Julia is an Americansitcom. It is notable for being the first weekly series to star an African-American woman in a non-stereotypical role. Previous television series featured African-American lead characters, but the characters were usually servants. The show starred actress and singer Diahann Carroll, and ran for 86 episodes on NBC from September 17, 1968, to March 23, 1971. The series was produced by Savannah Productions, Inc., Hanncarr Productions, Inc., and 20th Century-Fox Television. During pre-production, the proposed series title was Mama's Man. The series was among the few situation comedies in the late 1960s that did not use a laugh track; however, 20th Century-Fox Television added one when the series was reissued for syndication and cable rebroadcasts in the late 1980s. Julia was among the first acquisitions made by ASPiRE for its inaugural season in 2012.
Synopsis
In Julia, Carroll played widowed single mother, Julia Baker, who was a nurse in a doctor's office at a large aerospace company. The doctor, Morton Chegley, was played by Lloyd Nolan, and Julia's romantic interests by Paul Winfield and Fred Williamson. Julia's son, Corey was approximately six to nine years old during the series run. He had barely known his father before he died. Corey's best friend was Earl J. Waggedorn, whom Corey almost always addressed and referred to precisely by his full name, though other characters would refer to him simply as Earl. The Waggedorns lived downstairs in the same apartment building, with father Len, mother Marie, and two sons, Earl and an infant. The first two seasons included Nurse Hannah Yarby, who left to be married at the beginning of the third season, just as the clinic's manager, Brockmeyer, ordered downsizing — and removal of minorities from employment. The second and third season included Richard, a boy some one or two years older than Corey. Chegley's uncle, Dr. Norton Chegley, made three appearances.
Though Julia is now remembered as being groundbreaking, during its run it was derided by critics for being apolitical and unrealistic. Diahann Carroll remarked in 1968: "At the moment we're presenting the white Negro. And he has very little Negroness." The Saturday Review'sRobert Lewis Shayon wrote that Julia's "plush, suburban setting" was "a far, far cry from the bitter realities of Negro life in the urban ghetto, the pit of America's explosion potential." Gil Scott-Heron's "The Revolution Will Not Be Televised" refers to Julia in the same breath as Bullwinkle, implying that the character was something of a cartoon. Ebony published a somewhat more supportive assessment of the program: "As a slice of Black America, Julia does not explode on the TV screen with the impact of a ghetto riot. It is not that kind of show. Since the networks have had a rash of shows dealing with the nation's racial problems, the light-hearted Julia provides welcome relief, if, indeed, relief is even acceptable in these troubled times." The series also came under criticism from African-American viewers for its depiction of a fatherless Black family. Excluding a Black male lead, it was argued, "rendered the series safer" and "less likely to grapple with issues that might upset white viewers."
Nielsen ratings
Cancellation
Julia was well-rated in the first two seasons but dropped out of the top 30 most-watched shows during season 3. The series was canceled in 1971, reportedly because of Carroll's and series creator and executive producer Hal Kanter's desire to work on other projects. Kanter created and produced The Jimmy Stewart Show for NBC the following season.
