Kukri


The kukri or khukuri is a type of machete, originating from the Indian subcontinent, associated with the Nepali speaking Gurkhas of Nepal and India. The knife has a distinct recurve in the blade. It is used as both a tool and as a weapon in the Indian subcontinent. Traditionally, it was, and in many cases still is, the basic utility knife of the Gurkha. It is a characteristic weapon of the Nepalese Army, the Royal Gurkha Rifles of the British Army, the Assam Rifles, the Kumaon Regiment, the Garhwal Rifles, the Gorkha regiments of the Indian Army, and of all Gurkha regiments throughout the world, so much so that some English-speakers refer to the weapon as a "Gurkha blade" or "Gurkha knife". The kukri often appears in Nepalese and Indian Gorkha heraldry and is used in many traditional rites such as wedding ceremonies.
A common myth is that a kukri must draw blood before being sheathed; in fact they are frequently used as utility tools. Extraordinary stories of their use in combat by the Gurkhas may contribute to this misconception. The kukri, khukri, and kukkri spellings are of Indian origin, the original Nepali term being khukuri.

History

Researchers trace the origins of the blade back to the domestic sickle and the prehistoric bent stick used for hunting and later in hand-to-hand combat. Similar implements have existed in several forms throughout the Indian subcontinent and were used both as weapons and as tools, such as for sacrificial rituals. Burton writes that the British Museum housed a large kukri-like falchion inscribed with writing in Pali. Among the oldest existing kukri are those belonging to Drabya Shah, housed in the National Museum of Nepal in Kathmandu.
The kukri came to be known to the Western world when the East India Company came into conflict with the growing Gorkha Kingdom, culminating in the Gurkha War of 1814–1816. It gained literary attention in the 1897 novel Dracula by Irish author Bram Stoker. Despite the popular image of Dracula having a stake driven through his heart at the conclusion of a climactic battle between Dracula's bodyguards and the heroes, Mina's narrative describes his throat being sliced through by Jonathan Harker's kukri and his heart pierced by Quincey Morris's Bowie knife.
All Gurkha troops are issued with two kukris, a Service No.1 and a Service No.2 ; in modern times members of the Brigade of Gurkhas receive training in its use. The weapon gained fame in the Gurkha War and its continued use through both World War I and World War II enhanced its reputation among both Allied troops and enemy forces. Its acclaim was demonstrated in North Africa by one unit's situation report. It reads: "Enemy losses: ten killed, our nil. Ammunition expenditure nil." Elsewhere during the Second World War, the kukri was purchased and used by other British, Commonwealth and US troops training in India, including the Chindits and Merrill's Marauders. The notion of the Gurkha with his kukri carried on through to the Falklands War.
On 2 September 2010, Bishnu Shrestha, a retired Indian Army Gurkha soldier, alone and armed only with a khukri, defeated thirty bandits who attacked a passenger train he was on in India. He was reported to have killed three of the bandits, wounded eight more and forced the rest of the band to flee. A contemporaneous report in the Times of India, that includes an interview with Shrestha, indicates he was less successful.

Design

The kukri is designed primarily for chopping. The shape varies a great deal from being quite straight to highly curved with angled or smooth spines. There are substantial variations in dimensions and blade thickness depending on intended tasks as well as the region of origin and the smith that produced it. As a general guide the spines vary from at the handle, and can taper to by the point while the blade lengths can vary from for general use.
A kukri designed for general purpose is commonly in overall length and weighs approximately. Larger examples are impractical for everyday use and are rarely found except in collections or as ceremonial weapons. Smaller ones are of more limited utility, but very easy to carry.
Another factor that affects its weight and balance is the construction of the blade. To reduce weight while keeping strength, the blade might be hollow forged, or a fuller is created. Kukris are made with several different types of fuller including tin Chira, Dui Chira, Ang Khola, or basic non-tapered spines with a large bevelled edge.
Kukri blades usually have a notch at the base of the blade. Various reasons are given for this, both practical and ceremonial: that it makes blood and sap drop off the blade rather than running onto the handle and thereby prevent the handle from becoming slippery; that it delineates the end of the blade whilst sharpening; that it is a symbol representing a cows' foot, or Shiva; that it can catch another blade or kukri in combat. The notch may also represent the teats of a cow, a reminder that the kukri should not be used to kill a cow, an animal revered and worshipped by Hindus. The notch may also be used as a catch, to hold tight against a belt, or to bite onto twine to be suspended.
The handles are most often made of hardwood or water buffalo horn, but ivory, bone, and metal handles have also been produced. The handle quite often has a flared butt that allows better retention in draw cuts and chopping. Most handles have metal bolsters and butt plates which are generally made of brass or steel.
The traditional handle attachment in Nepal is the partial tang, although the more modern versions have the stick tang which has become popular. The full tang is mainly used on some military models but has not become widespread in Nepal itself.
The kukri typically comes in either a decorated wooden scabbard or one which is wrapped in leather. Traditionally, the scabbard also holds two smaller blades: an unsharpened checkmark to burnish the blade, and another accessory blade called a karda. Some older style scabbards include a pouch for carrying flint or dry tinder.

Manufacture

The Biswakarma Kami are the traditional inheritors of the art of kukri-making. Modern kukri blades are often forged from spring steel, sometimes collected from recycled truck suspension units. The tang of the blade usually extends all the way through to the end of the handle; the small portion of the tang that projects through the end of the handle are hammered flat to secure the blade. Kukri blades have a hard, tempered edge and a softer spine. This enables them to maintain a sharp edge, yet tolerate impacts.
Kukri handles, usually made from hardwood or buffalo horn, are often fastened with a kind of tree sap called laha. With a wood or horn handle, the tang may be heated and burned into the handle to ensure a tight fit, since only the section of handle which touches the blade is burned away. In more modern kukri, handles of cast aluminium or brass are press-fitted to the tang; as the hot metal cools it shrinks, locking onto the blade. Some kukri, have a very wide tang with handle slabs fastened on by two or more rivets, commonly called a full tang configuration.
Traditional profiling of the blade edge is performed by a two-man team; one spins a grinding wheel forwards and backwards by means of a rope wound several times around an axle while the sharpener applies the blade. The wheel is made by hand from fine river sand bound by laha, the same adhesive used to affix the handle to the blade. Routine sharpening is traditionally accomplished by passing a chakmak over the edge in a manner similar to that used by chefs to steel their knives.
Kukri scabbards are usually made of wood or metal with an animal skin or metal or wood covering. The leather work is often done by a Sarki.

Uses

Weaponry

The kukri is effective as a chopping weapon, due to its weight, and slashing weapon, because the curved shape creates a "wedge" effect which causes the blade to cut effectively and deeper. Because the blade bends towards the opponent, the user need not angle the wrist while executing a chopping motion. Unlike a straight-edged sword, the center of mass combined with the angle of the blade allow the kukri to slice as it chops. The edge slides across the target's surface while the center of mass maintains momentum as the blade moves through the target's cross-section. This gives the kukri a penetrative force disproportional to its length. The design enables the user to inflict deep wounds and to penetrate bone.

Utility

While most famed from use in the military, the kukri is the most commonly used multipurpose tool in the fields and homes in Nepal. Its use has varied from building, clearing, chopping firewood, digging, slaughtering animals for food, cutting meat and vegetables, skinning animals, and opening cans. Its use as a general farm and household tool disproves the often stated "taboo" that the weapon cannot be sheathed "until it has drawn blood".
The kukri is versatile. It can function as a smaller knife by using the narrower part of the blade, closest to the handle. The heavier and wider end of the blade, towards the tip, functions as an axe or a small shovel.

Anatomy

Blade

Kukris can be broadly classified into two types: Eastern and Western. The Eastern blades are originated and named according to the towns and villages of Eastern Nepal. The Eastern Khukuris are Angkhola Khukuri, Bhojpure Khukuri, Chainpure Khukuri, Cheetlange Khukuri, Chirwa Khukuri, Dhankute Khukuri, Ganjawla Khukuri, Panawala Khukuri, Sirupate Khukuri translates as Siru grass leaf like. Khukuris made in locations like Chainpur, Bhojpur, and Dhankuta in Eastern Nepal are excellent and ornate knives.
Western blades are generally broader. Occasionally the Western style is called Budhuna,, or baspate which refers to blades just outside the proportions of the normal Sirupate blade. Despite the classification of Eastern and Western, both styles of kukri appear to be used in all areas of Nepal.
There is Khukuri named after Gorkhali General Amar Singh Thapa called Amar Singh Thapa Khukuri. This Khukuri is modelled on the real Khukuri used by the Gorkhali General. The real Khukuri used by Amar Singh Thapa is archived at National Museum of Nepal and is more curvy in nature than other traditions.

Legacy

There is a popular proverb in Nepali as follows: