Illadelph Halflife


Illadelph Halflife is the third studio album by American hip hop band the Roots, released September 24, 1996 on Geffen Records. It features a tougher and broader sound than their previous album, Do You Want More?!!!??!. The album also contains integration of programmed drums and guest contributions by R&B musicians such as Amel Larrieux and D'Angelo, as well as jazz musicians such as David Murray, Steve Coleman, Cassandra Wilson, Graham Haynes. In 1998, the album was selected as one of The Sources 100 Best Rap Albums. In 2006, the album was selected as one of Hip Hop Connections 100 Best Rap Albums from 1995 to 2005. The master tapes for the album were destroyed in a fire at the Universal Studios back lot in 2008.

Reception

The New York Times writer Neil Strauss called the album "one of the year's best rap offerings" and wrote that "The Roots move indiscriminately from politically conscious lyrics to silly rhymes ". The Philadelphia Inquirer wrote that "while it doesn't sacrifice a smidgen of street-level intensity, it reaffirms just how far-reaching hip-hop can be". Tracii McGregor of The Source magazine called it "a thoughtful musical endeavor ... an emotional and spiritually fulfilling aural experience". Spin critic Selwyn Seyfu Hinds described it as "an artistic progression, and added confirmation of the Roots' place at hip-hop's vanguard". The San Diego Union-Tribunes Jeff Niesel stated "the Roots find the perfect mixture of jazz and hip-hop for their songs about the hardships of urban life".
The Village Voices Robert Christgau gave the album a rating, which indicates a record that "may impress once or twice with consistent craft or an arresting track or two. Then it won't." However, Illadelph Halflife was ranked number 33 on The Village Voices Pazz & Jop critics' poll of 1996. A 2004 retrospective review by Rolling Stone perceived it as an improvement over the Roots's previous work, stating "The messages grew more focused on 1996's Illadelph Halflife, which includes several strident anti-gangsta tirades and taunts. Black Thought replaced the bellicose, confrontational bravado of so many rappers with discussions of fidelity and responsibility".

Track listing

The intro of the song named "Section" is sampled by Jeremy Harding for his "Playground riddim", which was later used as the instrumental for Beenie Man's 1997 single "Who Am I ".

Charts

Credits