High Tide is a 1987 Australian drama film starring Judy Davis, from a script by Laura Jones, about the mother-daughter bond, directed by Gillian Armstrong. Armstrong reported that when she began work on High Tide she pinned a note above her desk: "Blood ties. Water. Running Away." Jan Adele plays Lilli's mother-in-law Bet, in her film debut.
Lilli is one of three backing singers for a touring Elvis impersonator until she is fired. Then, left alone at the beginning of winter she is stranded in a ramshackle beach town on the windswept coast of New South Wales. This remote, working class, tourist-town has a pervasive sense of rootlessness and movement. The people survive by changing their occupations with the seasons and work hard in small businesses. Here, stuck in the Mermaid Caravan Park, she encounters her teenage daughter Ally. When Lilli's young surfer husband had died, she felt lost; she gave up her baby to her mother-in-law, Bet. Lilli has been drifting ever since, and getting wasted. Bet is a rowdy, belligerent woman, devoted to Ally—she has taken care of her for 13 years but she has no idea how unhappy the girl is. Lilli has an immediate rapport with the lonely Ally even before she knows that Ally is her daughter, and after she knows, she can't take her eyes off her. They belong with each other. but Lilli's terrified of taking on the responsibilities of motherhood, and Bet tells her she's riff-raff. When we first see Ally she is in the water; surfing is—"her refuge from the noisy junkiness of life with Bet. Bet isn't a monster, she's simply the wrong person to be raising the pensive Ally, whose emotions are hidden away, like her mother's. The drama is in our feeling that Lilli must not leave her daughter in the embrace of this raucous old trouper."
Cast
Judy Davis as Lillie
Jan Adele as Bet
Claudia Karvan as Ally
Frankie J. Holden as Lester
John Clayton as Col
Colin Friels as Mick
Toni Scanlan as Mary
Monica Trapaga as Tracey
Barry Rugless as Club manager
Bob Purtell as Joe
Production
The story was developed by Armstong, Sandra Levy and writer Laura Jones. They wanted to make something contemporary that had a small cast and would be relatively cheap to make. The script was originally written and financed to be about a man who had abandoned his daughter. But then Armstrong went to see Wrong World at the cinema, which was about a male drifter, and the more she thought about the more she felt there had been plenty of films about a man being reunited with their child such as Paper Moon and Paris Texas. Her husband suggested she change the character to a woman, which would not only be different but give the film a harder edge. Armstrong was reluctant as she did not want to make another film about a woman, but eventually changed her mind. Jones and Levy agreed with the choice. Judy Davis was approached even before the film was rewritten and she was involved in further drafts.
