is in transition. Small kingdoms are merging. Edwin of Northumbria plots to become overking of the Angles using every tool at his disposal: blood, bribery, and religious belief. Into this world Hild is born, the king's niece: a child with a glittering mind, powerful curiosity, and will of adamant. Edwin is cunning and ruthless, but Hild is matchless. She carves herself a place as his advisor, a young woman at the heart of the violence, subtlety, and mysticism of the early medieval age. But kings don't trust anyone, even nieces. And at this level, the stakes are life and death.
Development
Prior to writing Hild, Griffith began researching Hild and seventh-century Britain, upon which she realized that not much was known about Hild as a historical person. Griffith documented her research on her blog Gemæcce and during this process she began wondering about aspects of Hild's life not recorded historically, such as her likes, dislikes, and reasons for choosing specific actions. While writing the character Griffith posited that she had two types of close personal relationship with women outside of her immediate family: her sexual partner and her gemæcce. Griffith created the grammatically feminine term gemæcce from the Old English masculine word gemæcca meaning "mate, equal, one of a pair, comrade, companion" and "husband or wife", which she repurposed to refer to a female friend and work partner. As Hild was female and held a position in her uncle's court, Griffith realized that it would be possible for Hild to have sexual partners of either sex. Women of Hild's station would have to worry primarily about being discreet and careful about whom they selected. However Griffith also stated that: Griffith also stated that she wanted to write the book in an immersive style in order to let the reader "experience the seventh century, to see, smell, hear, taste and feel what Hild does; to gradually adopt her mindset and worldview; to think as she does, to learn her lessons, feel her joys—to be her, just for a little while."
Reception
Critical reception for Hild has been positive and many compared the work to Dame Hilary Mantel's Wolf Hall. American historical novelist Cecelia Holland wrote in Locus Magazine that "Griffith’s description of how the little girl Hild foretells some events is deftly done In dealing with the history the book is less effective, and for an interesting reason. Contrast this novel with Hillary Mantel’s Wolf Hall, which also treats a huge political landscape from the perspective of one character." Mantel could take advantage of the popularity of Tudor history and "never had to describe the ins and outs of Tudor politics; she could incorporate whole masses of data by a simple reference.... Griffith has nothing like this. Very few people know anything at all" about fifth-century politics, historical figures, and linguistics. "So all this data falls on Hild to divulge, the whole tangle of little kingdoms, the people with names like Coelfrith... and Eadfrith..., the family feuds and the religious undercurrents..." In contrast a reviewer for the Chicago Tribune wrote that the book had more in common with T. H. White's The Once and Future King and George R. R. Martin's Game of Thrones than with Wolf Hall. Amal El-Mohtar gave the work high praise in an NPR article, writing "Hild is a book as loving as it is fierce, brilliant and accomplished. To read it felt like a privilege and a gift." The work also received praise from Publishers Weekly, who named it one of their "Books of the Week" for November 11, 2013, and the Seattle Times, who named it one of the "best titles of 2013".
