Jean-François Bouchard is chairman of Sid Lee, the creative services agency he co-founded with Philippe Meunier in 1993. He is also founder of C2, a global platform and series of events exploring the intersection between creativity and commerce. He is also a visual artist whose contemporary photographic work has been exhibited in Montreal, New York, Toronto, Miami and Paris.
Background
Jean-François Bouchard was born in Montréal in 1968. He went to boarding school at Collège Notre-Dame and studied law at the University of Ottawa. Before co-founding Sid Lee in 1993, he worked as an articling lawyer at Lavery and at the Ministère du Revenu du Québec. Bouchard is also a visual artist and photographer and has exhibited in Montreal, Paris, Miami, and Toronto.
Career
Sid Lee
Bouchard co-founded creative company Sid Lee in 1993 with art director Philippe Meunier, whom he met at 16 when they launched a short-lived student newspaper which featured Jane Fonda in its first edition. Some of Sid Lee’s first clients were the Greek restaurant near their office, a plumber, and Bouchard’s dentist. Diesel was renamed as Sid Lee in 2006 to avoid confusion with the popular Italian jeans brand, Diesel. Sid Lee went on to collaborate internationally with brands such as Cirque du Soleil, adidas, The North Face, Absolut Vodka, Videotron, Ubisoft, and many others. Bouchard was CEO of Sid Lee from 1993 to early 2017, when Bertrand Cesvet took helm of the company after playing a central role in its development since 1997 as the third member of the partnership. The ownership of the company eventually expanded to include more than 30 partners. In 2012, Cirque du Soleil, a long-time partner and client, acquired a significant minority stake in the company. In 2006, Bouchard was listed among Canada's Top 40 Under 40 and was also named Young Entrepreneur of the Year by the :fr:Jeune chambre de commerce de Montréal|Jeune Chambre de commerce de Montréal. In 2011, Bouchard was selected along with his partners as the Personality of the Week by La Presse.
C2
Bouchard is also the founder and chairman of C2 Montréal, a global innovation conference on commerce and creativity launched with the support of Cirque du Soleil and Stephen and Claudia Bronfman. Notable speakers have included Richard Branson and James Cameron. Described by the European press as the "Davos of creativity," C2 attracts 7,000 executives from 60 countries for its unique mix of talks, workshops, masterclasses, exhibitions, and festivities. C2 also produces private events globally for corporations such as EY and Michelin. C2 also operates a conference venue at the Fairmont Queen Elizabeth Hotel in Montreal. The company launched C2 Melbourne in Australia in November 2017. C2 Montreal was selected Most Innovative Event and Best Business Event by Biz Bash in 2015, 2016, and 2017.
Bouchard is a photographer and has held exhibitions in Montreal, Paris, Miami, and Toronto. His photo series Transpose, which features transgender men in various stages of transition, was presented at Arsenal Contemporary and awarded the in 2017. It also received a Pride Photo Award in 2015. He also received the LUX Award from Infopresse on two occasions. His previous solo exhibitions have been shown at SAS Gallery and The Sherbrooke Museum while he has participated in group shows such as the Paris Nuit Blanche, the Miami Nuit Blanche and Art Souterrain in Montréal. In April 2019, his new exhibition In Guns We Trust was presented at Arsenal Contemporary in New York City. It consisted of photographs and a video installation exploring the very extremes of gun culture in the USA. The Magenta Foundation published a book on the works that is distributed by Thames & Hudson of London. Douglas Coupland wrote the foreword note of the book and the curated the exhibition. Artnet chose the exhibition as one of the “Must See Shows in NYC”. This body of work was also featured in the Washington Post, WIRED and the British Journal of Photography. Edward Burtynsky is quoted in the book explaining: “Through his surreal series of images and installations, Bouchard parses the extremity of this marginalized gun culture at ground zero, their place of worship. In his brief essay, Douglas Coupland brings us a sharp and insightful take on this culture. This book is a must-have for curious minds trying to comprehend the perplexing condition in which we find ourselves.”
