Kembra Pfahler is an American filmmaker associated with the Cinema of Transgression, a performance artist, rock musician, and film actress. She is mostly known as the lead singer of the glam, punk, shock rock band The Voluptuous Horror of Karen Black, and for the often nude and sexual nature of her art exhibits. Pfahler has been called the "godmother of modern day shock art".
In 1990, Pfahler and Samoa Moriki, her husband at the time, founded the band The Voluptuous Horror of Karen Black on the Lower East Side. The band was named in homage to actress Karen Black. They released three albums: A National Healthcare ; Anti-Naturalists ; and Black Date ; as well as several limited-edition presses on vinyl. Pfahler and Samoa shot many horror films and used visual and performance art for their performances. VHOKB's live performance of The Wall of Vagina appears on Disinformation DVD - The Complete Series. VHOKB also appear on the albumVirgin Voices: A Tribute to Madonna. Pfahler sang backup on the song "Shoot, Knife, Strangle, Beat and Crucify" on the album Brutality and Bloodshed for All of GG Allin And The Murder Junkies. In 2013, she covered the traditional "Barnacle Bill the Sailor" for the sea shanty compilation .
Visual and Performance Art
Pfahler founded the art movements and conceptual philosophies of availabilism, using what is closest at hand as both the inspiration for her work and the medium of her expression, and Antinaturalism, describing the aesthetic of total artificiality. She has shown work at the Museum of Contemporary Art in Rome, The Garage Museum of Contemporary Art in Moscow, Deitch Projects, The Hole Gallery in New York, Bowman Gallery, and Kenny Schachter Rove Gallery, in London. Her drawings are in the permanent collection of the Museum of Modern Art in New York. Pfahler, while in Europe, discovered and took inspiration from the Viennese Actionism movement, specifically Rudolf Schwarzkogler. Her performances have included the cracking of paint-filled eggs on her vulva. In 1984, she performed in when it was presented at the Pyramid Club. She created solo performances in the 1980s at ABC No Rio. In a performance piece shown in Richard Kern’s Sewing Circle, Pfhaler had her vagina sewn shut by artist Lisa Resurreccion while only wearing a “Young Republicans” t-shirt. In a 2005 Pfahler held a solo exhibition at in London. The exhibition, titled "File Under V", consisted of self-portraits, performance documentation, and band props from Voluptuous Horror. In January 2007, Pfahler, with Julie Atlas Muz, curated a mixed-media art exhibition titled Womanizer at Deitch Projects. The show included works by E.V. Day, Breyer P-Orridge, Vaginal Davis, and burlesque performer Bambi the Mermaid. Her contribution was an installation with a bed set that contained a skeleton and dolls painted in multiple colors, surrounded by walls plastered with red paste, as well as a video that shows her ripping the dolls out of a birthing canal. As part of the 2008 Whitney Biennial and with support from the Art Production Fund, Pfahler and Voluptuous Horror gave a performance in the Park Avenue Armory's Drill Hall on 14 March 2008. These performances included her works Actressocracy and Whitney Live. In 2009 alongside author Kathy Grason, Pfhaler published a photographic catalog of her work in the form of a book titled Beautalism. She was interviewed in 2011, as part of the documentary The Advocate for Fagdom by Angélique Bosio about queercore filmmaker Bruce La Bruce,