Highland Arts Theatre
The Highland Arts Theatre is a historic building, first constructed as a Presbyterian Church, now operating an arts and culture centre in Sydney, Cape Breton Regional Municipality, Nova Scotia, Canada. It was initially constructed as St. Andrew's Presbyterian Church.
In June 2014 St. Andrew's reopened as the Highland Arts Theatre, a live play and film theatre and concert venue located in Sydney's waterfront district.
History
St. Andrew's Presbyterian Church, construction of which started in 1910 and completed in 1911, was the third church built by the Sydney and Mira Presbyterian congregation, originating from 1852. The congregations outgrew the two previous Sydney churches, and so St. Andrew's was built to contain over 1,000 people for services.In 1925, St. Andrew's Church joined with Methodist and Congregational churches to form the United Church and St. Andrew's then became St. Andrew's United Church. This was a dramatic change for some members of the congregation and many members were lost, however new were gained. St. Andrew's United Church continued as a church with full-time clergy until 2013 when it was decommissioned after the dwindling congregation decided the heating bills for the 104-year-old sanctuary were too expensive.
On Wednesday, July 31, 2013, the congregation of St. Andrew's United Church gathered for the Decommissioning Service as the chimes played a call to worship for one final time.
Architecture
The pastor at the time of planning and construction, Rev. Dr. John Pringle, D.D., travelled to Toronto and met with architects Curry and Sparling to develop the plans for the church. The contract for construction of the building on Bentinck St. was awarded to Rhodes and Curry Company at a cost of $41,635 and when fully completed was $62,945. This is a very fine structure, built using red brick from Mira, a local brickyard. Architecturally, the end result was a beautiful house of worship, with impressive towers, bells chiming on days of worship and the steadfast permanence of the Gothic Revival style, rare within the Cape Breton Regional Municipality.Some of the Character-defining elements of St. Andrew's / Highland Arts Theatre relate to its Gothic Revival style and include its buttressed belfry towers of differing heights, the arched windows, dentil moulding and cornice on the belfry towers, the three-over-three arched windows in upper belfry of taller tower, the three arched windows in upper belfry of lower tower, the wide entry staircase leading to the three arched entries containing two wooden doors each, a large Palladian derivative window above entry. Other character-defining elements are its construction of locally made brick, all original interior elements including: Casavant Frères pipe organ, railings, columns, trim and barrel vaulted ceiling arcing above the theatre floor; ten bells, inscribed with Biblical verses in bell tower.
Casavant Frères Pipe Organ
The 2,045 pipe, three-manual pipe organ made by the famous Casavant Frères in Quebec is the largest such instrument on Cape Breton Island. Its facade, casing, pipes, swell and chorus boxes completely fill the apse of the theatre. The organ was purchased for the new church, then under construction, in 1911 for $5,595 as Casavant Brothers, Ltd., Opus 452. The original specification was for three manuals, 4 divisions, 29 stops, 27 registers, 29 ranks, 1843 pipes. A Stoplist for the 1911 instrument copied from the factory specifications for Casavant Op. 452 1911 3/29, courtesy of the Casavant Frères Archives, St. Hyacinthe, Québec, Canada is available by following this link:The organ was rebuilt in 1946 by Casavant Frères Ltée. as Op. 1841, with 3 new Choir stops, a traditional style console with roll top, three manuals, 4 divisions, 33 stops, 30 registers, 32 ranks, 2045 pipes. Manual compass is 61 notes, pedal compass is 32 notes. Equipped with electro-pneumatic chests, drawknobs in vertical rows on angled jambs, balanced swell shoes/pedals, standard AGO placement, adjustable combination pistons, AGO Standard pedalboard, reversible full organ/tutti toe stud, combination action thumb pistons, combination action toe studs, coupler reversible thumb pistons, coupler reversible toe studs. Added in 1962 were a Clarion 4' to the Swell and a hooded Harmonic Trumpet, 68 pipes, with new pipework supplied by Casavant via Ledoux & MacDonald Organ Service Co., Halifax. Wind is supplied by a 3 hp electric blower located in the basement directly below the organ.
The following link leads to a Stoplist for the 1946 instrument, copied from the factory specifications for Casavant Frères Ltée., Opus 1841, 1946. The 18-ton organ underwent $15,000 in repairs to its bellows in 2008.
Chime (Bells)
The chime, consisting of ten bells located in the south bell tower, is still in use today. The bells were cast in bronze for St. Andrew's Church by the McShane Bell Foundry in Baltimore, Maryland, USA and are dated 1911. The bells are arranged as a traditional chime of 10 bells and are played using the original unmodified McShane "pump handle" chimestand with deep key-fall on all notes. Nine of the bells are hung fixed in position in the main chime frame in the belfry, the tenth, the heaviest bell, is mounted in a rotary iron yoke on iron stands above the main chime frame. This bell, the tenor bell, is equipped with both a spring clapper and a tolling hammer so can be played either by swing chiming or by using the chimestand located in the ringing room immediately below the Bell Chamber in the bell tower.All the bells have the foundry's name cast onto their waist. The nine smaller bells are also decorated with inscriptions, quotes from Psalms from the King James Version of the Bible, cast onto their waist, while the largest bell's inscription reads "St. Andrews Church, Sydney NS". This largest bell weighs about and its pitch is E in the middle octave. The chime is attuned to concert pitch, to the eight notes of the octave or diatonic scale with two bells added, one bell a semitone, a flat seventh, and one bell, the treble bell, above the octave. This smallest bell, at about, rings an F.
In December 2015 a video posted on Facebook of Sydney native Glenda Watt playing the Christmas carol "Angels We Have Heard on High" on the chime was viewed more than 1.6 million times within the first nine days of it being uploaded to the social networking site.
Follow this link to a page of videos of the chime being played:
Heritage designations
Municipal Heritage Property: On September 18, 2007 the Cape Breton Regional Municipality formally recognized St. Andrew's United Church as a Municipally Registered Property under the Nova Scotia Heritage Property Act, Chapter 199 of the revised Statutes, 1989, amended 1991, c. 10; 1998, c. 18, s. 561; 2010, c. 54 The Cape Breton Regional Municipality designated St. Andrew's Church and the property it sits on, recognizing St. Andrew's for its early and continuing presence in the community as well as the striking architecture. It is one of the few brick buildings in the area, and is impressive for its size and beauty.Provincial Heritage Property: On August 29, 2012 the Minister responsible for the Nova Scotia Heritage Property Act entered St. Andrew's United Church into the Provincial Registry of Heritage Property resulting in provincial heritage protection for the theatre.
Concerts
While still serving as a church, St. Andrew's was considered to be perhaps the finest concert venue in the city of Sydney. Before its rebirth as an arts centre, the building had a distinguished background as a performance space. Classical musicians regularly held recitals and concerts there over the years because of the building's outstanding acoustical properties and its Casavant Freres organ. In the mid 1950s St. Andrew's was a regular stop for one of the incarnations of the Halifax Symphony Orchestra whose performances at St. Andrew's were broadcast regionally and even nationally by CBC Radio. Thomas Mayer was the conductor. He would often invite local performers to join them, at the time there were several operatic sopranos and mezzo-sopranos from Cape Breton who gained a national following because of these broadcasts. More recently, due to its seating capacity of over 1,000, and excellent acoustics it was sought after by organizations such as Celtic Colours, The Barra MacNeils, and the Cape Breton Chorale.Since reopening as the Highland Arts Theatre many concerts have been presented.
The following are some of the artists that have performed at The HAT :
- Karan Casey
- CBC Mainstreet Cape Breton - LIVE BROADCAST to the Atlantic Region
- Cherish the Ladies
- J. P. Cormier
- East Coast Music Week: Folk Stage, featuring Ben Caplan & The Casual Smokers, Kim Harris, Quiet Parade, and Jordan Musycsyn
- East Coast Music Week: Classical Showcase, featuring Peter-Anthony Togni, Tristan De Borba, Simon Docking, Saint John String Quartet, Members of Symphony Nova Scotia, Martin Kutnowski, Jeff Reilly, Dinuk Wijeratne, and Derek Charke
- East Coast Music Week: Bluebird North, featuring Tristan Horncastle, Steve Maloney and the Wandering Kind, Kim Harris, Keith Mullins, Tomato/Tomato, Norma MacDonald, Kat McLevey, Dylan Menzie, Dave Sampson, and Ian Sherwood
- East Coast Music Week: Warner Music Roots Room, featuring J. P. Cormier, Chrissy Crowley, :fr:Danny Boudreau, Jordie Lane, and Ken Tizzard
- Lennie Gallant
- Terry Kelly
- The Lemon Bucket Orkestra
- Old Man Luedecke
- Lúnasa
- Makem and Spain
- John McDermott
- Murray McLauchlan
- Heather Rankin
Live theatre
Sound and lighting were all upgraded, with new mixing consoles, sound reinforcement systems, lighting grid, lighting control console, dimmers, and intelligent lighting installed. The pews were replaced with 475 stadium-style theatre seats, converting the space to a "soft seater". A large re-enforced stage was constructed and a flexible stage curtaining system, projection screen, and video projectors were installed. The three large Dressing / Green Rooms were upgraded, a Grand Piano was brought in and the fully functioning Pipe Organ was serviced. Renovations have thus far been for function only — the natural aesthetic and acoustics remain intact.
While the venue is available for rent the theatre has begun to host many of Cape Breton's finest in the fields of music, dance, and entertainment. The management's intention is to create a reliable theatrical presence downtown, producing quality productions with a special emphasis on Cape Breton songs and stories. The Highland Arts Theatre is now actively used for concerts, lectures, weddings, and of course performances of any kind.
A Fall and a Winter/Spring season of plays are offered each year as well as a Summer Repertory theatre season.
Past productions
The following is a list of theatrical plays and musicals performed since reopening as The HAT :2014:
- , Book, Music, Lyrics, & Direction by Wesley J. Colford
- , by Martin McDonagh, Directed by Kristen Gregor
- , by Charles Dickens, Adapted and Directed by Wesley J. Colford, Music Direction by Barb Stetter, Choreography by Cynthia Vokey
- , Written and Directed by Kyle Capstick
- , by Kat Sandler, Directed by Kristen Gregor
- , Book, Music, & Lyrics by Wesley J. Colford, Music Direction by Barb Stetter, Choreography by Cynthia Vokey
- , by Adam Pettle, Directed by Sarah Blanchard
- , Written and Directed by Scott Sharplin
- , Book, Music, & Lyrics by Wesley J. Colford, Music Direction by Barb Stetter, Choreography by Cynthia Vokey
- , by Wesley J. Colford, Directed by Anna Spencer
- , by Alistair MacLeod, Adapted for stage by , Directed by Todd Hiscock
- , by James FW Thompson, Directed by Wesley J. Colford
- , Adapted and Directed by James FW Thompson
- , by Jason Burke, Walter Carey, James FW Thompson, and Jenn Tubrett, Directed by Jenn Tubrett, James FW Thompson, Erin Thompson, Jason Burke, and Mary-Jean Doyle
- , by Daniel MacIvor, Directed by Sarah Blanchard
- , by Charles Dickens, Adapted and Directed by Wesley J. Colford, Music Direction by Barb Stetter, Choreography by Cynthia Vokey
- , Book, Music, Lyrics, & Direction by Wesley J. Colford
- , by David Ives, Directed by Tom McGee
- , Adapted and Directed by Wesley J. Colford, Assistant Direction by Hilary Scott, Music Direction by Barb Stetter, Choreography by Cynthia Vokey
- , Written and Directed by , starring Ron Pederson
- , Book, Music, Lyrics, & Direction by Lindsay Thompson, Music Direction by Barb Stetter, Choreography by Cynthia Vokey
- , Adapted and Directed by Wesley J. Colford, Assistant Direction by Hilary Scott, Music Direction by Barb Stetter, Choreography by Cynthia Vokey
- I Love You, You're Perfect, Now Change, Book and Lyrics by Joe DiPietro, Music by Jimmy Roberts, Directed by Marc Richard, Music Directed by Chris Mounteer
- , Written and Directed by Wesley J. Colford, with additional writing by The Ensemble, Music Direction by Chris Mounteer, Choreography by Courtney Fiddis & Cynthia Vokey
- , Written by Josh MacDonald, Directed by Todd Hiscock, Music Direction by Ken Chisholm
- , Written by Kat Sandler, Directed by Ron Jenkins
- , by Morris Panych, November 9 to 13.
- , by Charles Dickens, Adapted and Directed by Wesley J. Colford, Music Direction by Barb Stetter, Choreography by Cynthia Vokey, November 28 to December 2.
- , a new musical by Wesley J. Colford, December 14 to 18.
- , by Amy Lee, Heather Marie Annis & Byron Laviolette, January 9 to 13
- , by George F. Walker, February 6 to 10
- , a new musical by Wesley J. Coldford, March 22 to 30
- , by Madeline George, April 19 to 23
- Next to Normal, Music by Tom Kitt, Book and lyrics by Brian Yorkey,
- , June 10
- by Daniel MacIvor, Directed by Todd Hiscock, Thursday Nights, July 6, 13, 20, 27, August 3
- , by Michael McPhee, Directed by Tayves Fiddis, Friday Nights, July 7, 14, 21, 28, August 4, 11
- The 25th Annual Putnam County Spelling Bee, Music and Lyrics by William Finn, Book by Rachel Sheinkin, Directed by Ron Jenkins, Music Direction by Chris Mounteer,
- , Adapted and Directed by Wesley J. Colford, Music Direction by Barb Stetter, Choreography by Cynthia Vokey, Assistant Direction by Hilary Scott, Sunday Nights, July 9, 16, 23, 39, August 6, 13
- , Based on the novel by Jerome K. Jerome, Adapted by Mark Brownell, Directed by Sue Miner, Sept 27 - Oct 1
- , by Kat Sandler, Directed by Kristen Gregor, Oct 25 - 29
- , Book by Joe Masteroff, Lyrics by Sheldon Harnick & Music by Jerry Bock, Directed by Wesley J. Colford, Music Directed by Barb Stetter, Nov 22 - 26
- , Written by Charles Dickens, Adapted & Directed by Wesley J. Colford, Music Directed by Barb Stetter, Choreography by Cynthia Vokey, December 13 –17
- , Created and Performed by Amy Lee and Heather Marie Annis, Direction & Dramaturgy by Byron Laviolette, January 16 to 20
- The Glass Menagerie, by Tennessee Williams, Directed by Mark Delaney,
- , A new musical by Wesley J. Colford, Choreography by Cynthia Vokey, March 13 to 18, 20, 21
- , by Margaret Atwood, Directed by Birdie Gregor, Choreography by Thomas L. Colford, April 17 to 22
- , Book, Music, & Lyrics by Leslie Arden, Based on the story by Oscar Wilde, Directed by Ron Jenkins, May 15 to 20
- , a new new star-studded revue, June 5 to 10
- , a Tony-Award winning musical comedy straight from Broadway! 8:00 pm every Tuesday, July 10, 17, 24, 31 & Aug. 7, 14, 21
- , a pulsating, gyrating, full-on comedy of the highest order. 8:00 pm every Wednesday, July 11, 18, 25 & Aug. 1, 8, 15, 22
- , this musical collage celebrates the unique history of Canadas East Coast, contrasted with new voices sharing tales of the contemporary East Coast lifestyle, 8:00 pm every Thursday, July 12, 19, 26 & Aug. 2, 9, 16, 23
- , for 50 years, the Sydney Steel Plant produced the finest steel in the world. But when War breaks out and the men are gone overseas, what will happen when women take change of the workplace for the first time? 8:00 pm every Friday, July 13, 20, 27 & Aug. 3, 10, 17, 24
- , by Stephen Massicotte. Directed by Ron Jenkins. On the night before her wedding, Mary dreams of a thunderstorm, during which she unexpectedly meets Charlie sheltering in a barn beside his horse. But the year is 1914, and the world is collapsing into a brutal war. Sept 20 to 23 at 8:00 pm
- , by Al Pittman. Directed by Sarah Blanchard. Once a year, on All Souls Night, the occupants of a small Newfoundland graveyard are given the gift of speech and the ability to once again gossip with their ghostly neighbours. The fisherman, the shop keep, and the busy-body all have their usual complaints but rumours of resettlement lurk in the shadows and the haunting are about to become the haunted... Oct 24 to 28 at 8:00 pm
- , Book by Joe Masteroff, Lyrics by Sheldon Harnick & Music by Jerry Bock, Directed by Wesley J. Colford, Music Directed by Barb Stetter, Nov 21 - 25 at 8:00 pm
- Written by Charles Dickens. Adapted & Directed by Wesley J. Colford. Music Directed by Barb Stetter. Choreography by Cynthia Vokey. December 12 – 16 at 8:00 pm
- , by Scott Sharplin Directed by Michael McPhee, featuring: Mark Delaney, Amy Fedora, Andy Gouthro, & Hilary Scott. January 8–13
- The Glace Bay Miners' Museum, by Wendy Lill Adapted from the novel by Sheldon Currie Directed by Ron Jenkins.
- , a new musical by L. M. Thompson, Book & Lyrics by Lindsay Thompson Music by Suzanne Doane Directed by Alison Crosby Choreography by Thomas L. Colford. March 12–17
- , by Hannah Moscovitch Directed by Richie Wilcox. A professor of Victorian Literature is confronted by the ghosts of her own sexuality in this dangerous and disorienting play about repressive social convention, personal inhibition and desire unleashed. It’s a romance. It’s sexy. Not always at the same time. April 9–14
- The Drowsy Chaperone, Book by Bob Martin & Don McKellar Music & Lyrics by Lisa Lambert & Greg Morrison Directed by Wesley J. Colford.
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- , a new musical by Wesley J. Coldford, 8:00 pm every Thursday, July 11, 18, 25 & Aug. 1, 8, 15, 22
- , Music Director Chris Mounteer, 8:00 pm every Friday, July 12, 19, 26 & Aug. 2, 9, 16, 23
- , Book and Lyrics by Joe DiPietro, Music by Jimmy Roberts, Directed by Marc Richard, Music Directed by Chris Mounteer, 8:00 pm every Saturday, July 13, 20, 27 & Aug. 3, 10, 17, 24
- , by Trina Davies, Directed by Ron Jenkins, September 17 to 22 at 8:00 PM
- Little Shop of Horrors, Book & Lyrics by Howard Ashman, Music by Alan Menkin, Directed by Ron Jenkins, Music Directed by Barbara Stetter, Choreography by Cynthia Vokey,
- , by Daniel MacIvor, November 19 to 24 at 8:00 PM
- , by Charles Dickens, Adapted & Directed by Wesley J. Colford, Music Directed by Barb Stetter, Choreography by Cynthia Vokey, December 10–15 at 8:00 PM
Current production
- The Drawer Boy, by Michael Healey. Directed by Ron Jenkins,
Upcoming productions
- Morro and Jasp: Save the Date, created by Heather Marie Annis and Amy Lee.
- As You Like It, adapted by Wesley J. Colford. Tuesday 10 March 2020 to Sunday 15 March 2020
- A Public Reading of an Unproduced Screenplay About the Death of Walt Disney, by Lucas Hyath, Tuesday 14 April 2020 to Sunday 19 April 2020
- The Clockmaker, by Stephen Massicotte. Tuesday 12 May 2020 to Sunday 17 May 2020
- , a new new star-studded revue, Tuesday 2 June 2020 to Sunday 7 June 2020
Film
- THE CANOE, Alex Balkam, 8 mins, Experimental
- SOME THINGS WON’T SLEEP, Leah Johnston,11 mins, Drama
- ALIA, Raghed Charabaty, 5 mins, Drama
- A HORSE THROAT, Jenna Marks & David Barlow-Krelina, 2 mins, Animation
- CABINET OF WONDERS, Jim MacSwain, 10 mins, Animation
- WHAT YOU DID BEFORE YOU WERE BORN, Ariella Pahlke, 22mins, Documentary
The following is a list of films previously shown at The HAT :
- Trumbo
- Al Purdy Was Here
- Brooklyn
- Carol
- Spotlight - Academy Awards winner, Best Picture and Best Original Screenplay.
- The Princess Bride
Upcoming screenings
- Mamma Mia!, 15 February 2020
- Jesus Christ Superstar, 11 April 2020
- Oklahoma!, 13 June 2020
- Hairspray, 8 August 2020
- Little Shop of Horrors, 24 October 2020
- White Christmas, 19 December 2020
- I Am Skylar, 26 January 2020, written and directed by Rachale Bowers. 15 min.,
- The Body Remembers When the World Broke Open,
Box office