Horacio Vaggione
Horacio Vaggione is an Argentinian composer of electro-acoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often scored for performers and computers.Biography
He studied composition at the National University of Córdoba and privately in Buenos Aires with Juan Carlos Paz, then at the University of Illinois with Lejaren Hiller and Herbert Brün where he first gained exposure and access to computers. In 1983 he received a Doctorate in Musicology at the University of Paris VIII.
Vaggione was born in Córdoba, Argentina, but lives in Europe since 1969. While in Argentina he was a co-founder of the Experimental Music Center of the National University of Cordoba, and co-organizer of the Experimental Music Meetings of the III Bienal Americana de Arte.
From 1969 to 1973 he lived in Madrid, Spain, and was part of the ALEA live electronics music group with Luis de Pablo, the ALEA electronic Music Studio and the Project Music and Computer at the University of Madrid. In 1978 he moved to France, where he still resides, and began work at :fr:IMEB|IMEB in Bourges, :fr:INA-GRM|INA-GRM and :fr:IRCAM|IRCAM in Paris. In 1987–1988 was a resident of the DAAD Berliner Kunstler Program, working at the Technische Universität Berlin. Since 1989 he has been Professor of Music at the University of Paris VIII. In 1996 founded the CICM.
Composition Prizes: Newcomp Prize. Bourges Prizes. Euphonie d'Or. ICMA International Computer Music Association Commission Award. Ton Bruynel Foundation Prize. Giga-Hertz Produktion Preis, among others.
Writings and research papers: 54 papers, published in Proceedings, books and specialized journals.Selected Compositions
- Secuencias for instrumental ensemble
- Verticales for instrumental ensemble and Feedback set-up
- for piano and tape
- Triadas for orchestra
- Modelos de Universo III for instrumental ensemble and sounds generated by computer
- Undicit for 18 instruments
- Octuor, LP Computer Musik, IBM Deutschland
- Fractal C
- Thema for bass saxophone & computer-generated tape
- Tar for bass clarinet & computer-generated tape
- Sçir for contrabass flute in G & tape
- Ash
- Till for piano & computer-generated tape
- Kitab for bass clarinet, piano, contrabass and computer-processed and controlled sounds
- Tahil for solo piano
- Myr for solo piano
- Schall
- Nodal
- Agon
- Préludes Suspendus II
- Phases for clarinet, piano and electroacoustic set-up
- 24 Variations
- Atem for horn, bass clarinet, piano, double bass and electroacoustic set-up
- Harrison Variations
- Gymel Electroacoustic music
- Taléas for Paezold recorders and electroacoustics
- Arenas
- Préludes Suspendus III
- Points critiques
- Consort for convolved violins
- Consort for convolved pianos
- Arches
- Mécanique des fluides