Born in Fukuoka, Narahara studied law at Chuo University and, influenced by statues of Buddha at Nara, art history at the graduate school of Waseda University, from which he received an MA in 1959.
Career
He had his first solo exhibition, Ningen no tochi, at the Matsushima Gallery in 1956. In this Narahara showed Kurokamimura, a village on Sakurajima. The exhibition brought instant renown. In his second exhibition, "Domains", at the Fuji Photo Salon in 1958, he showed a Trappist monastery in Tobetsu, and a women's prison in Wakayama. In the meantime, Narahara had shown his works in the first of three exhibitions titled The Eyes of Ten; exhibited in all three, and went on to co-found the short-lived Vivo collective. From 1962 to 1965 he stayed in Paris, and after a time in Tokyo, from 1970 to 1974 in New York City. During this time he took part in a class by the American photographer Diane Arbus. He recorded Arbus' speech during these classes. These recordings would become an interesting document of the artist's statements about her own work shortly before she committed suicide. Narahara's work often depicted isolated communities and extreme conditions. He made much use of wide-angle lenses, even hemispherical-coverage fisheye lenses. In 1967 Narahara won the Photographer of the Year Award from the Japan Photo Critics Association. He won numerous other prizes. From 1999 to 2005, Narahara was a professor at the Graduate School of Kyushu Sangyo University.
Works by Narahara
Booklength collections
Yōroppa: seishi shita jikan. Kajima, 1967.
Supēn: Idai naru gogoEspaña: Grand tarde, Fiesta, Vaya con Dios. Tokyo: Kyūryūdō, 1969.
Japanesuku. Tokyo: Mainichi Shinbun-sha, 1970.
Ōkoku / Man and his land. Tokyo: Chūōkoronsha, 1971.
Shōmetsu shita jikan / Where time has vanished. Tokyo: Asahi Shinbun-sha, 1975.
Seven From Ikko. Tokyo : Unac, 1976.
Ōkoku: Chinmoku no sono, kabe no naka. Tokyo: Asahi Sonorama, 1978.
Chikakute haruka na tabi. Tokyo: Shūeisha, 1979.
Hikari no kairō: San Maruko. Tokyo: Unac, 1981.
Shashin no jikan. Tokyo: Kōsakusha, 1981. With Seigow Matsuoka.
Venetsia no yoru / Venice: Nightscapes. Tokyo: Iwanami, 1985.. Most of the text is in Japanese only, but the captions and an essay by Narahara are in English as well as Japanese.
Shōzō no fūkei. Tokyo: Shinchōsha, 1985..
Ningen no tochi, Human land. Tokyo: Libroport, 1987.
*Fukkan, 2017.
Hoshi no kioku. Tokyo: Parco, 1987.
Venetsia no hikari / Venetian Light. Tokyo: Ryūkō Tsūshin, 1985..
Burōdowei / Broadway. Tokyo: Creo, 1991..
Dyushan dai-garasu to Takiguchi Shūzō shigā bokkusu / Marcel Duchamp large glass with Shuzo Takiguchi cigar box. Tokyo: Misuzu, 1992..
Nihon nūdo meisakushū. Camera Mainichi bessatsu. Tokyo: Mainichi Shinbunsha, 1982. Pp. 194-99 show nudes by Narahara.
Nihon shashin no tenkan: 1960 nendai no hyōgen / Innovation in Japanese Photography in the 1960s. Tokyo: Tokyo Metropolitan Museum of Photography, 1991. Exhibition catalogue, text in Japanese and English. Pp. 18-29 show a selection of Narahara's earlier work.
Yamagishi, Shoji, and John Szarkowski, eds. New Japanese photography. New York: Museum of Modern Art, 1974. , . Also presents work by Ryōji Akiyama, Ken Domon, Eikō Hosoe, Masahisa Fukase, Tetsuya Ichimura, Yasuhiro Ishimoto, Bishin Jūmonji, Kikuji Kawada, Daidō Moriyama, Masatoshi Naitō, Ken Ohara, Akihide Tamura, Shōmei Tōmatsu, and Hiromi Tsuchida.