Jan van den Heuvel had, from early childhood, felt an affinity with symphonic organ music. Jan founded his organ building company in 1967 at the age of twenty, having spent four years in training with Flentrop in Zaandam, where he persisted in his championship of the romantic organ in the face of Dirk Andries Flentrop's neo-Baroque ideals. Jan van den Heuvel constructed his first organ in 1967, attracting immediate critical acclaim for its voicing and high build standard. The actual construction took place in the workshop belonging to his father, a painter. He was commissioned to build a new three manual organ of 32 stops for the Singelkerk at Ridderkerk as a result of the many positive reactions to this first instrument - a significant milestone in the young organ-builder's career, as he was responsible not only for the design and construction of the instrument, but also for the richly carved organ case. The commissioning of this instrument necessitated the construction of a new workshop, which Jan van den Heuvel himself designed. The instrument attracted widespread praise, leading to numerous orders for new organs and restoration of existing instruments. A new organ of two manuals and 33 stops was commissioned for the Lambertuskerk, Strijen, which was delivered in 1975, the year in which Jan's 17-year-old brother Peter joined the firm. Expansion of the business, with further enlargement of the workshops, was underpinned by receipt of a volume of new contracts for large organs. Particularly worthy of mention amongst these are the instruments in the Nieuwe Kerk, Katwijk aan Zee, l'Église Saint-Eustache, Paris, the Victoria Hall in Geneva and the Katarina kyrka in Stockholm and the DR-BYEN Hall in Copenhagen.
Both Jan and Peter van den Heuvel were for a number of years interested in nineteenth century French organ building, as well as the traditions previously practiced in the Netherlands. Their contact with French organists such as Michelle Leclerc and Daniel Roth spurred them on to further studies on the Aristide Cavaillé-Coll organs. This led to numerous visits to France, not only to study and evaluate famous Cavaille-Coll organs. The brothers developed Cavaillé-Coll's own schemes to establish a style of organ that was entirely their own, but completely inspired by the French Symphonic tradition. This ethos continues to this day. However, not only does the firm specialise in French-style instruments, but they have also built organs in traditional Dutch style.
