"John the Revelator" is a traditional gospel bluescall and response song. Music critic Thomas Ward describes it as "one of the most powerful songs in all of pre-war acoustic music ... has been hugely influential to blues performers". American gospel-blues musician Blind Willie Johnson recorded "John the Revelator" in 1930 and subsequently a variety of artists have recorded their renditions of the song, often with variations in the verses and music. The song's title refers to John of Patmos in his role as the author of the Book of Revelation. A portion of that book focuses on the opening of seven seals and the resulting apocalyptic events. In its various versions, the song quotes several passages from the Bible in the tradition of American spirituals.
Blind Willie Johnson recorded "John the Revelator" during his fifth and final recording session for Columbia Records in Atlanta, Georgia on April 20, 1930. Accompanying Johnson on vocal and guitar is Willie B. Harris, who sings the response parts of the song. Their vocals add a "sense of dread and foreboding" to the song, along with the chorus line "Who's that a writin', John the Revelator" "repeated like a mantra". Johnson's lyrics reference a number of passages from the Bible: The song was released as one of the last singles by Johnson and is included on numerous compilations, including the 1952 Anthology of American Folk Music.
musician Son House recorded several a cappella versions of "John the Revelator" in the 1960s. His lyrics for a 1965 recording explicitly reference three theologically important events: the Fall of Man, the Passion of Christ, and the Resurrection. This version was included on the 1965 album The Legendary Son House: Father of the Folk Blues. An alternate version from the same session is found on the 1992 reissue Son House — Father of the Delta Blues: The Complete 1965 Sessions.
English electronic music band Depeche Mode recorded a response to "John the Revelator" in 2005. It was released on Playing the Angel and the John the Revelator / Lilian single. Songwriter Martin Gore described the song as "a heavily re-interpreted old gospel tune about the author of the Book of Revelation". The band rejects the original's unwavering faith with the response "Armageddon? Gee, thanks."
American jazz singer Curtis Stigers and the Forest Rangers recorded a version for the TV showSons of Anarchy for Season 1, which also appears on the Sons of Anarchy Soundtrack which was released November 29, 2011.
