Martha Proctor believes something evil has come to her home. Her nephew Dr. Dan Proctor arrives with his betrothed, Evelyn Heath, who is a frail invalid. Evelyn is introduced to Aunt Martha as well as Dan's older brother, Douglas, an illustrator, along with Douglas's wife Ann and his model, Miriam. The women sympathize with Evelyn, knowing of the hard life she has had. Evelyn has bouts of hysteria, involving her fear of birds, and also keeps a secret diary in which she mocks her fiancé Dan and expresses a desire for Douglas instead. While plotting to seduce Douglas, and accusing Dan of jealousy to make him leave, Evelyn next sets out to rid the house of Miriam, whom she sees as a rival. Her gossip succeeds in getting back to Aunt Martha and turning everyone's suspicions to Miriam, who departs. Douglas then quarrels with Ann, driven apart by Evelyn's diabolical schemes. Evelyn goes so far as to destroy the goodbye note Ann has written to him. By the time everyone realizes who's behind all this and decide to commit Evelyn to an asylum, a hysterical Evelyn flees from the house, screaming, and plunges to her death.
Cast
Reception
The film earned a profit of $50,000.
Critical response
, the film critic for The New York Times, gave the film a mixed review when it first opened, writing, "For a more cracked and incredible tale than this quaint one of a mischief-making female has not lately disturbed the screen. As a play by Hagar Wilde and Dale Eunson, it had a moderate run, we understand, but as a film it is openly in peril of being laughed into a quick decline. The fault is as much in the story as it is in the handling by all concerned, for the story is cheaply synthetic and about as logical as a crooner's song...Nor is any help rendered by Anne Baxter, who plays the wrecker with so much coyness that anyone, shy of a blind man, could see that she was up to tricks. And Ralph Bellamy is equally ridiculous as a middle-aged Byronic beau who tries to be boyish and amorous and also solemn and wise. Miss MacMahon remains in the background, which is a happy place for one in this film, while Ruth Warrick, Scott McKay and Jerome Cowan get entwined with the torturings up front. Mr. Stromberg is an eminent producer, but his grip certainly slipped on this job."
