Salus studied medicine in Prague and established a practice in gynaecology there from 1895 onwards. Apart from his professional activities as a doctor, he published numerous volumes of poetry and short stories, and was one of the more important exponents of German-Jewish literature in the Prague of his day, moving in a circle which included younger figures of the stature of Franz Kafka, Max Brod, Franz Werfel, Egon Erwin Kisch, Oskar Baum, Johannes Urzidil, Paul Kornfeld, Ernst Weiss and Kamil Hoffmann. Several of his works were illustrated by Heinrich Vogeler, while Arnold Schönberg set two of his poems to music. A prolific author, he soon became 'the acknowledged arbiter of Prague literary taste', and 'the most respected Bohemian poet writing in German' at the time. An early friend and mentor of Rainer Maria Rilke, his verse had some influence on Rilke's early lyric style. To some of his fellow Jewish intellectuals, he was regarded as an unadulterated "assimilationist," and "a militant protagonist of German liberalism and Jewish assimilation" whose attachment to Zionism was little more than a matter of embracing a fashionable trend. Lothar Kahn, on the other hand, says that while Salus was described by Max Brod as an unqualified assimilationist, "this may be an exaggeration, Salus did hope, all else failing, for full Jewish absorption into the host society." Of both him and his rival Friedrich Adler, Kafka biographer Peter Mailloux says, "their Jewishness existed in name only." The philosopher Emil Utitz put it a bit differently, "Both acknowledged Jews, they nevertheless felt themselves to be the authentic representatives of all Germans in Bohemia, as well as further afield. Those Germans wanted little to do with Prague in any case, and least of all with its Jews. But Salus and Adler were liberals of the old stamp." Kahn notes that "Salus made use of Jewish folkways and observances in his poetry, plays, and occasional fiction."
Works (a selection)
Poems
Gedichte. 1898
Neue Gedichte. 1899
Ehefrühling. 1900
Reigen. 1900
Christa. Ein Evangelium der Schönheit. 1902
Ernte. 1903
Neue Garben. 1904
Die Blumenschale. 1908
Glockenklang. 1911
Das neue Buch. 1919
Klarer Klang. 1922
Helle Träume. 1924
Die Harfe Gottes. 1928
Prose
Novellen des Lyrikers. 1903
Das blaue Fenster. 1906
Trostbüchlein für Kinderlose. 1909
Andersen-Kalender 1910
Schwache Helden. 1910
Die Hochzeitsnacht. Die schwarzen Fahen. 1913
Seelen und Sinne. 1913
Nachdenkliche Geschichten. 1914
Der Heimatstein und andere Erzählungen. 1915
Sommerabend. 1916
Die schöne Barbara. 1919
Freund Kafkus. 1919
Der Beschau. Eine Ghettogeschichte. 1920
Der Jungfernpreis. 1921
Vergangenheit. 1921
Theatre
Susanna im Bade. 1901
Römische Komödie. 1909
Secondary literature
Wertheimer, Paul: Hugo Salus, Prague 1902.
Tinkl, Lotte: Neuromantische Elemente bei Hugo Salus und Franz Herold, Diss. Vienna, 1949.
Franzel, Emil, 'Hugo Salus. Ein Stück versunkenes Prag,' in Sudetendeutscher Kulturalmanach, 7.
Kletzander, Hermann, Hugo Salus und der Jugendstil, Diss. Salzburg 1977.
Abret, Helga, 'Hugo Salus und Jaroslav Vrchlický. Das Verhältnis beider Dichter an Hand einiger unveröffentlichter Salus-Briefe,' in Österreich in Geschichte und Literatur, 24, pp. 28–34.
Theopold, Wilhelm, Doktor und Poet dazu. Dichterärzte aus fünf Jahrhunderten, 2nd impression, Mainz 1987,.
Marek Nekula, Walter Koschmal, Juden zwischen Deutschen und Tschechen: sprachliche und kulturelle Identitäten in Böhmen 1800–1945, Volume 104 of Veröffentlichungen des Collegium Carolinum, Collegium Carolinum München, Oldenbourg Wissenschaftsverlag, 2006
Peter Mailloux, A Hesitation Before Birth:The Life of Franz Kafka,University of Delaware Pres,1989