Ray Price co-wrote "I'll Be There " with songwriter Rusty Gabbard. The song was professionally recorded on December 28, 1953 at the Tulane Hotel's "Castle Recording Studio" in Nashville, Tennessee, United States. Also included on the recording session were cover versions of "Release Me" and "The Last Letter". The session was produced by Don Law. Released in January 1954 as a single via Columbia Records, "I'll Be There " reached number two on the Billboard Magazine Most Played C&W in Juke Boxes list. Additionally, the song's B-side reached the top-ten on the same chart. Originally, the song was not issued onto an album. "I'll Be There " was part of a series of songs recorded early in Ray Price's career. It exemplified a musical persona built upon the ideology and musicality of friend/mentor Hank Williams. Price regularly performed the song with Williams' band the Drifting Cowboysin concert. However, despite the song's success, Price was dissatisfied that his sound closely resembled Williams. Following 1954, Price spent time re-working his musical image until returning to success in 1956 with "Crazy Arms".
Chart performance
Gail Davies version
Among other numerous cover versions, American country artist Gail Davies released her version of "I'll Be There " as a single in 1980. The song was recorded at the "Producer's Workshop" in Hollywood, California, United States in April 1980. The session was produced entirely by Davies herself. Other songs included on the session included cover versions of "It's a Lovely, Lovely World" and "Honky Tonk Waltz". "I'll Be There " was released as a single via Warner Bros. Records in October 1981. It became a major hit, reaching number four on the BillboardHot Country Singles chart in early 1981, becoming Davies' highest-charting single on any Billboard chart. "I'll Be There " also reached number eight on the Canadian RPMCountry Tracks chart in 1981, becoming her highest-charting single on that list also. The song was included on her third studio album entitled, I'll Be There. Davies said she particularly enjoyed singing this song because of the line, "There ain't no man big enough to stop me." The line is in the original lyrics and has been sung by all male performers of the song, but she felt it acquired a feminist twist when sung by a woman.