Judith Burganger


Judith Burganger is an American pianist and pedagogue.

Biography

Early Years

Born in Buffalo, New York, Judith Burganger began her musical studies at age 4 with Laura Kelsey and her education and career were advised by Mme. Isabella Vengerova and Mieczyslaw Horszowski from the age of 9. She regularly played chamber music with members of the Buffalo Philharmonic well into her teenage years. By the end of high school, she had performed
with the Toronto Symphony in Massey Hall, over 30 times with the Buffalo Philharmonic, and
earned the first prize in the National Merriweather Post Competition in Washington, D.C. where she
performed several times with the National Symphony in Constitution Hall.
She furthered her pre-college studies at the Marlboro Chamber Music Festival, receiving coachings and lessons from such notable musicians as Rudolf Serkin, Felix Galimir, Alexander Schneider,
Hermann Busch, and Marcel Moyse; after which, she pursued private lessons with Seymour Lipkin
in New York City.

In Europe

Following Rudolf Serkin’s guidance, Burganger went abroad to study piano and chamber
music with Professors Vladimir Horbowski, Hubert Giesen, Ricardo Odnoposoff, Alfred
Lowenguth, and Kurt Stiehler at the Staatliche Hochschule für Musik und Darstellende Kunst in Stuttgart, Germany. The list of earned honors grew as she entered the Concours International d’execution Musicale in Geneva, Switzerland, National Competition of Western Germany’s Music Conservatories, and in 1965, she became the first American, as well as the first pianist in six years, to win the First Prize in the ARD International Piano Competition in Munich, Germany.

As an artist

The successes in the European competitions granted Burganger international acclaim through solo and concerto performances playing with such major
orchestras as the Chicago Symphony Orchestra, Cleveland Orchestra, Pittsburgh Symphony,
Minnesota Orchestra, Bayerischer Rundfunk Sinfonieorchester, Zurich Radio Symphony
Orchestra, and Tokyo Philharmonic Orchestra, among many others. She has worked with
various prominent conductors of the 20th century, including Kazuyoshi Akiyama, Sergiu Comissiona,
James Conlon, Arthur Fiedler, Bernard Haitink, Josef Krips, Lorin Maazel, Mitch Miller, André Previn, William Steinberg, and Michael Tilson Thomas. As an active chamber musician, she has
collaborated with the Emerson String Quartet, Cleveland Quartet, Cavani String Quartet, Miami String Quartet, Alexander String Quartet, Dorian Wind Quintet and toured with cellist, Tsuyoshi Tsutsumi and clarinetist Gervase dePeyer performing two-recital cycles of the complete Brahms
sonatas for cello, clarinet, and the trio. Her performances at music festivals with members of the
Berlin Philharmonic and Bayerischer Rundfunk Sinfonieorchester included, along with Mozart
piano concerti, performances of the sonatas for cello and clarinet by Max Reger. She has toured
widely throughout Europe, USA, Canada, Japan and the People's Republic of China.
She has also appeared on National Public Radio’s “Performance Today” and television programs on
PBS presenting duets with pianist, Leonid Treer. A collection of her performances can be seen on YouTube spanning the solo, concerti, and chamber repertoire. She is a founder and performer of
the FAU Chamber Soloists and the Brahms Festival Concerts ; both are an ongoing series and the latter was devoted to the interpretive research and performance of the
complete Brahms chamber repertoire, and the programs now
include works of Brahms’ contemporaries.

As a teacher

As a teacher, Burganger has held positions as professor and resident artist at the Cleveland Institute of Music, Carnegie Mellon University, Texas Tech University, and was a Professor and Artist in Residence at Florida Atlantic University, where she
designed and developed the undergraduate and graduate programs for students majoring in piano
performance, collaborative arts and pedagogy. Particular attention is devoted to refining the
artistry of students through the thorough understanding of technique and body / finger
mechanics, style and phrasing awareness, tone production and pedaling, and rigorous attention to
score interpretation.
In addition to the thirty-plus years of teaching at Florida Atlantic University, she also trains teachers of private
studios aiding the standard of music education in the region. As a result, many young students
have either won or placed in regional and national level competitions and have continued their
musical pursuits at the collegiate level.
In 2013, Burganger was awarded the title of Professor Emerita by Florida Atlantic University for her exemplary dedication as a pedagogue and performer.