History of tattooing
ing has been practiced across the globe since at least Neolithic times, as evidenced by mummified preserved skin, ancient art and the archaeological record. Both ancient art and archaeological finds of possible tattoo tools suggest tattooing was practiced by the Upper Paleolithic period in Europe. However, direct evidence for tattooing on mummified human skin extends only to the 4th millennium BC. The oldest discovery of tattooed human skin to date is found on the body of Ötzi the Iceman, dating to between 3370 and 3100 BC. Other tattooed mummies have been recovered from at least 49 archaeological sites, including locations in Greenland, Alaska, Siberia, Mongolia, western China, Egypt, Sudan, the Philippines and the Andes. These include Amunet, Priestess of the Goddess Hathor from ancient Egypt, multiple mummies from Siberia including the Pazyryk culture of Russia and from several cultures throughout Pre-Columbian South America.
Ancient and traditional practices
Preserved tattoos on ancient mummified human remains reveal that tattooing has been practiced throughout the world for many centuries. In 2015, scientific re-assessment of the age of the two oldest known tattooed mummies identified Ötzi as the oldest example then known. This body, with 61 tattoos, was found embedded in glacial ice in the Alps, and was dated to 3250 BCE. In 2018, the oldest figurative tattoos in the world were discovered on two mummies from Egypt which are dated between 3351 and 3017 BCE.of the Philippines in the Boxer Codex, one of the earliest depictions of native Austronesian tattoos by European explorers
Ancient tattooing was most widely practiced among the Austronesian people. It was one of the early technologies developed by the Proto-Austronesians in Taiwan and coastal South China prior to at least 1500 BCE, before the Austronesian expansion into the islands of the Indo-Pacific. It may have originally been associated with headhunting. Tattooing traditions, including facial tattooing, can be found among all Austronesian subgroups, including Taiwanese Aborigines, Islander Southeast Asians, Micronesians, Polynesians, and the Malagasy people. Austronesians used the characteristic hafted skin-puncturing technique, using a small mallet and a piercing implement made from Citrus'' thorns, fish bone, bone, and oyster shells.
Ancient tattooing traditions have also been documented among Papuans and Melanesians, with their use of distinctive obsidian skin piercers. Some archeological sites with these implements are associated with the Austronesian migration into Papua New Guinea and Melanesia. But other sites are older than the Austronesian expansion, being dated to around 1650 to 2000 BCE, suggesting that there was a preexisting tattooing tradition in the region.
Among other ethnolinguistic groups, tattooing was also practiced among the Ainu people of Japan; some Austroasians of Indochina; Berber women of Tamazgha ; the Yoruba, Fulani and Hausa people of Nigeria; Native Americans of the Pre-Columbian Americas; and the Welsh and Picts of Iron Age Britain.
China
Cemeteries throughout the Tarim Basin including the sites of Qäwrighul, Yanghai, Shengjindian, Zaghunluq, and Qizilchoqa have revealed several tattooed mummies with Western Asian/Indo-European physical traits and cultural materials. These date from between 2100 and 550 BC.In ancient China, tattoos were considered a barbaric practice, and were often referred to in literature depicting bandits and folk heroes. As late as the Qing Dynasty, it was common practice to tattoo characters such as 囚 on convicted criminals' faces. Although relatively rare during most periods of Chinese history, slaves were also sometimes marked to display ownership.
However, tattoos seem to have remained a part of southern culture. Marco Polo wrote of Quanzhou, "Many come hither from Upper India to have their bodies painted with the needle in the way we have elsewhere described, there being many adepts at this craft in the city". At least three of the main characters Lu Zhishen, Shi Jin, and Yan Ching in the classic novel Water Margin are described as having tattoos covering nearly all of their bodies. Wu Song was sentenced to a facial tattoo describing his crime after killing Xi Menqing to avenge his brother. In addition, Chinese legend claimed the mother of Yue Fei tattooed the words "Repay the Country with Pure Loyalty" down her son's back before he left to join the army.
Europe
The earliest possible evidence for tattooing in Europe appears on ancient art from the Upper Paleolithic period as incised designs on the bodies of humanoid figurines. The Löwenmensch figurine from the Aurignacian culture dates to approximately 40,000 years ago and features a series of parallel lines on its left shoulder. The ivory Venus of Hohle Fels, which dates to between 35,000 and 40,000 years ago also exhibits incised lines down both arms, as well as across the torso and chest.The oldest and most famous direct proof of ancient European tattooing appears on the body of Ötzi the Iceman, who was found in the Ötz valley in the Alps and dates from the late 4th millennium BC. Studies have revealed that Ötzi had 61 carbon-ink tattoos consisting of 19 groups of lines simple dots and lines on his lower spine, left wrist, behind his right knee and on his ankles. It has been argued that these tattoos were a form of healing because of their placement, though other explanations are plausible.
The Picts may have been tattooed with elaborate, war-inspired black or dark blue woad designs. Julius Caesar described these tattoos in Book V of his Gallic Wars. Nevertheless, these may have been painted markings rather than tattoos.
In his encounter with a group of pagan Scandinavian Rus' merchants in the early 10th century, Ahmad ibn Fadlan describes what he witnesses among them, including their appearance. He notes that the Rus' were heavily tattooed: "From the tips of his toes to his neck, each man is tattooed in dark green with designs, and so forth." Raised in the aftermath of the Norman conquest of England, William of Malmesbury describes in his Gesta Regum Anglorum that the Anglo-Saxons were tattooed upon the arrival of the Normans.
The significance of tattooing was long open to Eurocentric interpretations. In the mid-19th century, Baron Haussmann, while arguing against painting the interior of Parisian churches, said the practice "reminds me of the tattoos used in place of clothes by barbarous peoples to conceal their nakedness".
Greece and Rome
written records of tattooing date back to at least the 5th-century BCE. The ancient Greeks and Romans used tattooing to penalize slaves, criminals, and prisoners of war. While known, decorative tattooing was looked down upon and religious tattooing was mainly practiced in Egypt and Syria. According to Robert Graves in his book The Greek Myths, tattooing was common amongst certain religious groups in the ancient Mediterranean world, which may have contributed to the prohibition of tattooing in Leviticus. The Romans of Late Antiquity also tattooed soldiers and arms manufacturers, a practice that continued into the ninth century.The Greek verb stizein, meaning "to prick," was used for tattooing. Its derivative stigma was the common term for tattoo marks in both Greek and Latin. During the Byzantine period, the verb kentein replaced stizein, and a variety of new Latin terms replaced stigmata including signa "signs," characteres "stamps," and cicatrices "scars."
Great Britain
British and other pilgrims to the Holy Lands throughout the 17th century were tattooed with the Jerusalem Cross to commemorate their voyages, including William Lithgow in 1612.In 1691, William Dampier brought to London a native named Jeoly or Giolo from the island of Mindanao who had a tattooed body and became known as the "Painted Prince".
Between 1766 and 1779, Captain James Cook made three voyages to the South Pacific, the last trip ending with Cook's death in Hawaii in February 1779. When Cook and his men returned home to Europe from their voyages to Polynesia, they told tales of the 'tattooed savages' they had seen. The word "tattoo" itself comes from the Tahitian tatau, and was introduced into the English language by Cook's expedition
It was in Tahiti aboard the Endeavour, in July 1769, that Cook first noted his observations about the indigenous body modification and is the first recorded use of the word tattoo to refer to the permanent marking of the skin. In the ship's log book recorded this entry: "Both sexes paint their Bodys, Tattow, as it is called in their Language. This is done by inlaying the Colour of Black under their skins, in such a manner as to be indelible." Cook went on to write, "This method of Tattowing I shall now describe...As this is a painful operation, especially the Tattowing of their Buttocks, it is performed but once in their Lifetimes."
Cook's Science Officer and Expedition Botanist, Sir Joseph Banks, returned to England with a tattoo. Banks was a highly regarded member of the English aristocracy and had acquired his position with Cook by putting up what was at the time the princely sum of some ten thousand pounds in the expedition. In turn, Cook brought back with him a tattooed Raiatean man, Omai, whom he presented to King George and the English Court. Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. In the process, sailors and seamen re-introduced the practice of tattooing in Europe, and it spread rapidly to seaports around the globe.
By the 19th century, tattooing had spread to British society but was still largely associated with sailors and the lower or even criminal class. Tattooing had however been practised in an amateur way by public schoolboys from at least the 1840s and by the 1870s had become fashionable among some members of the upper classes, including royalty. In its upmarket form, it could be a lengthy, expensive and sometimes painful process.
Tattooing spread among the upper classes all over Europe in the 19th century, but particularly in Britain where it was estimated in Harmsworth Magazine in 1898 that as many as one in five members of the gentry were tattooed. Taking their lead from the British Court, where George V followed Edward VII's lead in getting tattooed; King Frederick IX of Denmark, the King of Romania, Kaiser Wilhelm II, King Alexander of Yugoslavia and even Tsar Nicholas II of Russia, all sported tattoos, many of them elaborate and ornate renditions of the Royal Coat of Arms or the Royal Family Crest. King Alfonso XIII of modern Spain also had a tattoo.
The perception that there is a marked class division on the acceptability of the practice has been a popular media theme in Britain, as successive generations of journalists described the practice as newly fashionable and no longer for a marginalised class. Examples of this cliché can be found in every decade since the 1870s. Despite this evidence, a myth persists that the upper and lower classes find tattooing attractive and the broader middle classes rejecting it. In 1969, the House of Lords debated a bill to ban the tattooing of minors, on grounds it had become "trendy" with the young in recent years but was associated with crime. It was noted that 40 per cent of young criminals had tattoos and that marking the skin in this way tended to encourage self-identification with criminal groups. Two peers, Lord Teynham and the Marquess of Aberdeen and Temair however rose to object that they had been tattooed as youngsters, with no ill effects. Since the 1970s, tattoos have become more socially acceptable and fashionable among celebrities. Tattoos are less prominent on figures of authority, and the practice of tattooing by the elderly is still considered remarkable.
India
In Southern India, permanent tattoos are called pachakuthu. It was very common in South India, especially Tamil Nadu, before 1980. In northern India, permanent tattoos are called godna. Tattoos have been used as cultural symbols among many tribal populations, as well as the general Hindu population of India.In India, tattoos have many names, including hachche, Tarazwa, gondan, and ungkala.
Indonesia
Several Indonesian tribes have tattooing in their culture. One notable example is the Dayak people of Kalimantan in Borneo. Another ethnic group that practices tattooing are the Mentawai people, as well as Moi and Meyakh people in West Papua.Japan
Tattooing for spiritual and decorative purposes in Japan is thought to extend back to at least the Jōmon or Paleolithic period and was widespread during various periods for both the Japanese and the native Ainu. Chinese texts from before 300 AD described social differences among Japanese people as being indicated through tattooing and other bodiapanese. Chinese texts from the time also described Japanese men of all ages as decorating their faces and bodies with tattoos.Between 1603 and 1868, Japanese tattooing was only practiced by the ukiyo subculture. Generally firemen, manual workers and prostitutes wore tattoos to communicate their status. By the early 17th century, criminals were widely being tattooed as a visible mark of punishment. Criminals were marked with symbols typically including crosses, lines, double lines and circles on certain parts of the body, mostly the face and arms. These symbols sometimes designated the places where the crimes were committed. In one area, the character for "dog" was tattooed on the criminal's forehead.
The Government of Meiji Japan, formed in 1868, banned the art of tattooing altogether, viewing it as barbaric and lacking respectability. This subsequently created a subculture of criminals and outcasts. These people had no place in "decent society" and were frowned upon. They could not simply integrate into mainstream society because of their obvious visible tattoos, forcing many of them into criminal activities which ultimately formed the roots for the modern Japanese mafia, the Yakuza, with which tattoos have become almost synonymous in Japan.
North Africa
Egypt and Nubia
Despite a lack of direct textual references, tattooed human remains and iconographic evidence indicate that ancient Egyptians practiced tattooing from at least 2000 BCE. It is theorized that tattooing entered Egypt through Nubia, but this claim is complicated by the high mobility between Lower Nubia and Upper Egypt as well as Egypt's annexation of Lower Nubia during the Middle Kingdom. Archeologist Geoffrey J. Tassie argues that it may be more appropriate to classify tattoo in ancient Egypt and Nubia as part of a larger Nile Valley tradition.The most famous tattooed mummies from this region are Amunet, a priestess of Hathor, and two Hathoric dancers from Dynasty XI that were found at Deir el-Bahari. In 1898, Daniel Fouquet, a medical doctor from Cairo, wrote an article on medical tattooing practices in ancient Egypt in which he describes the tattoos on these three mummies and speculates that they may have served a medicinal or therapeutic purpose: "The examination of these scars, some white, others blue, leaves in no doubt that they are not, in essence, ornament, but an established treatment for a condition of the pelvis, very probably chronic pelvic peritonitis."
Ancient Egyptian tattooing appears to have been practiced on women exclusively; with the possible exception of one extremely worn Dynasty XII stele, there is no artistic or physical evidence that men were tattooed. However, by the Meroitic Period, it was practiced on Nubian men as well.
Accounts of early travelers to ancient Egypt describe the tool used as an uneven number of metal needles attached to a wooden handle.
Copts
Coptic tattoos often consist of three lines, three dots and two elements, reflecting the Trinity. The tools used had an odd number of needles to bring luck and good fortune. Many Copts have the Coptic cross tattooed on the inside of their right arm. This may have been influenced by a similar practice tattooing religious symbols on the wrists and arms during the Ptolemaic period.Persia
writings suggest that slaves and prisoners of war were tattooed in Persia during the classical era. This practice spread from Persia to Greece and then to Rome.The most famous depiction of tattooing in Persian literature goes back 800 years to a tale by Rumi about a man who is proud to want a lion tattoo but changes his mind once he experiences the pain of the needle.
In the hamam, there were dallaks whose job was to help people wash themselves. This was a notable occupation because apart from helping the customers with washing, they were massage-therapists, dentists, barbers and tattoo artists.
Philippines
Tattooing has been a part of Filipino life since pre-Hispanic colonization of the Philippine Islands. Tattooing in the Philippines, to some, were a form of rank and accomplishments, and some believed that tattoos had magical qualities. The more famous tattooed indigenous peoples of the Philippines resided in north Luzon, especially among the Bontoc, Kalinga and Ifugao peoples. The Visayans of the southern islands were also heavily tattooed.Filipino tattooing was first documented by the European Spanish explorers as they landed among the islands in the late 16th century, and they called the natives Los Pintados as they mistook the tattoos for paint. Before European exploration, tattooing was widespread, but conversion to Christianity greatly diminished the practice as heathen or low-class.
As Lane Wilcken's Filipino Tattoos Ancient to Modern denotes, there are many similarities between the tattooing traditions of the Philippines and indigenous Polynesian designs – not only with their societal function and similar designs, but in the tools used to hand-tap them a needle or thorn on a stick, with a hammer to pound it into the skin). While the most common modern term for indigenous tattoos is batok, an ancient Tagalog word for tattoos was tatak, extremely similar to the Samoan word tatau.
Polynesia
Marquesas Islands
New Zealand
The Māori people of New Zealand practised a form of tattooing known as tā moko, traditionally created with chisels.However, from the late 20th century onward, there has been a resurgence of tā moko taking on European styles amongst Maori. Traditional tā moko was reserved for head area. There is also a related tattoo art, kirituhi, which has a similar aesthetic to tā moko but is worn by non-Maori.
Samoa
The traditional male tattoo in Samoa is called the pe'a. The traditional female tattoo is called the malu. The word tattoo is believed to have originated from the Samoan word tatau.When the Samoan Islands were first seen by Europeans in 1722 three Dutch ships commanded by Jacob Roggeveen visited the eastern island known as Manua. A crew member of one of the ships described the natives in these words, "They are friendly in their speech and courteous in their behavior, with no apparent trace of wildness or savagery. They do not paint themselves, as do the natives of some other islands, but on the lower part of the body they wear artfully woven silk tights or knee breeches. They are altogether the most charming and polite natives we have seen in all of the South Seas..."
The ships lay at anchor off the islands for several days, but the crews did not venture ashore and did not even get close enough to the natives to realize that they were not wearing silk leggings, but their legs were completely covered in tattoos.
In Samoa, the tradition of applying tattoo, or tatau, by hand has been unbroken for over two thousand years. Tools and techniques have changed little. The skill is often passed from father to son, each tattoo artist, or tufuga, learning the craft over many years of serving as his father's apprentice. A young artist-in-training often spent hours, and sometimes days, tapping designs into sand or tree bark using a special tattooing comb, or au. Honoring their tradition, Samoan tattoo artists made this tool from sharpened boar's teeth fastened together with a portion of the turtle shell and to a wooden handle.
Traditional Samoan tattooing of the "pe'a", body tattoo, is an ordeal that is not lightly undergone. It takes many weeks to complete. The process is very painful and used to be a necessary prerequisite to receiving a matai title; this however is no longer the case. Tattooing was also a very costly procedure.
Samoan society has long been defined by rank and title, with chiefs and their assistants, known as talking chiefs. The tattooing ceremonies for young chiefs, typically conducted at the time of puberty, were part of their ascendance to a leadership role. The permanent marks left by the tattoo artists would forever celebrate their endurance and dedication to cultural traditions. The pain was extreme and the risk of death by infection was a concern; to back down from tattooing was to risk being labeled a "pala'ai" or coward. Those who could not endure the pain and abandoned their tattooing were left incomplete, would be forced to wear their mark of shame throughout their life. This would forever bring shame upon their family so it was avoided at all cost.
The Samoan tattooing process used a number of tools which remained almost unchanged since their first use. "Autapulu" is a wide tattooing comb used to fill in the large dark areas of the tattoo. "Ausogi'aso tele" is a comb used for making thick lines. "Ausogi'aso laititi" is a comb used for making thin lines. "Aumogo" small comb is used for making small marks. "Sausau" is the mallet is used for striking the combs. It is almost two feet in length and made from the central rib of a coconut palm leaf. "Tuluma" is the pot used for holding the tattooing combs. Ipulama is the cup used for holding the dye. The dye is made from the soot collected from burnt lama nuts. "Tu'I" used to grind up the dye. These tools were primarily made out of animal bones to ensure sharpness.
The tattooing process itself would be 5 sessions, in theory. These 5 sessions would be spread out over 10 days in order for the inflammation to subside.
Christian missionaries from the west attempted to purge tattooing among the Samoans, thinking it barbaric and inhumane. Many young Samoans resisted mission schools since they forbade them to wear tattoos. But over time attitudes relaxed toward this cultural tradition and tattooing began to reemerge in Samoan culture.
chieftain whose mummy was discovered at Pazyryk, Russia. The tattoo was made between about 200 and 400 BC.
Siberia
Tattooed mummies dating to c. 500 BC were extracted from burial mounds on the Ukok plateau during the 1990s. Their tattooing involved animal designs carried out in a curvilinear style. The Man of Pazyryk, a Scythian chieftain, is tattooed with an extensive and detailed range of fish, monsters and a series of dots that lined up along the spinal column and around the right ankle.Solomon Islands
Some artifacts dating back 3,000 years from the Solomon Islands may have been used for tattooing human skin. Obsidian pieces have been duplicated, then used to conduct tattoos on pig skin, then compared to the original artifacts. "They conducted these experiments to observe the wear, such as chipping and scratches, and residues on the stones caused by tattooing, and then compared that use-wear with 3,000 year old artifacts. They found that the obsidian pieces, old and new, show similar patterns, suggesting that they hadn't been used for working hides, but were for adorning human skin."Taiwan
In Taiwan, facial tattoos of the Atayal people are called ptasan; they are used to demonstrate that an adult man can protect his homeland, and that an adult woman is qualified to weave cloth and perform housekeeping.Taiwan is believed to be the homeland of all the Austronesian peoples, which includes Filipinos, Indonesians, Polynesians and Malagasy peoples, all with strong tattoo traditions. This along with the striking correlation between Austronesian languages and the use of the so-called hand-tapping method suggests that Austronesian peoples inherited their tattooing traditions from their ancestors established in Taiwan or along the southern coast of the Chinese mainland.
Thailand
Thai tattoos, also known as Yantra tattooing, was common since ancient times. Just as other native southeast Asian cultures, animistic tattooing was common in Tai tribes that were is southern China. Over time, this animistic practice of tattooing for luck and protection assimilated Hindu and Buddhist ideas. The Sak Yant traditional tattoo is practiced today by many and are usually given either by a Buddhist monk or a Brahmin priest. The tattoos usually depict Hindu gods and use the Mon script or ancient Khmer script, which were the scripts of the classical civilizations of mainland southeast Asia.Central America
A Spanish expedition led by Gonzalo de Badajoz in 1515 across what is today Panama ran into a village where prisoners from other tribes had been marked with tattoos.North America
Indigenous People of North America
have a long history of tattooing. Tattooing was not a simple marking on the skin: it was a process that highlighted cultural connections to Indigenous ways of knowing and viewing the world, as well as connections to family, society, and place.There is no way to determine the actual origin of tattooing for Indigenous People of North America. The oldest known physical evidence of tattooing in North America was made through the discovery of a frozen, mummified, Inuit female on St. Lawrence Island, Alaska who had tattoos on her skin. Through radiocarbon dating of the tissue, scientists estimated that the female came from the 16th century. Until recently, archeologists have not prioritized the classification of tattoo implements when excavating known historic sites. Recent review of materials found from the Mound Q excavation site point towards elements of tattoo bundles that are from pre-colonization times. Scholars explain that the recognition of tattoo implements is significant because it highlights the cultural importance of tattooing for Indigenous People.
Early explorers to North America made many ethnographic observations about the Indigenous People they met. Initially, they did not have a word for tattooing and instead described the skin modifications as "pounce, prick, list, mark, and raze" to "stamp, paint, burn, and embroider." In 1585–1586, Thomas Harriot, who was part of the Grenville Expedition, was responsible for making observations about Indigenous People of North America. In A Brief and True Report of the New Found Land of Virginia, Harriot recorded that some Indigenous People had their skin dyed and coloured. John White provided visual representations of Indigenous People in the form of drawings and paintings. Harriot and White also provided information highlighting specific markings seen on Indigenous chiefs during that time. In 1623, Gabriel Sagard was a missionary who described seeing men and women with tattoos on their skin.
The Jesuit Relations of 1652 describes tattooing among the Petun and the Neutrals:
From 1712–1717, Joseph François Lafitau, another Jesuit missionary, recorded how Indigenous People were applying tattoos to their skin and developed healing strategies in tattooing the jawline to treat toothaches. Indigenous People had determined that certain nerves that were along the jawline connected to certain teeth, thus by tattooing those nerves, it would stop them from firing signals that led to toothaches. Some of these early ethnographic accounts questioned the actual practice of tattooing and hypothesized that it could make people sick due to unsanitary approaches.
Scholars explain that the study of Indigenous tattooing is relatively new as it was initially perceived as behaviour for societies outside of the norm. The process of colonization introduced new views of what acceptable behaviour included, leading to the near erasure of the tattoo tradition for many nations. However, through oral traditions, the information about tattoos and the actual practice of tattooing has persisted to present day.
Inuit People
The Inuit People have a deep history of tattooing. In the Inuktituk language, the word kakiniit translates to the English word for tattoo and the word tunniit means face tattoo. Among the Inuit, some nations tattooed female faces and parts of the body to symbolize a girl transitioning into a woman, coinciding with the start of her first menstrual cycle. A tattoo represented a woman's beauty, strength, and maturity. This was an important practice because some Inuit believed that a woman could not transition into the spirit world without tattoos on her skin. The Inuit People have oral traditions that describe how the raven and the loon tattooed each other giving cultural significance to both the act of tattooing and the role of those animals in Inuit history. European missionaries colonized the Inuit People in the beginning of the 20th century and associated tattooing as an evil practice "demonizing" anyone who valued tattoos. Alethea Arnaquq-Baril has helped Inuit women to revitalize the practice of traditional face tattoos through the creation of the documentary Tunniit: Retracing the Lines of Inuit Tattoos, where she interviews elders from different communities asking them to recall their own elders and the history of tattoos. The elders were able to recall the traditional practice of tattooing which often included using a needle and thread and sewing the tattoo into the skin by dipping the thread in soot or seal oil, or through skin poking using a sharp needle point and dipping it into soot or seal oil. Hovak Johnston has worked with the elders in her community to bring the tradition of kakiniit back by learning the traditional ways of tattooing and using her skills to tattoo others.Osage Nation
The Osage People used tattooing for a variety of different reasons. The tattoo designs were based on the belief that people were part of the larger cycle of life and integrated elements of the land, sky, water, and the space in between to symbolize these beliefs. In addition, the Osage People believed in the smaller cycle of life, recognizing the importance of women giving life through childbirth and men removing life through warfare. Osage men were often tattooed after accomplishing major feats in battle, as a visual and physical reminder of their elevated status in their community. Some Osage women were tattooed in public as a form of a prayer, demonstrating strength and dedication to their nation.Haudenosaunee People
The Haudenosaunee People historically used tattooing in connection to war. A tradition for many young men was to go on a journey into the wilderness, fast from eating any food, and discover who their personal manitou was. Scholars explain that this process of discovery likely included dreams and visions that would bring a specific manitou to the forefront for each young man to have. The manitou became an important element of protection during warfare and many boys tattooed their manitou onto their body to symbolize cultural significance of the manitou to their lives. As they showed success in warfare, male warriors had more tattoos, some even keeping score of all the kills they had made. Some warriors had tattoos on their faces that tallied how many people they had scalped in their lifetime.Tattooing in the early United States
In the period shortly after the American Revolution, to avoid impressment by British Navy ships, sailors used government issued protection papers to establish their American citizenship. However, many of the descriptions of the individual described in the seamen's protection certificates were so general, and it was so easy to abuse the system, that many impressment officers of the Royal Navy simply paid no attention to them. "In applying for a duplicate Seaman's Protection Certificate in 1817, James Francis stated that he 'had a protection granted him by the Collector of this Port on or about 12 March 1806 which was torn up and destroyed by a British Captain when at sea.'"One way of making them more specific and more effective was to describe a tattoo, which is highly personal as to subject and location, and thus use that description to precisely identify the seaman. As a result, many of the official certificates also carried information about tattoos and scars, as well as any other specific identifying information. This also perhaps led to an increase and proliferation of tattoos among American seamen who wanted to avoid impressment. During this period, tattoos were not popular with the rest of the country. "Frequently the "protection papers" made reference to tattoos, clear evidence that individual was a seafaring man; rarely did members of the general public adorn themselves with tattoos."
"In the late eighteenth and early nineteenth centuries, tattoos were as much about self-expression as they were about having a unique way to identify a sailor's body should he be lost at sea or impressed by the British navy. The best source for early American tattoos is the protection papers issued following a 1796 congressional act to safeguard American seamen from impressment. These proto-passports catalogued tattoos alongside birthmarks, scars, race, and height. Using simple techniques and tools, tattoo artists in the early republic typically worked on board ships using anything available as pigments, even gunpowder and urine. Men marked their arms and hands with initials of themselves and loved ones, significant dates, symbols of the seafaring life, liberty poles, crucifixes, and other symbols."
Sometimes, to protect themselves, the sailors requested not only that the tattoos be described, but that they would also be sketched out on the protection certificate as well. As one researched said, "Clerks writing the documents often sketched the tattoos as well as describing them."
Modern Western tattooing
"Reintroduction" to the Western world
The popularity of modern Western tattooing owes its origins in large part to Captain James Cook's voyages to the South Pacific in the 1770s, but since the 1950s a false belief has persisted that modern Western tattooing originated exclusively from these voyages. Tattooing has been consistently present in Western society from the modern period stretching back to Ancient Greece, though largely for different reasons. A long history of European tattoo predated these voyages, including among sailors and tradesmen, pilgrims visiting the Holy Land and on Europeans living among Native Americans.Tattoo historian Anna Felicity Friedman suggests a couple reasons for the "Cook Myth". First, modern European words for the practice derive from the Tahitian word "tatau", which was introduced to European languages through Cook's travels. However, prior European texts show that a variety of metaphorical terms were used for the practice, including "pricked," "marked", "engraved," "decorated," "punctured," "stained," and "embroidered." Friedman also points out that the growing print culture at the time of Cook's voyages may have increased the visibility of tattooing despite its prior existence in the West.
Pre-1860s
The first documented professional tattooer in the United States was Martin Hildebrandt, a German immigrant who arrived in Boston, Massachusetts in 1846. Between 1861 and 1865, he tattooed soldiers on both sides in the American Civil War. The first documented professional tattooist in Britain was Sutherland Macdonald in the early 1880s. Tattooing was an expensive and painful process and by the late 1880s had become a mark of wealth for the crowned heads of .In 1891, New York tattooer Samuel O'Reilly patented the first electric tattoo machine, a modification of Thomas Edison's electric pen.
The earliest appearance of tattoos on women during this period were in the circus in the late 19th century. These "Tattooed Ladies" were covered — with the exception of their faces, hands, necks, and other readily visible areas — with various images inked into their skin. In order to lure the crowd, the earliest ladies, like Betty Broadbent and Nora Hildebrandt told tales of captivity; they usually claimed to have been taken hostage by Native Americans that tattooed them as a form of torture. However, by the late 1920s the sideshow industry was slowing and by the late 1990s the last tattooed lady was out of business.
The Tattoo Renaissance
Although tattooing has steadily increased in popularity since the invention of the electric tattoo machine, it was not until the 1960s that the place of tattooing in popular culture radically shifted. The Tattoo Renaissance began in the late 1950s, and was greatly influenced by several artists in particular Lyle Tuttle, Cliff Raven, Don Nolan, Zeke Owens, Spider Webb and Don Ed Hardy. A second generation of artists, trained by the first, continued these traditions into the 1970s, and included artists such as Bob Roberts, Jamie Summers, and Jack Rudy.Since the 1970s, tattoos have become a mainstream part of global and Western fashion, common among both sexes, to all economic classes, and to age groups from the later teen years to middle age. The decoration of blues singer Janis Joplin with a wristlet and a small heart on her left breast, by the San Francisco tattoo artist Lyle Tuttle, has been called a seminal moment in the popular acceptance of tattoos as art. Formal interest in the art of the tattoo became prominent in the 1970s through the beginning of the 21st century. For many young Americans, the tattoo has taken on a decidedly different meaning than for previous generations. The tattoo has "undergone dramatic redefinition" and has shifted from a form of deviance to an acceptable form of expression.
In 1988, scholar Arnold Rubin created a collection of works regarding the history of tattoo cultures, publishing them as the "Marks of Civilization". In this, the term "Tattoo Renaissance" was coined, referring to a period marked by technological, artistic and social change. Wearers of tattoos, as members of the counterculture began to display their body art as signs of resistance to the values of the white, heterosexual, middle-class. The clientele changed from sailors, bikers, and gang members to the middle and upper class. There was also a shift in iconography from the badge-like images based on repetitive pre-made designs known as flash to customized full-body tattoo influenced by Polynesian and Japanese tattoo art, known as sleeves, which are categorized under the relatively new and popular avant-garde genre. Tattooers transformed into "Tattoo Artists": men and women with fine art backgrounds began to enter the profession alongside the older, traditional tattooists.
Tattoos have experienced a resurgence in popularity in many parts of the world, particularly in Europe, Japan, and North and South America. The growth in tattoo culture has seen an influx of new artists into the industry, many of whom have technical and fine arts training. Coupled with advancements in tattoo pigments and the ongoing refinement of the equipment used for tattooing, this has led to an improvement in the quality of tattoos being produced.
Star Stowe was the first Playboy Playmate with a visible tattoo on her centerfold.
During the 2000s, the presence of tattoos became evident within pop culture, inspiring television shows such as A&E's Inked and TLC's Miami Ink and LA Ink. In addition, many celebrities have made tattoos more acceptable in recent years.
Contemporary art exhibitions and visual art institutions have featured tattoos as art through such means as displaying tattoo flash, examining the works of tattoo artists, or otherwise incorporating examples of body art into mainstream exhibits. One such 2009 Chicago exhibition, Freaks & Flash, featured both examples of historic body art as well as the tattoo artists who produced it.
In 2010, 25% of Australians under age 30 had tattoos. Mattel released a tattooed Barbie doll in 2011, which was widely accepted, although it did attract some controversy.
Author and Sociology professor Beverly Yuen Thompson wrote "Covered In Ink: Tattoos, Women, and the Politics of the Body" on the history of tattooing, and how it has been normalized for specific gender roles in the USA. She also released a documentary called "Covered", showing interviews with heavily tattooed women and female tattoo artists in the US. From the distinct history of tattooing, its historical origins and how it transferred to American culture, come transgressive styles which are put in place for tattooed men and women. These "norms" written in the social rules of tattooing imply what is considered the correct way for a gender to be tattooed. Men of tattoo communities are expected to be "heavily tattooed", meaning there are many tattoos which cover multiple parts of the body, and express aggressive or masculine images, such as skulls, zombies, or dragons. Women, on the other hand, are expected to be "lightly tattooed". This means the opposite, in which there are only a small number of tattoos which are placed in areas of the body that are easy to cover up. These images are expected to be more feminine or cute. When women step outside of the "lightly tattooed" concept by choosing tattoos of a masculine design, and on parts of the body which are not easy to cover, it's common to face certain types of discrimination from the public. Women who are heavily tattooed can report to being stared at in public, being denied certain employment opportunities, face judgement from members of family, and may even receive sexist or homophobic slurs by strangers.
was registered candidate in the 2013 Czech presidential election.
Over the past three decades Western tattooing has become a practice that has crossed social boundaries from "low" to "high" class along with reshaping the power dynamics regarding gender. It has its roots in "exotic" tribal practices of the Native Americans and Japanese, which are still seen in present times.
As various kinds of social movements progressed bodily inscription crossed class boundaries, and became common among the general public. Specifically, the tattoo is one access point for revolutionary aesthetics of women. Feminist theory has much to say on the subject. "Bodies of Subversion: A Secret History of Women and Tattoo", by Margot Mifflin, became the first history of women's tattoo art when it was released in 1997. In it, she documents women's involvement in tattooing coinciding to feminist successes, with surges in the 1880s, 1920s and the 1970s. Today, women sometimes use tattoos as forms of bodily reclamation after traumatic experiences like abuse or breast cancer. In 2012, tattooed women outnumbered men for the first time in American history - according to a Harris poll, 23% of women in America had tattoos in that year, compared to 19% of men. In 2013, Miss Kansas, Theresa Vail, became the first Miss America contestant to show off tattoos during the swimsuit competition — the insignia of the U.S. Army Dental Corps on her left shoulder and one of the "Serenity Prayer" along the right side of her torso.
In August 2013, William Mullane of London was tattooed with a portrait of his late father which used ink mixed with a small portion of his father's ashes.
The legal status of tattoos is still developing. In recent years, various lawsuits have arisen in the United States regarding the status of tattoos as a copyrightable art form. However, these cases have either been settled out of court or are currently being disputed, and therefore no legal precedent exists directly on point. The process of tattooing was held to be a purely expressive activity protected by the First Amendment by the Ninth Circuit in 2010.
Militaries from around the world
Throughout the world's different military branches, tattoos are either regulated under policies or strictly prohibited to fit dress code rules.United States of America
[United States Air Force]
The United States Air Force regulates all kinds of body modification. Any tattoos which are deemed to be "prejudicial to good order and discipline", or "of a nature that may bring discredit upon the Air Force" are prohibited. Specifically, any tattoo which may be construed as "obscene or advocate sexual, racial, ethnic or religious discrimination" is disallowed. Tattoo removal may not be enough to qualify; resultant "excessive scarring" may be disqualifying. Further, Air Force members may not have tattoos on their neck, face, head, tongue, lips or scalp.[United States Army]
The United States Army regulates tattoos under AR 670–1, last updated in 2015. Soldiers are permitted to have tattoos as long as they are not on the neck, hands, or face, with exceptions existing for of one ring tattoo on each hand and permanent makeup. Additionally, tattoos that are deemed to be sexist, racist, derogatory, or extremist continue to be banned.[United States Coast Guard]
The United States Coast Guard policy has changes over the years. Tattoos should not be visible over the collarbone or when wearing a V-neck shirt. Tattoos or military brands on the arms should not surpass the wrist. But only one hand tattoos of a form of ring are permitted when not exceeding inch width. Face tattoos are also permitted as permanent eyeliners for females as long as they are appropriately worn and not brightly colored to fit uniform dressing code. Disrespectful derogatory tattoos and sexually explicit are prohibited on the body.[United States Marines]
The United States Marine Corps has disclosed a new policy meeting their new standards of professionalism in the military appearance, on the Marine Corps Bulletin 1020 released on 6 February 2016, substituting any previous policy from the past.The new policy in the Marine Corps unauthorized tattoo's in different parts of the body such as the wrist, knee, elbow and above the collar bone. Wrist tattoos have to be two inches above the wrist, elbow tattoos two inches above and one inch below, and the knee two inches above and two below.