 1974
- KGB-FM was the originator of the sports mascot, The San Diego Chicken
- It is unclear if the band was called The Weirz in 1975, the KGB Homegrown III album credits the band as The Weirs
The move to Woodland Hills also had a profound effect on the neighbors, on in particular was Eric Avery the son of Brian Avery who played the role of Carl Smith in the movie The Graduate. Eric Avery went on to become the bass player for Jane's Addiction, while his sister, Rebecca Avery, followed a career in acting.
In 1981, Michael Damian, hit the Billboard Hot 100 #27 with Eric Carmen's, She Did It, and signed a record deal with CBS records Canada in 1983. The CBS deal produced two albums:
- Love is a Mystery
- Michael Damian
The Weirz signed with Curb Records in 1983, first releasing singles in Europe, followed by a single, "Imagination", which led to American Bandstand and Dance Fever appearances in the United States. The Weirz played their last tour in 1987, as the opening act for the Canadian release of the Michael Damian album.
- Larry Weir
- Maria Weir
- Estelle Weir
- Tom Weir
- Pixie Weir
- Cathy Weir
- Theresa Weir
- Michael Weir
- Joan Weir
The Weir Brothers
Year | Single | Credit | Hot 100 | AC | Hot Dance |
1981 | "She Did It" | Written by Eric Carmen Produced by: Larry Weir, Michael Damian, Tom Weir | 69 | ||
1989 | "Cover Of Love" | Written by: Janine Jae Best, Troy Kent Johnston, Larry Weir, Michael Damian | 31 | ||
1989 | "Rock On" | Written by: David Essex Produced by: Larry Weir, Michael Damian, Tom Weir | 1 | ||
1989 | "Was It Nothing At All" | Written by: Michael Damian Produced by: Larry Weir, Michael Damian, Tom Weir | 25 | 7 | |
1990 | "Straight From My Heart" | Written by: Larry Weir, Tom Weir and Michael Weir | 47 | ||
1991 | "What A Price To Pay" | Written by: Larry Weir | 60 | ||
1992 | " Another You" | Written by: Larry Weir | 26 | ||
2002 | "Shadows In The Night" | Written by: Larry Weir, Michael Damian | 5 | ||
2009 | "Rock On" | Written by: David Essex Caption Records | 28 |
Television
A collaboration between Alf Clausen, Larry Weir, Michael Damian, Rich Eames, Robin Gibb, Scott Gale and Tom Weir produced the theme song for the television series Saved By the Bell.Larry Weir and Tom Weir teamed up with Michael Parnell to score 34 episodes of the 1991-93 television show, Dangerous Curves, starring Lisa Cutter and Michael Michele.
Weir Brothers Recording Studios
The Weir Brothers Recording Studios is added to the musical credits in the late 1980s and early 1990s. Some of the titles written or co-written by Larry and with Weir family members producing, and performing at Weir Brothers Recording Studios are:- Teen Witch
- Dreams of Summer
- Where Do We Go From Here
- Reach Out To Me
- Time Of The Season
- The single, "Reach Out To Me"", from the album Reach Out To Me, attained Top 20 on The Gavin Report in 1993.
- The 1996 single, "Never Walk Away", from Time Of The Season, became a Top 10 hit in The Gavin Report's Adult Contemporary Chart.
- Masika Swaim is credited with as a backup vocalist on Reach Out To Me, Masika Swaim and Larry Weir were married in 1993.
- Grammy Award winner, Tom Weir now specializes in recording, engineering and mixing as the owner and operator of Studio City Sound.
Weir Brothers Entertainment
Title | Primary Artist | Date | Tracks! |
Marley & Me The Puppy Years | Various Artists | 9.Aug.2011 | 12 tracks |
Little Marley & Me | Michael Damian | 8.Aug.2011 | 1 track |
Flicka 2 Original Motion Picture Soundtrack | Various Artists | 4.May.2010 | 13 tracks |
Girl To Change Your World - The Remixes | Heather Youmans | 17.Mar.2010 | 2 tracks |
Girl To Change Your World | Heather Youmans | 4.Jan.2010 | 1 track |
Rock On | Michael Damian | 31.Mar.2009 | 11 tracks |
Getting So Much Better | Michael Damian | 4.Mar.2008 | 3 tracks |
I Choose You | Laura Wight | 3.Sep.2007 | 3 tracks |
Popular Girl | Sara Niemietz | 3.Jul.2007 | 3 tracks |
Top Dog | Buck McCoy | 6.Jun.2007 | 12 tracks |
Teen Witch The Musical | Various Artists | 13.Feb.2007 | 14 tracks |
Finest Hour | Sara Niemietz w/ Blake Ewing | 30.Jan.2007 | 3 tracks |
National Record Promotion
Radio Promotion
National Record Promotions, is service company that provides acceptance testing for new music in secondary radio markets. Modeled after the Gavin report, record labels and independent artists employ the service to gather regional analytic data for their songs, side by side with the top ranking hits of the day. In 2011, Real II Reel Productions named National Record Promotions, "... the #1 independent record promoter in the country..."National Record Promotion clients:
- Akon
- Herb Alpert
- America
- Alina Artts
- Matt Backer
- Peabo Bryson
- Chubby Checker
- Cy Curnin / The Fixx
- Michael Damian
- Frank D'Angelo
- Jackie DeShannon
- Lee Dewyze
- Lamont Dozier
- Flo Rida
- Jerry Garcia Band
- Lani Hall
- Heartland
- James Ingram
- Inner Circle
- Mick Jagger
- Marsha Jewell
- Shawn King
- Florence LaRue
- Julian Lennon
- Taj Mahal
- Janice Marie
- Buck McCoy
- Bill Medley
- Willie Nelson
- Ray Obiedo
- Player
- Jessica Riddle
- Tommy Roe
- Melvin Seals
- Romeo Santos
- Bruce Sudano
- Marshall Tucker
- Billy Vera
- Crystal Waters
- Danny Wood / New Kids on the Block
In the mid-1990s, Weir found that music production and radio promotion tasks overlap and that he had become adept in both functions. Weir had found that some promoters were less than truthful about accomplishing their contract obligations. In 1995, Weir created National Record Promotion, a streamlined promotional service for musicians and labels who may not have dedicated promotional staff. Weir and co-owner Masika Swaim, have a personal relationship with NRP subscriber radio stations, contacting each radio station by telephone on a weekly basis. Ultimately, the critique of the promoted music is determined by the radio professionals and listener feedback, which drives the "spin" count of a promoted song. Requests from listeners, acceptance by programming managers and disc-jockeys will likely improve the number of spins per week. Feedback, in terms of number of spins and comparative chart positions, is reported back to the artist or label by the Spins Tracking System. Songs with outstanding audience appeal, as determined by the number of spins or rapid elevations in chart rankings, are noted in New Music Weekly magazine regardless to the artist's choice of promoters.
One perceived limitation of modern radio promotion, is that some radio stations are located in small radio markets. In most cases, large-market radio stations are run from pre-programmed lists and music rotation decisions occur at a distant corporate offices. In effect, radio stations with rigid programming formats provide little insight into listener preference and determining marketability of new music.