The Kunlun or Kunlun Shan is a mountain or mountain range in Chinese mythology, an important symbol representing the axis mundi and divinity. The mythological Kunlun is based on various sources, mythologic and geographic, the modernly so-called Kunlun Mountains of the Tibetan Plateau and Mount Kailash. The term "Kunlun" has also been applied to Southeastern Asian lands or islands and seemingly even Africa, although the relationship to the mountain is not clear, other than the nomenclature. In any case Kunlun refers to distant, exotic, and mysterious places. Different locations of Kunlun have been given in the various legends, myths, and semi-historical accounts in which it appears. These accounts typically describe Kunlun as the dwelling place of various gods and goddesses where fabled plants and mythical creatures may also be found. Many important events in Chinese mythology took place on Kunlun.
Historical development
As the mythology related to the Kunlun developed, it became influenced by the later introduction of ideas about an axis mundi from the cosmology of India. The Kunlun became identified with Mount Sumeru. Another historical development in the mythology of Kunlun was that rather than just being the source of the Yellow River, Kunlun began to be considered to be the source of four major rivers flowing to the four quarters of the compass. The Kunlun mythos was also influenced by developments within the Taoist tradition and Kunlun came to be perceived more as a paradise than a dangerous wilderness. Some recent research proposed that over time, the merging of various traditions has result in a duality of paradises – an East Paradise, identified with Mount Penglai, and a West Paradise, identified with Kunlun Mountain. A pole replaced a former mythic system which opposed Penglai with Guixu and the Guixu mythological material was transferred to the Kunlun mythos.
Name
The Chinese name "Kunlun" 崑崙 is written with characters combining the "mountain radical" 山 with phonetics of kun 昆 and lun 侖. Alternate names for Kunlun shan include Kunling 崑陵 and Kunqiu 崑丘. The term "Kunlun" may be semantically related to two other terms: Hundun, which is sometimes personified as a living creature; and kongdong, according to Kristofer Schipper. Grotto-heavens were traditionally associated with mountains, as hollows or caves located in/on certain mountains. The term "Kunlun Mountain" can be translated as "Cavernous Mountain": and, the mythological Kunlun mountain has been viewed as a hollow mountain. The term "Kunlun" however had also been used in old texts to refer to people and places unrelated to the mythical mountain. It was, for example, used to transcribe the southern people called Gurong, who were slaves in China. Edward H. Schafer quotes the Old Book of Tang description. "They are also called Kurung. They are the barbarous men of the islands, great and small, of the Southern Seas. They are very black, and expose their naked Figures. They can tame and cow ferocious beasts, rhinoceroses, elephants, and the like." Schafer notes that besides Kunlun, these southerners were occasionally written Gulong 古龍 or Gulun 骨論. Julie Wilensky notes that the term Kunlun is a "mysterious and poorly understood word first applied to dark-skinned Chinese and then expanded over time to encompass multiple meanings, all connoting dark skin." But then she goes on to say, "These uses of kunlun are unrelated to the name of the Kunlun Mountains." And in a footnote to this, " Chang Hsing-Iang writes that the Kunlun mountain 'region has been familiar to the Chinese from the earliest times, and no Chinese work has ever described its inhabitants as being black-skinned.'" She then goes on to say how "Kunlun" was used to refer to places in Southeast Asia and Africa.
Location
Various ideas of the location of the mythical Kunlun Mountain have been given: chapter eleven of the Shanhaijing describes it as being in the northwest, chapter sixteen says it is south of the western sea, and other sources place it in the center of the earth. Some believed Kunlun to be located to the "far" west, in this case the alleged location was relocated further and further to the west, along with advances in geographical knowledge. E. T. C. Werner identifies Kunlun with the Hindu Kush mountain range. At times, the mythical Kunlun Mountain has been confused with the modern Kunlun Mountains and with Kurung, and equivalent to the SanskritŚailarāja, also meaning "Kings of the Mountain", referring to a mythical holy cosmic mountain. Kurung is known to have flourished during the time of the Tang dynasty, and seems to have developed ambassadorial relations with the Tang court, by the time of Li He, who records a visit in one of his extent poems: although geographical specifics of the state of Kunlun's location remain uncertain, it is associated with trans-Gangetic India, possibly the Malay peninsula or areas controlled by the Sailendra thalassocracy.
Description
Kunlun Mountain has been described in various texts, as well as being depicted in art. Sometimes Kunlun appears as a pillar of the sky, sometimes appearing as being composed of multiple tiers, with the commonality of "mystery, grandeur, or magnificence" being emphasized in the mythological descriptions. The base of the Kunlun Mountain is said to penetrate as far into the earth, as its above-ground part proceeds towards the sky. Generally, accounts emphasize the difficulty of access to the mountain and even more to its more hallowed places, due to surrounding waters and steep cliffs of immense heights. Kunlun typically also has a strong association with various means to obtain immortality, or longevity. Poetic descriptions tend to lavish Kunlun with paradisaical detail: gem-like rocks and towering cliffs of jasper and jade, exotic jeweled plants, bizarrely formed and colored magical fungi, and numerous birds and other animals, together with humans who have become immortal beings. Sometimes it is the Eight Immortals who are seen, coming to pay their respects to the goddess Xiwangmu, perhaps invited to join her in a feast of immortal repast. This is the well-worn image or motif that is frequently painted, carved, or otherwise depicted in the material arts.
Kunlun is believed to be the representation of the Supreme Deity. According to some sources, his throne is at the top tier of the mountain and known as the "Palace of Heaven". As Kunlun was sometimes viewed as the pillar holding up the sky and keeping it separated from the earth, some accounts place the top of Kunlun in Heaven rather than locating it as part of the earth: in this case the Supreme Deity's abode on Kunlun is actually in Heaven, and Kunlun functions as a sort of ladder which could be used to travel between earth and Heaven. Accordingly, any person who succeeded in climbing up to the top of Kunlun would magically become an immortal spirit.
Xiwangmu
Although not originally located on Kunlun, but rather on a Jade Mountain neighboring to the north, Xiwangmu, the Queen Mother of Meng Hao in the West, in later accounts was relocated to a palace protected by golden ramparts, within which immortals feasted on bear paws, monkey lips, and the livers of dragons, served at the edge of the Lake of Gems. Every 6000 years the peaches which conferred immortality upon those who ate them would be served. Originally a plague deity with tiger teeth and leopard tail, she became a beautiful and well-mannered goddess responsible for guarding the herb of immortality.
Yu Shi, a Chinese spirit or god of rain, also known as the "Lord of Rain" or "Leader of Rain" is thought to have his dwelling place upon the Kunlun slopes. During the reign of Shennong, a certain Chisongzi performed a rain-making ceremony which successfully ended a terrible drought, leading to his promotion to "Yu Shi", "Master of Rain".
Shamans
According to the Shanhaijing, the top of Kunlun is the habitation of shamans, depicting Wu Peng holding the herb of immortality there, in the company of five other shamans called Siva Harish.
''Xian''
In later tradition Kunlun was pictured as a Daoist paradise, inhabited by xian, or Daoist immortals, which was presided over by Xiwangmu. The xian were often seen as temporary residents, who visited by means of flying on the back of a magical crane or dragon.
Creatures
Kunlun has a lively bestiary, with various more-or-less fantastic beasts and birds described as present in its environs. Often the tiger or beings with tiger-like features are associated with Kunlun, since the tiger is symbolic of the west, as Kunlun is often associated with the Western Paradise. Creatures symbolic of immortality are often seen or described in depictions of Kunlun, such as deer or cranes. Xiwangmu is often identified as having a spotted deer as a pet. Besides the cranes, other birds come and go from the mountain, flying errands for Xiwangmu: these blue birds are her qingniao. Sometimes the poets claim to have received a happy inspiration during a visit by one of these birds, carrying a message from Xiwangmu.
Plants
The flora of Kunlun and its environs is in keeping with the rest of its natural, and includes the Pearl and Jade Trees, the Tree of Immortality, and Tree Grain, the last of which was forty feet in height and five spans in thickness. Peaches are often associated with Xiwangmu The langgan was a tree of fairy gems in colours of blue or green, which was reported to grow on Kunlun in the classic books of the Zhou and early Han dynasties.
Palaces and Gardens
Kunlun is described as having various structures, areas, or significant features either on or around the area of the mountain. The palace of Xiwangmu, sometimes described as having golden ramparts, was located on Kunlun: those blessed to gather there might partake of the fruit of longevity. Often her palace is described as having a park or garden, bordering a Jasper Pool. Of gardens, a Hanging Garden was referenced early on.
Rivers and Sands
Four rivers were sometimes said to flow out of Kunlun Mountain: the Red River, the Yellow River, the Black River, and the Yang River. A fifth river was said to flow around the base of Kunlun, which rose in a way which was particularly steep and hard to climb. This Weak River at the base of Kunlun flowed with a liquid so lacking in density that not even a feather could float upon it. This was a major obstacle, since it could neither be swum or floated over on a vessel. However, this was an obstacle routinely overcome by those practiced in the way of magic. Two examples of those who overcame were Sun Wukong or Qu Yuan in his poem , both already on the path to immortality, one as a god and the other as a poet. Another barrier to Kunlun were the dangerous and difficult-to-cross Moving Sands, also known as Flowing Sands or Liusha. According to Shanhaijing, Kunlun was located south of the West Sea, behind the Red River, and on the shore of Liusha.
Events
Kunlun Mountain is a major scene of action in various myths, as well as literary works derived from the myths, legends, or religious descriptions or depictions.
Marriage of Nüwa and Fuxi
Fuxi and Nuwa's marriage took place on the mountain of Kunlun. Generally held to be brother and sister, and the last surviving human beings after a catastrophic flood, the incest taboo was waived by an explicit sign after prayerful questioning of a divine being who approved their marriage and thus the repopulation of the world.
Mu son of Heaven is one visitor, carried along on his trip by eight extraordinary mounts, depicted in art as "weird and unworldly".
Cultural references
Many important literary references and allusions to Kunlun Mountain are found in traditional works, including famous novels, poems, and theatrical pieces. It also appears in modern popular fictions.
Novels
Among other literature, Kunlun Mountain appears in Fengshen Yanyi, Legend of the White Snake, the Tale of King Mu, Son of Heaven, Kunlun Nu, Zhen Hun and Journey to the West.
Theater
The Kunlun Slave was a stock character in Chinese theater, and known in Japanese theater "Konron". He was portrayed as exotic in appearance, and possessed of superhuman powers. The Ming dynasty dramatist and playwright Mei Dingzuo wrote a play "How the Kunlun Slave Became an Immortal".
Poetry
Kunlun Mountain is a subject of poetic allusion from the ancient poems "Li Sao" and "Heavenly Questions" by Qu Yuan, through frequent mentions in the medieval Tang dynasty poetry, and, in the twentieth century in Mao Zedong's 1935 poem "Kunlun".
Modern popular culture
Kunlun is used in the manga 3×3 Eyes. The term, written as K'un-Lun, is also used in the story of the Iron Fist in Marvel Comics as one of the seven Capital Cities of Heaven in the Marvel Universe that only appears on Earth periodically. In Alan Moore's , K'un-Lun is identified with the Fire Mountain from H. Rider Haggard's Ayesha. Kunlun is also featured in many Chinese Dramas.
